An odd man, Jackson. The men said that he and Uncle Nicholas had saved Aunt Gianna's life; had literally snatched her from under the hooves of the French cavalry. And, only a few weeks ago, Jackson had saved his own life. Aunt and nephew. But the American had said nothing about it at the time, nor had Uncle Nicholas: Rossi had finally told him, and then only to say that Uncle Nicholas had been angry with him for joining the boarding party when they cut the Jocasta out of Santa Cruz.

Such a glare on deck, and with a French frigate coming over the horizon they won't be stretching the awning, so the sun will be scorching, and where is Uncle Nicholas?

Paolo saw him standing at the taffrail watching La Creole working her way round to windward of the Calypso, which seemed curiously dead in the water. Dead in the water! Accidents, the foretopsail is backed and she's hove-to! What are they doing?

The French signal book, sir.'

Thank you, Orsini. Stand by me in case there are more errands.'

This was how Aunt Gianna said it would be. An hour at sea with Uncle Nicholas comprised forty minutes of waiting, nineteen minutes of wondering, and one minute of sheer excitement Well, now he was fourteen years old he could make allowances for the way a woman saw things, but he could understand what she meant Uncle Nicholas (the captain, he corrected himself, because be wasn't really an uncle, yet anyway, and good discipline meant that the relationship wait never referred to) was rather like a cat. He sat patiently for hours outside the mouse hole, but once the mouse came out it was all over in a moment The trouble was, of course, that the prey was rarely a mouse; usually it was something like a leopard, not that he'd ever seen a leopard, except in those paintings on the walls of Etruscan tombs. All spotted. And, accidente, what breasts those Etruscan women had, too, and lately he seemed to be thinking more and more about women's breasts. Men did, he knew.

Anyway, Aunt Gianna had said the captain would show him no favour; that this was the English system, and he'd probably be harder on Paolo than on anyone else, but it was all part of the training. Well, if that was the case then Midshipman Orsini would be the best trained in the Navy and would pass for lieutenant the first time he took the examination, and the examiners at the Navy Board would be amazed . . . except, if Mr Southwick was to be believed, for his mathematics and navigation. This spherical trigonometry - Mama mia! Galileo, Archimedes, Pythagoras, Copernicus, Leonardo - they were all Italians (or were some of them Greek > Leonardo was Italian, anyway, because he had visited the village of Vinci, where he had been born), and if they could do it, well, Paolo Orsini should be able to. But could Leonardo?

'Orsini!'

'Sir!'

'That signal from La Creole!' "Yes, sir, I . . . er . . .' Where the devil was the ordinary signal book? And the telescope? Accidente, that stronzo Leonardo, and Vinci was not in Tuscany anyway; it was though, just north of Empoli, but it wasn't in the Kingdom of Volterra, so he didn't really count 'It's all right, Orsini; it's a special signal. But you'd gone to sleep.'

'No, sir, I - '

He saw Aunt Gianna's face and heard her words: 'And, Paolo, you'll be blamed for things you didn't do and it'll seem unjust, but never make excuses.'

She really did understand the Navy - of course, she had made two or three passages in the King's ships. Or, he suddenly realized, perhaps she understood Uncle Nicholas - the captain, rather. She knew his moods, because he could be very moody, and his sense of humour, which was dry. Very dry, at times; like this island. Did she know how thoughtful he was, though? How he was always concerned for his men, doing something for them, and no one - except perhaps Mr Southwick or Mr Aitken, or perhaps Jackson - ever knew? Several times in places like English Harbour and Port Royal, bumboats had come alongside and put many sacks of fresh fruit and vegetables on board for the men, and most people thought it was Navy Board issue, but Jackson had told him the captain paid for it out of his own pocket, and it was to prevent the men getting scurvy.

What is going on? The Calypso hove - to and now a dozen or more seamen on the foredeck under Mr Aitken and Mr Southwick. Two men passing a line outside of everything to the jibboom end. And a seaman balancing out there - is that a heaving line he's holding, half the coil in each hand? Yes, and one end of the heaving line is being made fast to the line leading back to the foredeck. If only he could ask the captain, but Uncle Nicholas looked preoccupato: he was rubbing the upper of those two scars over his right eyebrow, and Paolo remembered one of the first lessons he had ever learned from Jacko, or perhaps it was Rossi: when you see the captain rubbing that scar, keep clear Accidente! Just look at La Creole now! They've eased the sheets and are just - what is the word, just 'jilling' - across our bowl They'll collide, rip out our jibboom, spring the bowsprit, tear away the forestay and bring the foremast down - why doesn't someone do - but the captain is just standing there watching. Rubbing the scar, but not bellowing orders. In fact, Paolo realized, no one was speaking a word: whatever was happening was planned.

With La Creole sailing slowly at an angle across the Calypso's bow, the man holding the heaving line on the jib - boom end was balancing himself as the whole bow gently rose and fell on the swell waves. Now he's twirling the coil in his right hand and the men who had passed the heavier line from the foredeck to the jibboom end are holding it out clear, as though to prevent it snagging on anything. But why should it snag?

That schooner! There's Mr Lacey standing beside the men at the wheel. He's just standing there like a statue. One of the men heaves down a spoke or two. The hiss of the schooner's bow wave - he could see every plank in the hull, every seam where the heat of the sun had shrunk the wood. He wanted to shut his eyes as the schooner hit the jibboom but was even too frightened for that Suddenly the man on the jibboom jerks as though shot - now the thin snake of the heaving line is darting towards the schooner's mainchains. Men seize it as the schooner crosses ahead and the men along the Calypso's jibboom jump back after letting go of the line, as though it was suddenly hot. The line is racing over the bow - it's secured to the cable and now that too is going over the side after the line, and they're hauling in like madmen in La Creole!

Now the - first words in the Calypso came from Mr Wagstaffe, clear across the open water - to brace up the foretopsail - yard, so that it draws. Now he leans over for a quick word to the quartermaster and the men at the wheel heave at the spokes. And Uncle Nicholas is just standing there, quite still except his eyes move - from La Creole to the Calypso's jib - boom, to the foretopsail, to the windvane on top of the bulwark nettings, to the foredeck and that heavy cable which is smoking where it chafes on the bulwark as it goes over the side. He hasn't said a word nor made a movement.

It had all happened, Paolo realized, exactly as the captain had intended. It had taken - well, perhaps three minutes. Three, Aunt Gianna, not one. But to what purpose? The cable was paying out slower than he expected - La Creole was deliberately spilling wind from her sails to move slowly; the Calypso, with her foretopsail now drawing, was gathering way and Mr Wagstaffe was getting her into La Creole's wake. Now he could see the heaving line and the heavier line had been taken on board La Creole and men were hauling vigorously to get the end of the Calypso's heavy cable on board.

Now Mr Wagstaffe was bellowing orders to furl the topsails. And courses. Furl, not clew up. But the topmen are making a poor job of passing the gaskets: the sails look like so much old laundry. And Uncle Nicholas is just watching and nodding to Mr Wagstaffe, obviously approving. And the courses - bundling up the canvas, that's what the men are doing, not furling. The jibs are being dropped and just left at the bottom of the stays, as though milady was stepping out of her clothes.