The Long Song

ANDREA LEVY

headline

www.headline.co.uk

Copyright © 2010 Andrea Levy

The right of Andrea Levy to be identified as the Author of

the Work has been asserted by her in accordance with the

Copyright, Designs and Patents Act 1988.

Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.

First published as an Ebook by Headline Publishing Group in 2010

All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

eISBN : 978 0 7553 7341 3

This Ebook produced by Jouve Digitalisation des Informations

HEADLINE PUBLISHING GROUP

An Hachette UK Company

338 Euston Road

London NW1 3BH

www.headline.co.uk

www.hachette.co.uk

Table of Contents

Title Page

Copyright Page

Dedication

Foreword

PART 1

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

PART 2

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

PART 3

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

PART 4

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

CHAPTER 32

CHAPTER 33

PART 5

CHAPTER 34

CHAPTER 35

AFTERWORD

Acknowledgements

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Critical acclaim for Andrea Levy’s novels:

SMALL ISLAND

‘Every scene is rich in implication, entrancing and disturbing at the same time; the literary equivalent of a switch-back ride’

The Sunday Times

‘A great read . . . honest, skilful, thoughtful and important’

Guardian

‘A cracking good read’ Margaret Forster

‘What makes Levy’s writing so appealing is her even-handedness. All her characters can be weak, hopeless, brave, good, bad - whatever their colour. The writing is rigorous and the bittersweet ending, with its unexpected twist, touching . . . People can retain their dignity, however small their island’

Independent on Sunday

‘Wonderful . . . seamless . . . a magnificent achievement’ Linda Grant

‘Never less than finely written, delicately and often comically observed, and impressively rich in detail and little nuggets of stories’

Evening Standard

‘An engrossing read - slyly funny, passionately angry and wholly involving’

Daily Mail

‘A work of great imaginative power’ Linton Kwesi Johnson

‘As full of warmth and jokes and humanity as you could wish’

Time Out

‘Gives us a new urgent take on our past’

Vogue

‘An involving saga about the changing face of Britain’

Mirror

‘Explores the Caribbean experience of immigration to Britain with great sensitivity’

Independent

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FRUIT OF THE LEMON

‘Levy has a gift for voices . . . a thoughtful comment on racism and the importance of knowing where you are from’

The Sunday Times

‘Funny and moving . . . [Levy is] an ironic comedian whose subtle, intelligent novel steers well clear of whimsy’

Guardian

‘Unflinchingly unsentimental, her writing is leavened with humour and warmth . . . entertaining and revelatory’

TLS

‘Reinforces Levy’s reputation as an astute observer of modern British life’

Financial Times

‘Bright and inventive’

Independent

NEVER FAR FROM NOWHERE

‘Painfully perceptive and passionate, NEVER FAR FROM NOWHERE hits a raw nerve with its powerful concoction of poignancy and humour’

Pride

‘Passionate and angry’

TLS

‘In this lively, crisp, raw voice, young black Londoners may have found their Roddy Doyle’

Independent on Sunday

‘Levy’s raw sense of realism and depth of feeling infuses every line’

Elle

EVERY LIGHT IN THE HOUSE BURNIN’

‘Andrea Levy is a long-awaited birdsong of one born black and gifted in Britain. Let her sing and sing and sing’ Marsha Hunt

‘An extremely powerful novel’

TLS

‘Levy’s skill and cunning leave the reader shaken’

The Voice

‘An interesting and touching book’

Daily Telegraph

‘Humorous and moving, unflinching and without sentiment’

Independent on Sunday


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