'What are the long nights?' Smiley asked, as he and D'Arcy walked briskly away from Fielding's house through the new snow towards the Abbey Close.

'We have a proverb that it always snows at Carne in the long nights. That is the traditional term here for the nights of Lent,' D'Arcy replied. 'Before the Reformation the monks of the Abbey kept a vigil during Lent between the Offices of Compline and Lauds. You may know that already perhaps. As there is no longer a religious order attached to the Abbey, the custom has fallen into disuse. We continue to observe it, however, by the saying of Compline during Lent. Compline was the last of the Canonical Day Hours and was said before retiring for the night. The Master, who has a great respect for traditions of this kind, has reintroduced the old words for our devotions. Prime was the dawn Office, as you are no doubt aware. Terce was at the third hour of daylight—that is to say at 9.0 a.m. Thus we no longer refer to Morning Prayer, but to Terce. I find it delightful. Similarly, during Advent and Lent we say Sext at midday in the Abbey.'

'Are all these services compulsory?'

'Of course. Otherwise it would be necessary to make arrangements for those boys who did not attend. That is not desirable. Besides, you forget that Carne is a religious foundation.'

It was a beautiful night. As they crossed the Close, Smiley looked up at the tower. It seemed smaller and more peaceful in the moonlight. The whiteness of the new snow lit the very sky itself; the whole Abbey was so sharply visible against it that even the mutilated images of saints were clear in every sad detail of their defacement, wretched figures, their purpose lost, with no eyes to see the changing world.

They reached the cross-roads to the south of the Abbey.

'The parting of the ways, I fear,' said D'Arcy, extending his hand.

'It's a beautiful night,' Smiley replied quickly, 'let me come with you as far as your house.'

'Gladly,' said D'Arcy dryly.

They turned down North Fields Lane. A high stone wall ran along one side; and on the other the great expanse of playing fields, twenty or more rugby pitches, bordered the road for over half a mile. They walked this distance in silence, until D'Arcy stopped and pointed with his stick past Smiley towards a small house on the edge of the playing fields.

'That's North Fields, the Rodes' house. It used to belong to the head groundsman, but the school added a wing a few years ago, and now it's a staff house. My own house is rather larger, and lies farther up the road. Happily, I am fond of walking.'

'Was it along here that you found Stanley Rode that night?'

There was a pause, then D'Arcy said: 'It was nearer to my house, about a quarter of a mile farther on. He was in a terrible condition, poor fellow, terrible. I am myself unable to bear the sight of blood. If I had known how he would look when I brought him into the house, I do not think I could have done it. Mercifully, my sister Dorothy is a most competent woman.'

They walked on in silence, until Smiley said: 'From what you were saying at dinner, the Rodes were a very ill-assorted couple.'

'Precisely. If her death had happened any other way, I would describe it as providential: a blessed release for Rode. She was a thoroughly mischievous woman, Smiley, who made it her business to hold her husband up to ridicule. I believe it was intentional. Others do not. I do, and I have my reasons. She took pleasure in deriding her husband.'

'And Carne too, no doubt.'

'Just so. This is a critical moment in Carne's development. Many public schools have conceded to the vulgar clamour for change—change at any price. Carne, I am pleased to say, has not joined these Gadarene swine. That makes it more important than ever that we protect ourselves from within as well as from without.' He spoke with surprising vehemence.

'But was she really such a problem? Surely her husband could have spoken to her?'

'I never encouraged him to do so, I assure you. It is not my practice to interfere between man and wife.'

They reached D'Arcy's house. A high laurel hedge entirely concealed the house from the road, except for two multiple chimney-stacks which were visible over the top of it, confirming Smiley's impression that the house was large and Victorian.

'I am not ashamed of the Victorian taste,' said D'Arcy as he slowly opened the gate; 'but then, I am afraid we are not close to the modern idiom at Carne. This house used to be the rectory for North Fields Church, but the church is now served by a priest-in-charge from the Abbey. The vicarage is still within the school's gift, and I was fortunate enough to receive it. Good night. You must come for sherry before you go. Do you stay long?'

'I doubt it,' Smiley replied, 'but I am sure you have enough worries at the moment.'

'What do you mean?' D'Arcy said sharply.

'The press, the police and all the attendant fuss.'

'Ah yes, just so. Quite so. Nevertheless, our community life must continue. We always have a small party in the middle of the Half, and I feel it is particularly important that we should do so on this occasion. I will send a note to the Sawley tomorrow. My sister would be charmed. Good night.' He clanged the gate to, and the sound was greeted by the frantic barking of dogs from somewhere behind the house. A window opened and a harsh female voice called:

'Is that you, Felix?'

