She went to a telephone box. She got through to the Sawley Arms and asked a very bored receptionist for Mr Smiley. Total silence descended on the line until the Trunks operator asked her to put in another three and sixpence. Miss Brimley replied sharply that all she had so far had for her money was a three-minute vacuum; this was followed by the unmistakable sound of the operator sucking her teeth, and then, quite suddenly, by George Smiley's voice:

'George, it's Brim. A plastic mackintosh, a cape, rubber overshoes, and some leather gloves that look as though they're stained with blood. Smudges on some of the wrapping paper too by the look of it.'

A pause.

'Handwriting on the outside of the parcel?'

'None. The Charity organizers issue printed labels.'

'Where is the stuff now? Have you got it?'

'No. I've told the girl to leave everything exactly as it is. It'll be all right for an hour or two… George, are you there?'

'Yes.'

'Who did it? Was it the husband?'

'I don't know. I just don't know.'

'Do you want me to do anything—about the clothes, I mean? Phone Sparrow or anything?'

'No. I'll see Rigby at once. Good-bye, Brim. Thanks for ringing.'

She put back the receiver. He sounded strange, she thought. He seemed to lose touch sometimes. As if he'd switched off.

She walked north-west towards the Embankment. It was long after ten o'clock—the first time she'd been late for Heaven knows how long. She had better take a taxi. Being a frugal woman, however, she took a bus.

Ailsa Brimley did not believe in emergencies, for she enjoyed a discipline of mind uncommon in men and even rarer in women. The greater the emergency, the greater her calm. John Landsbury had remarked upon it: 'You have sales resistance to the dramatic, Brim; the rare gift of contempt for what is urgent. I know of a dozen people who would pay you five thousand a year for telling them every day that what is important is seldom urgent. Urgent equals ephemeral, and ephemeral equals unimportant.'

She got out of the bus, carefully putting the ticket in the rubbish compartment. As she stood in the warm sunlight of the street she caught sight of the hoardings advertising the first edition of the evening papers. If it hadn't been for the sun, she might never have looked; but the sun dazzled her and made her glance downwards. And so she did see; she read it in the plump black of the wet newsprint, in the pre-packed hysteria of Fleet Street: 'All-night search for missing Carne boy.'


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