Age-grimed engines the size of skyscrapers blasted flames and blue-black smoke into a dingy green sky. A forest of enormous furnaces lay ahead of him and wretched workers (twisted limbs and curved spines, as if their backs had all been broken and not allowed to heal properly) shoveled pale things into the flames. When his eyes adjusted to the light, Spyder saw that the slaves (there was no other word to describe their condition) were shoveling whole corpses into the fire pits. Where there were no corpses, there were piles of desiccated limbs or putrid mountains of human fat. The crippled workers shoveled each of these into the furnaces as diligently as the corpse stokers.

The man was flicking matches again. "You're a fool," he said to Spyder. "A lost puppy. A sparrow with a broken wing, trapped on an anthill. A little boy who's fallen down a well. It's enough to make a good man cry."

"Who are you?" asked Spyder.

"What's the opposite of a good man?" asked the stranger. Spyder could see him better now. He looked like one of the Black Clerks, but his movements were more fluid. "We have three brains, you know. A reptile brain wrapped in a mammal brain wrapped in a human brain. We're all three people in one body. Which do you want to answer your question?"

"Where am I?"

"The dark side of the moon. Over the rainbow. Under the hill." The next match struck Spyder in the eye and he flinched. "But it's never too late to go back home."

"I want to. I want to go home."

"Liar," said the man. "You want to play." He rushed at Spyder, his broken black teeth bared in fury. He was one of the Black Clerks. Or what Spyder would look like if he were a Black Clerk. The man's skin was held loosely in place by hooks, leather straps and brass clasps. He pulled off his face to reveal some pitiful thing beneath, a blackened stick figure that smelled of roses and shit, leaking an oily yellow dew from every orifice.

"Let's see what's under your mask, little boy," said the Clerk Spyder and he dug his spiky, broken nails into Spyder's face, ripping away chunks of flesh and muscle. "What are little boys made of? Meat and tears and bones and fear, that's what little boys are made of!"

Spyder awoke with a stifled scream.

Sitting on a small, child-size chair that looked like it was intended more as a decoration than a functional piece of furniture was a pale, small man in a brown suit at least two sizes too small for him.

"Who are you?" asked Spyder, hoping he wasn't about to start the whole dream over again.

The man stood up and made a small, stiff bow. "I am Primo Kosinski. I have been sent to fetch the Butcher Bird to Madame Cinders' home."

Spyder shook Shrike, then realized she was already awake and playing possum. "I heard him come in," she said. "I just wanted a little more sleep."

"I am to bring you to Madame Cinders at your earliest convenience." The words rushed out of the little man's mouth in a high, breathy voice.

"We heard you the first time," Shrike said. She snuggled closer to Spyder. "I'm not a morning person."

"It's afternoon, ma'am."

"Damn," she said. "All right."

The little man remained standing as Spyder crawled out of bed and began to look for his clothes. Primo's attention was anxious and unnerving. Like what a herd dog must make a sheep feel like, Spyder thought. "Would you sit the hell down and relax?" asked Spyder.

"Certainly." Primo sat, but it didn't help much. He perched on the edge of the little chair, his attention as keen as ever. "And close your eyes while she dresses," Spyder added. The little man closed his eyes and covered them with his hands.

"I don't care," said Shrike. "It's not like there's anything here worth lusting after right now." Spyder knew how she felt. Whatever kind of wine they'd been drinking, it left him lightheaded, clumsy and oddly forgetful. Even when he found his clothes, it took him a few minutes to decide that they were his. It was some small consolation that Shrike, too, was moving slowly and painfully. The wine had kicked her ass, too. Good, he thought. At least we're starting out the day even.

"How far is it to Madame's?" Shrike asked.

"From here, perhaps three hours," said Primo, his voice muffled by his hands. "There is a boat and then the Blegeld Passage."

"You've arranged transport through the passage?"

"Yes, ma'am. A very agreeable tuk-tuk. Very luxurious."

"There's no such thing as a luxurious tuk-tuk," said Shrike, pulling on her boots.

"Yes, ma'am."

The day was starting slow, but all right, thought Spyder. He remembered that Shrike had not wanted him to speak much. That request was working out fine since, once again, he didn't know what she and Primo were talking about other than they were all going somewhere and, happily, using a boat for part of the journey. At least he'd recognize something.

When they'd dressed, Shrike ordered both Primo and Spyder out of the room. She stood in the doorway with the little book open flat on her hands and said a few words. As Shrike slapped the book closed, the bed and carpets were gone and the room was back to its original dingy state. Even the dust hadn't been disturbed. Shrike tucked her cane under her elbow and took Spyder's arm. "Lead us to the boat, Primo."

"This way, please, ma'am." He hurried down the steps ahead of them as Spyder walked down with Shrike. Spyder couldn't tell if she was walking slowly because of the hangover or because she wanted to appear relaxed and indifferent to their journey. In any case, it was pleasant to have her on his arm again. Though all through the walk, Spyder felt as if he were floating beside his body watching himself. He was so out of it, in fact, that Primo was handing them the boat tickets before he realized they were back at the ocean, on the edge of Fisherman's Wharf.

"These are tickets for the tour boat to Alcatraz," said Spyder.

"Yes, sir. You're very observant," said Primo brightly.

Spyder let it go since another thought had popped into his mind. "We're going to get in line for the boat. Please give us a moment alone, Primo."

"What the hell are you doing?" asked Shrike as Spyder pulled her away from the little man and toward their gate on the dock. "It's dangerous for us to be alone like this. He might think we're plotting against Madame Cinders."

"That wine we had last night. What was in it?" asked Spyder.

"Grapes. Spices. I don't know all the ingredients."

"Was it some kind of magic wine?"

"No. Not magic."

"Then chemical. My mind keeps floating and my memory feels like it's been pissed all over. And don't tell me this is normal for a hangover because I've had about a million, none like this."

"It's a special wine," said Shrike. "I didn't know you well last night. If it had gone badly I would have let you drink a little more. I would have had more, too. Then we would have both forgotten. That's all. It's just something I keep around for passing situations that might turn sour. No one needs that kind of thing cluttering up their head. You understand, don't you, pony boy?"

"Passing and sour, you know how to make morning-after sweet talk, don't you?"

"I didn't let you forget it all. I didn't forget, either. And it turned out to be better than passing. Kind of nice. If you could remember, you'd know that I stopped you from drinking too much."

"If I could remember," said Spyder.

"Don't worry," said Shrike. "When we do it again, I'll make sure it's memorable."

"When we do it again? You've got it all figured out."

"I'm a girl with her own sword. That's your type." Then she added quickly. "Don't kiss me now. Primo will be watching. Wave him over. Be careful from here on. No smiles and no talking. You're the quiet, deadly type."

"Easy for you to say. You don't have a hard-on."