SMALL

ISLAND

Andrea Levy

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Praise for Small Island :

‘Small Island is an astonishing tour de force by Andrea Levy. Juggling four voices, she illuminates a little known aspect of recent British history with wit and wisdom. A compassionate account of the problems of post war immigration, it cannot fail to have a strong modern resonance’ Sandi Toksvig, Orange Prize judge

‘What makes Levy’s writing so appealing is her even-handedness. All her characters can be weak, hopeless, brave, good, bad – whatever their colour. The writing is rigorous and the bittersweet ending, with its unexpected twist, touching . . . People can retain great dignity, however small their island’ Independent on Sunday

‘Moving, funny, honest’ Elle

‘A terrific book’ Alan Plater

‘An impressive break-through novel’ Publishing News

‘Soon you will be enchanted’ Jasper Gerard, News Review, Sunday Times

‘It conjures up so vividly the era of the 1940s and expresses so vividly through the lives of its four protagonists the conflicts and racist attitudes that existed at that time. A wonderful insight into a little understood period’ Joan Bakewell

‘An engrossing read – slyly funny, passionately angry and wholly involving’ Daily Mail

‘It is a work of great imaginative power which ranks alongside Sam Selvon’s The Lonely Londoners, George Lamming’s The Emigrants and Caryl Phillips’ The Final Passage in dealing with the experience of migration’ Linton Kwesi Johnson

‘What a deserved winner she is. It was a very good shortlist but in my opinion Small Island stood out at the longlist stage – for its writing, its wit and the impressively light touch she brought to the subject’ Minette Walters

‘With this funny, tender, intelligent fourth novel Andrea Levy looks set to become as commercially popular as she is critically acclaimed’ Sainsbury’s magazine

‘Levy’s story is a triumph in perspective . . . a triumph of poise, organisation and deep, deep character – the sort of work that can only be achieved by an experienced novelist’ Age, Melbourne

‘Small Island . . . explores the Caribbean experience of immigration to Britain with great sensitivity’ Sue Baker, Independent

‘A brilliantly deft and humane account of two ordinary couples in post-war London’ Evening Standard

‘An involving saga about the changing face of Britain’ Mirror

‘Levy has written one of those rare fictions that tells you things you didn’t know but feel you should have known . . . the writing is deft and striking, without being pretentious’ Sunday Herald

‘Here is the book I have been waiting for . . . a book in which the author, Andrea Levy, never once forgets she is telling a story, delighting us, improbably, in this nasty tale of race, with the effervescent style of Dickens’ Globe & Mail, Toronto

‘For thoughtfulness and wry humour [Small Island] cannot be faulted’ Daily Telegraph

‘A beautifully crafted, compassionate novel, well worth reading’ Bulletin with Newsweek

‘A thoroughly good read which will inevitably lead to discussion on the problems of multicultural societies’ New Books magazine

‘Everything about the plot, characters and clever end twist of Small Island [is] beautifully drawn . . . This is an epic book that brings the patois of Jamaicans alive, fills the world of war-torn London with amazing detail and is a great history lesson about the era when England changed forever as migrants braved bitter racism to flood her shores’ Herald Sun, Melbourne

‘Small Island chronicles an aspect of British history that literary fiction has not explored enough’ Christina Patterson, Independent

‘[Hortense] has guts and this portrait of her world is created with strong feeling that is subtly and brilliantly, rendered’ Sydney Morning Herald

‘Funny, poignant and profoundly moving’ West Australian

‘She weaves a wonderfully detailed and vibrant story’ Red magazine

Also by Andrea Levy

Every Light in the House Burnin’

Never Far from Nowhere

Fruit of the Lemon

Copyright © 2004 Andrea Levy

The right of Andrea Levy to be identified as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.

First published in Great Britain in 2004 by Review

First published in paperback in Great Britain in 2004 by Review

Apart from use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.

All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

Epub ISBN: 978 0 7553 5971 4

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For Bill

Prologue

Queenie

I thought I’d been to Africa. Told all my class I had. Early Bird, our teacher, stood me in front of the British flag – she would let no one call it the common Union Jack: ‘It’s the flag of Empire not a musical turn.’ And I stood there as bold as brass and said, ‘I went to Africa when it came to Wembley.’ It was then that Early Bird informed me that Africa was a country. ‘You’re not usually a silly girl, Queenie Buxton,’ she went on, ‘but you did not go to Africa, you merely went to the British Empire Exhibition, as thousands of others did.’

It was a Butchers’ Association trip. Every year there was an outing organised for the butchers, the butchers’ wives and children and even the butchers’ favourite workers. A day out. Mother liked to go. ‘It’s like a holiday,’ she would say to Father.

‘Bloody waste of time,’ he’d grumble. But he went all the same.

Some years nearly everyone from our farm went. The inside girls who helped Mother with the pies. The outside girls who fed the pigs and poultry. Even the stupid boys, who helped Father in the shed, changed out of their splattered aprons and into their ill-fitting, fraying best suits for the trip. We always got dressed in our best to paddle in the sea at Blackpool or ride a red bus round Piccadilly Circus or laugh at the monkeys in the zoo. Then it was time to go home again. The men would be dozing from too much beer and the children would be snivelling after being whacked for dirtying their clothes or getting a piece of rock stuck in their hair. As often as not one of the farm girls would go missing with one of the farm boys only to turn up later, looking sheepish and dishevelled.

The year we went to the Empire Exhibition, the Great War was not long over but nearly forgotten. Even Father agreed that the Empire Exhibition sounded like it was worth a look. The King had described it as ‘the whole Empire in little’. Mother thought that meant it was a miniature, like a toy railway or model village. Until someone told her that they’d seen the real lifesize Stephenson’s Rocket on display. ‘It must be as big as the whole world,’ I said, which made everybody laugh.

We had to leave my brothers Billy, Harry and Jim behind. They were too small and everyone agreed with Father when he told the grizzling boys that they would get swallowed up by the crowd. ‘I’m not scared of being eaten,’ Billy whimpered. They sobbed and clung to Mother’s coat. So she had to promise to bring each of them back something nice – a model engine or soldiers. She left them with the inside girl Molly, who stood at the window sulking, giving us all a look that could curdle milk.