His voice was becoming querulous and obviously his aide recognized the symptoms. He called to a thin-faced officer sitting at the far side of the bar, a sad-looking man with inordinately long moustaches that hung down from his upper lip like curtains pulled away from a window. He picked up his shako and, with obvious reluctance, made his way over to the colonel's table. "You wanted me, sir?"

"Sit down," the colonel said in what obviously passed for his friendly manner. "Pour yourself a drink. This local wine is good. From Argentario, over there. Not really white and certainly not red. Deep gold . . ." He held up the glass against the light of a candle in a lantern. "Just look at it. They say it turns to vinegar if you move it. Pity, I'd like to take a few casks with us. That Cretan wine - mon Dieu, they use resin to flavour it. They'll try to persuade us to buy some casks when we get to Candia, but where we're going to it is hot enough without having to soak up resin."

Ramage waited anxiously: one grunted word from the major would reveal the precise destination. But the major said nothing: he reached for the carafe, saw there was no glass and took the one that Ramage had just set down on the table.

The colonel noticed immediately. "That is the glass of the tzigane," he snapped. "Get another one for yourself."

The major put the glass down, glowered at Ramage and walked to the next table, taking the glass from a young lieutenant, swilling the wine round and then emptying it on the floor, and returning to the table to refill it.

"We leave for Porto Ercole in the morning two hours later than arranged," the colonel said suddenly, his voice slurred.

"But sir, all the movement orders are ..."

The colonel glowered at the major, his podgy face growing even redder, as though he was holding his breath. "I ride at the head of the regiment, and I shall not be ready in time," he announced. "I intend to listen to thisflûtiste for at least another hour, and by that time I shall be drunk and sad, and when I go to bed drunk and sad," he said with the honesty of someone already drunk, "I wake up next morning with a bad liver, a bad head and a bad temper. With me in that state you expect me to sit on a damnable horse and be shaken up violently for an hour while we drag those thrice-damned guns over cart tracks to Porto Ercole. And then - then," he half-shouted, the thought of it clearly making him lose his temper, "we have to get the guns and the horses on board those ships! Have you ever seen the way the navy goes about its business?"

He glared at the major and clearly expected an answer.

"Well, sir, not really, but -"

"Heh, then you have a treat in store. Slings under the bellies of the horses, and the first ones hoisted make such a squealing that the rest of them try to bolt. Guns the same. They try to lift them off the carriages and forget to undo the cap squares so that, instead of the gun being lifted, the whole damned carriage goes up like a rocket, and the sailors panic and drop it again, smashing the carriage, killing a couple of people, and making more horses bolt, probably with men on their backs. Oh, major, embarking a battery of field guns, with men and horses, is an experience. When you add to it our destination," he added balefully, "you realize why I wish those fools in Paris had never heard of me or my battery. I tell you," he snarled, his voice dropping, "if you think trying to shift those guns across the sands of that causeway to Porto Ercole is hard work, then you can think again: that sand is only a few inches thick, spread on rock. Where we are going, my man, the sand just goes down and down, bottomless like the ocean. When the wheels of a gun carriage sink into it, your heart sinks with them . . ."

The rest of the sentence was drowned by the officers clapping as Martin finished a tune and Ramage turned, gave a dramatic wave and pointed upwards, signalling to the young lieutenant to go on playing. He just had time to hear the colonel continuing.

". . . so you talk too much, major, and I can't hear the music. Sand! In your mouth, in your food, in your wine, in your boots, in your eyes... It makes the axles of the gun carriages run hot, blocks the barrels of muskets and the touchholes, even gets into the scabbard of your sword so that you can't draw in a hurry .. . And you want me to hurry towards it! No major, I just want you to be silent now so that I can hear the music!"

With that the colonel's head slowly drooped forward and he began to snore as the outraged major, so far unable to say a word in his own defence, drained his glass and filled it again with a savage movement that slopped wine across the table.

Ramage saw the innkeeper and two waiters coming out of the kitchen with a large plate heaped with steaming spaghetti. "Food for the tziganes!"he shouted as he zigzagged between the tables.

Martin had just come to the end of another tune and two of the cheering officers repeated the innkeeper's words in a drunken chorus, pulling at Martin's arm to attract his attention. The lieutenant, grasping his flute, looked down at them, not understanding what they were shouting and feeling the table beginning to rock as they pulled him. A moment later he toppled over as a leg of the table gave way and in falling he grabbed one of the officers in a futile attempt to keep his balance. He and the other man hit the floor together, there was a metallic thud, and Ramage just caught sight of a shiny object sliding across the floor and coming to rest almost at the major's feet.

The major bent down and picked it up. It was a pistol, the brass polished and the wood newly oiled. He examined it curiously, noting that it was loaded. Suddenly he cocked it and pointed it at Ramage as he stood up.

"Who are you?" he demanded in French. "This is a British pistol!"

Orbetello's jail was next to the town hall, on the other side from the inn, and was simply a large room at one end of the cellar. Because the town was built out on the peninsula the defensive walls were on the water's edge. Indeed, Ramage thought, it was too much like Venice to be comfortable; the foundations of most of the town were below the water level so that the walls of the cellar were sodden with damp. The cellars of most of the houses must have a foot or two of water in them and the cell was either pumped out regularly or the floor had been raised.

The major was a remarkably patient man, even though he was almost cross-eyed from weariness. He had Ramage, Martin and Orsini tied securely to three chairs placed side by side in front of him with two sentries behind them. He had a chair and table brought down and he sat there, a lantern on the table so turned that the light from its window lit the three prisoners, leaving him in shadow.

With only a rudimentary knowledge of English, the major was trying to interrogate Martin and Orsini. He had established that Ramage spoke a little Italian. Ramage had had to admit to that, having been heard speaking to the innkeeper. The other two had been quick enough to insist that they spoke only English - a statement of fact in the case of Martin. Ramage was thankful that the major either disliked the colonel's aide or did not know he spoke Italian.

The major had also been so absorbed with Martin's Sea Service pistol, with its belt hook and the word "Tower" and a crown engraved on the lock, that it never occurred to him that Martin might have more weapons hidden under his layers of shirts. Other officers had seized Ramage and Orsini and quickly searched them but found no weapons. Obviously Martin was the only man carrying a pistol, and they had not noticed the canvas belt round his chest even when they stuck the flute down the front of his clothing, a chivalrous gesture which none of the British had expected.