Ross sat in one of the leather settees and pushed himself back into the chair. He gripped the edges of the armrests to keep his surgeon's hands from shaking.
Ross heard first the monitor alarm, then the code blue for the ICU. For twenty minutes, the commotion nearly reached the level of bedlam even out in the hallway, when almost as abruptly as it had begun all the activity and noise came to a halt.
And then, suddenly, Tim Markham was dead.
Ross had gotten up out of his chair and was waiting outside the ICU, standing there when Doctor Kensing appeared from inside, his handsome face stricken and drawn. He met Ross's eye for a moment, finally looking down and away. "I don't know what happened," he said. "I thought we might have got him out of the woods, but…" The words trailed off and the doctor shook his head in defeat and misery.
If he was looking for commiseration, Ross thought, he was barking up the wrong tree. In fact, Ross found himself fighting the urge to say something spiteful, even accusatory. The time would come for that. Kensing had been Ross's particular nemesis for a couple of years, questioning his medical and business decisions, defying his edicts, crusading against his policies with the rest of the medical staff. Kensing's presence on the floor now, in the ICU directing Markham's ultimately failed care, was from Ross's perspective a bitter but not unwelcome act of fate that he would exploit if he could after the initial impact of the tragedy had passed. But it would have to wait.
Now, Ross had business to which he must attend. He didn't wait for Kensing to reappear in the hallway with his no doubt self-serving postmortem analysis of what had gone wrong, as if he could know by now. He had no stomach for the condolences, hand-holding and-wringing that he knew would attend the next hours at the hospital. Instead, he left the floor by elevator and got out in the basement parking garage, where he got in his Lexus and contacted his secretary, Joanne, on his cell phone. "Tim didn't make it," he said simply. "I'll be there in ten minutes."
5
David Freeman and Gina Roake, straight-faced, told Dismas Hardy that they were going to continue their walk from Lou's up to Freeman's apartment on Mason to look over some documents. Freeman would be back in the office later, if Hardy would be so kind as to tell Phyllis.
"I'd be delighted, David. Any excuse just to hear her sweet voice."
So, coming into the lobby alone, Hardy was congratulating himself for his restraint in not commenting on David and Gina's lame document-perusal excuse, when the dulcettoned Phyllis stopped him. "Mr. Elliot from the Chronicle would like you to call him as soon as you can."
"Thank you. Did he say it was important?"
"Not specifically, but I assume so."
Hardy walked up and leaned against the top of the receptionist's partition. Phyllis hated when he did that. But then, she hated when he did anything. He smiled at her. "Why?"
"Why what?" Obviously thinking evil thoughts, Phyllis stared at his arms, crossed there on her shelf.
"Why do you assume it's important?"
To Phyllis, trained by Freeman, everything to do with the law was intrinsically important. Hardy was untrainable, and try as she might to remain the complete professional, she couldn't seem to maintain her composure when he started in on her. She sighed in exasperation, tried to smile politely but didn't entirely succeed. "I assume all calls to your office are important, Mr. Hardy. Mr. Elliot took time out in the middle of his workday to call you in the middle of yours. He asked you to call as soon as you could. It must have been something important."
"He might have just wanted to talk. That happens, you know."
Clearly, Phyllis believed it was not something that should happen. "Would you like me to call him and ask?"
"Why, Phyllis." Hardy stepped back, took his arms off the shelf, looked at her approvingly. "I think you've just told a joke. And during business hours when you should have been working. I won't tell David." She remained silent as he turned and got to the stairway up to his office. "Oh, and speaking of David, he won't be in for a while. He's with Ms. Roake working on some documents, though I've never called it that before."
"Called what?" Phyllis asked.
Suddenly he decided he'd abused her enough, or almost enough. He pointed up the stairs. "Nothing. Listen, I've enjoyed our little chat, but now I've got to run and call Mr. Elliot. It could be important."
Hardy worked in stark, monklike, even industrial surroundings. Gray metal filing cabinets hunched on a gray berber wall-to-wall carpet. The two windows facing Sutter Street featured old-fashioned venetian blinds, which worked imperfectly at best-normally he simply left them either up or down. Rebecca and Vincent, his two children, had painted most of his wall art, although there was also a poster of the Giants' new home, Pac Bell Park, and a Sierra Club calendar. His blond wooden desk was the standard size, its surface cleared except for his phone, a photo of Frannie, an OfficeMax blotter, a sweet potato plant that reached the floor, and his green banker's lamp. Under four shelves of law books and binders, the dried blowfish and ship in a bottle he'd brought from home livened up a Formica counter with its faucet, its paper towel roll on the wall, and several glasses, upside down, by the sink. The couch and chairs were functional Sears faux leather, and the coffee table came from the same shopping trip about six years before. His dartboard hung next to the door across from his desk-a piece of silver duct tape on the rug marked the throw line at eight feet. His tungsten blue-flight customs were stuck, two bull's-eyes and a twenty, where he'd last thrown them.
The phone was ringing as he opened the door, and he reached over the desk, punching his speakerphone button. "Yo," he said.
Phyllis's voice again, but giving him no time to reply. "Lieutenant Glitsky for you."
And then Abe was on. "Guess what I just heard. You're going to like it."
"The Giants got Piazza."
"In the real world, Diz."
"That's the real world, and I'd like it."
"How about Tim Markham?"
"How about him? Is he a catcher? I've never heard of him." Hardy had gotten around his desk to his chair and picked up the receiver.
"He's the CEO of Parnassus Health," Glitsky said.
A jolt of adrenaline chased away the final traces of any lunch lethargy. Glitsky usually didn't call Hardy to keep him up on the day's news, unless homicide was in the picture, so he put it together right away. "And he's dead."
"Yes he is. Isn't that interesting?"
Hardy admitted that it was, especially after all the talk at Lou's. But more than that, "Did somebody kill him?"
"Yes, but probably not on purpose. You remember our discussion this morning about hit and runs?"
"You're kidding me."
"Nope."
"Let's remember not to talk about nuclear holocaust on our next walk. Somebody really ran him over?"
"More like plowed into him. They kept him alive at Portola until a half hour ago, then lost him."
"They lost him at his own hospital? I bet that was a special moment."
"It was another thing I thought you'd like. But evidently they couldn't do much. He was critical on admit and never pulled out."
"And it was an accident?"
"I already said that."
"Twice now," Hardy said. "You believe it?"
"So far."
Hardy listened to the hum on the line. "The same week he tries to shake down the city? His company's threatening to go bankrupt? They're not paying their doctors and they're screwing around with their patients, and suddenly the architect of all this winds up dead?"