'Yes, Dorothy.'

'Why do you have to make such a bloody noise? You've woken those dogs again.' The window closed with a significant thud, and D'Arcy, without so much as a glance in Smiley's direction, disappeared quickly into the shadow of the house.

Smiley set off along the road again, back towards the town. After walking for about ten minutes he stopped and looked again towards the Rodes' house a hundred yards across the playing fields. It lay in the shadow of a small coppice of fir trees, dark and secret against the white fields. A narrow lane led towards the house; there was a brick pillar-box on one corner and a small oak sign-post, quite new, pointed along the lane, which must, he decided, lead to the village of Pylle. The legend upon the sign was obscured by a film of snow, and Smiley brushed it away with his hand, so that he could read the words 'North Fields', done in a contrived suburban Gothic script which must have caused D'Arcy considerable discomfort. The snow in the lane was untrodden; obviously more had fallen recently. There could not be much traffic between Pylle and Carne. Glancing quickly up and down the main road he began making his way along the lane. The hedge rose high on either side, and soon Smiley could see nothing but the pale sky above him, and the straggling willow wands reaching towards it. Once he thought he heard the sound of a footstep, close behind him, but when he stopped he heard nothing but the furtive rustle of the laden hedges. He grew more conscious of the cold: it seemed to hang in the still damp of the sunken road, to clutch and hold him like the chill air of an empty house. Soon the hedge on his left gave way to a sparse line of trees, which Smiley judged to belong to the coppice he had seen from the road. The snow beneath the trees was patchy, and the bare ground looked suddenly ugly and torn. The lane took him in a gradual curve to the left and, quite suddenly the house stood before him, gaunt and craggy in the moonlight.

The walls were brick and flint, half obscured by the mass of ivy which grew in profusion across them, tumbling over the porch in a tangled mane.

He glanced towards the garden. The coppice which bordered the lane encroached almost as far as the corner of the house, and extended to the far end of the lawn, screening the house from the playing fields. The murderer had reached the house by a path which led across the lawn and through the trees to the lane at the farthest end of the garden. Looking carefully at the snow on the lawn, he was able to discern the course of the path. The white glazed door to the left of the house must lead to the conservatory… And suddenly he knew he was afraid—afraid of the house, afraid of the sprawling dark garden. The knowledge came to him like an awareness of pain. The ivy walls seemed to reach forward and hold him, like an old woman cosseting an unwilling child. The house was large, yet dingy, holding to itself unearthly shapes, black and oily in the sudden contrasts of moonlight. Fascinated despite his fear, he moved towards it. The shadows broke and reformed, darting swiftly and becoming still, hiding in the abundant ivy, or merging with the black windows.

He observed in alarm the first involuntary movement of panic. He was afraid, then suddenly the senses joined in one concerted cry of terror, where sight and sound and touch could no longer be distinguished in the frenzy of his brain. He turned round and ran back to the gate. As he did so, he looked over his shoulder towards the house.

A woman was standing in the path, looking at him, and behind her the conservatory door swung slowly on its hinges.

For a second she stood quite still, then turned and ran back towards the conservatory. Forgetting his fear, Smiley followed. As he reached the corner of the house he saw to his astonishment that she was standing at the door, rocking it gently back and forth in a thoughtful, leisurely way, like a child. She had her back to Smiley, until suddenly she turned to him and spoke, with a soft Dorset drawl, and the childish lilt of a simpleton:

'I thought you was the Devil, Mister, but you'm got no wings.'

Smiley hesitated. If he moved forward, she might take fright again and run. He looked at her across the snow, trying to make her out. She seemed to be wearing a bonnet or shawl over her head, and a dark cape over her shoulders. In her hand she held a sprig of leaves, and these she gently waved back and forth as she spoke to him.

'But you'm carn't do nothin', Mister, 'cos I got the holly fer to hold yer. So you do bide there, Mister, for little Jane can hold yer.' She shook the leaves vehemently towards him and began laughing softly. She still had one hand upon the door, and as she spoke her head lolled to one side.

'You bide away from little Jane, Mister, however pretty she'm do be.'

'Yes, Jane,' said Smiley softly, 'you're a very pretty girl, I can see that; and that's a pretty cape you're wearing, Jane.'

Evidently pleased with this, she clutched the lapels of her cape and turned slowly round, in a child's parody of a fine lady.

As she turned, Smiley saw the two empty sleeves of an overcoat swinging at her sides.

'There's some do laugh at Janie,' she said, a note of petulance in her voice, 'but there's not many seen the Devil fly, Mister. But Janie seed 'im, Janie seed 'im. Silver wings like fishes 'e done 'ad, Janie saw.'