"What if the destination is beyond this Sphere? Beyond every Sphere you know?"

"I go where I'm paid to go."

"Will you go to Hell for me, Blind Shrike?"

"I'm confused, Madame. I'm an assassin. What use would I be to you in a place of the dead?"

"What indeed?" The little pump attached to Madame Cinders' wheelchair chuffed into life. An inverted bottle of some thick purplish fluid bubbled on her IV stand. She sighed a little as the fluid drained into her. "As a traveler, what can you tell me of Hell?" Madame Cinders asked.

"It's very far. It is a city underground, or so surrounded by mountains that it appears to be underground. There are many entrances and exits, if one knows the way. Mostly, I know that you want to avoid the place, if possible."

"Is that all?"

"As I said, Madame, my concern has largely been with living, breathing adversaries."

"You are not doing well, child. Not well at all. Do you wish to be fed to my little flowers?"

"The question is insulting," said Shrike.

The old woman was silent for a moment. Then asked, "If you were to go to Hell on my behalf and you met the great beast called Asmodai, what would you say to him?"

"Who, Madame?"

"No questions, please," said Primo.

"What would you say upon meeting the beast Asmodai?" asked Madame Cinders.

"Good day to you, sir beast?"

Madame Cinders shook her head wearily and turned to Primo. The little man looked at the lever that controlled the metal flower hanging over their heads.

"I would say his name," said Spyder. He took a step forward so that he was standing next to Shrike. Her head snapped in his direction. "If I were wearing something on my head, I would remove it and I'd say Asmodai's name three times, once to each of his heads. Once I've done this, he'll kneel down and answer all my questions truthfully."

"And if you met Paimon?"

"I would only speak to him facing the northwest and never, ever look into his eyes."

"Better," said Madame Cinders. "Between the two of you, I see one good hunter and one good hunter is all I need."

The woman made a slight, almost invisible gesture. Primo jerked the lever that controlled the metal flower. Gears ground again and the blades began to retract. Spyder, his stomach knotted with tension, relaxed. Until he heard a click. The flower stopped retracting and the blades sprang open. The metal blossom shot down at them as if fired by a cannon. Spyder couldn't move. There was nowhere to go and he was mesmerized by the gorgeous meat grinder falling toward their heads.

Something blurred past his eye.

Shrike's blade was up and out. She hadn't struck the flower, but had wedged her sword into the central shaft around which the blades spun, jamming the mechanism. When he realized it had stopped, Spyder grabbed on to Shrike's sword, reinforcing her hold on the flower.

Madame Cinders' deep rasping laugh filled the room. "Better and better," she said. "You've earned the commission." Primo pushed the lever again and the flower retracted completely, disappearing into the ceiling. By then, the old woman had gone.

Eighteen

A Weapon for Others

Primo took Spyder and Shrike from the greenhouse to Madame Cinders' private quarters, which was located at the top of the minaret they'd seen from outside the compound.

They climbed a stone spiral staircase that had been worn smooth over centuries of use. Spyder had no idea how Madame Cinders got up and down the tower since it didn't seem big enough to house anything resembling an elevator. Shrike tugged on Spyder's arm, holding him back and letting Primo get ahead of them on the stairs.

"Since when are you an expert on demonology?" she asked. "You didn't even believe in demons until two days ago."

"My daddy used to say, 'Just because T-bones are better eating, doesn't mean you shouldn't know the zip code of the brisket.'"

"What the hell does that mean?"

"It means, that even a useless tattooist can pick up a few facts that aren't about girls or ink," he said. "Jenny was an anthropology major. Studying medieval Christianity. I used to read her textbooks when she was finished. You'd be surprised how hot and bothered a little demon and saint talk gets Catholic girls. I still know Hell's floor plan, all seven Heavens and which angels rule each one."

"You saved us back there."

"That sword trick helped. Someday you're going to have to show me how that thing goes from a cane to a blade so fast."

"Stay useful and I will."

They entered Madame Cinders' private quarters. The room was dark, as the shutters, which were carved in traditional Muslim geometrics, were closed to keep out the heat. Enough light came through the skylights that the opulence of the room was unmistakable. The walls were hung with tapestries and dark purple velvets. The furniture, a mixture of low Middle Eastern-style pillows and benches, was mixed with elegant European pieces and upholstered in rich brocades. Delicate lamps of brass and milky glass dotted the room. Above an Empire-style desk was an oil portrait of a young woman. Her skin was creamy and pale, like liquid pearls, and her hair long and dark. She wore a high-necked turquoise gown of a simple cut, but even in the painting it was obvious that it was of exquisite material and expertly made. In her hands, the girl held a book whose tattered cover and cracked spine indicated its great age and constant use. Spyder wondered if the girl in the picture was Madame Cinders in earlier, happier times. It was hard picturing the wheezing wreck in the wheelchair as a girl, much less a pretty one getting her portrait painted on her birthday.

"Yes, young man," said Madame Cinders. "A book. That is what I've brought you here for."

"You want us to steal a book, Madame?" asked Shrike.

"The one in this painting?" Spyder asked.

Madame Cinders shook her head, moving the fabric of her hijab slightly. Spyder realized that the awful stench back at the greenhouse wasn't the exotic plants, but Madame Cinders herself. The heavy incense in the tower couldn't disguise the stink of her flesh.

"You're right, I am rotting."

Spyder looked at the woman. He realized that she could read his thoughts. Or was she just picking it up from body language? He resolved to stand completely still and look directly at her.

"Do that, if it comforts you." Madame Cinders nodded toward Shrike. "She has no such worries, you see. Her world is black and full of secrets buried in darkness and deeper darkness. That's why she's so valuable to me. What's an affliction to some, is a weapon for others." Madame Cinders paused as her pump started up again. "I know you both have questions, but let me tell you how the girl in that portrait became the creature you see before you.

"Since the time of the Great Divide, when all the Spheres of the world broke each away from the other, my family has guarded a book. The first book. It contains the true names of all things. Someone with the understanding to use the book could blot out the sun. Turn the oceans to blood. Or close forever the doors of existence.

"The book was stolen from this very room and spirited to Hell by a demon. The same Asmodai I asked you about earlier. Asmodai is known to possess vast and arcane knowledge, so I assumed he had stolen the book for himself. After years of trying, I managed to pursue him into Hell to retrieve the book that was my responsibility to guard.

"In Hell, I learned that Asmodai was now in the employ of a powerful wizard who now makes his home in that dank and depraved realm. It was he who transfigured me from the young girl in the painting to the half-alive thing you see now. All of my strength and knowledge goes into keeping myself alive. I haven't the power to fight for the book anymore."

The pump stopped and Madame Cinders seemed to sag for a moment, then sat up straight in her chair, renewed by whatever potion or tincture had entered her dying blood stream.