My parents could not go out for relaxation either.
"Relaxation' had become an obsolete concept: books, paintings, musical instruments, sports, cards, chess, teahouses, bars all had disappeared. The parks were desolate, vandalized wastelands in which the flowers and the grass had been uprooted and the tame birds and goldfish killed. Films, plays, and concerts had all been banned: Mme Mao had cleared the stages and the screens for the eight 'revolutionary operas' which she had had a hand in producing, and which were all anyone was allowed to put on. In the provinces, people did not dare to perform even these. One director had been condemned because the makeup he had put on the torn red hero of one of the operas was considered by Mme Mao to be excessive. He was thrown into prison for 'exaggerating the hardship in the revolutionary struggle." We hardly even thought of going out for a walk.
The atmosphere outside was terrifying, with the violent street-corner denunciation meetings and all the sinister wall posters and slogans; people were walking around like zombies, with harsh or cowed expressions on their faces.
What was more, my parents' bruised faces marked them as condemned, and if they went out they ran the risk of being abused.
As an indication of the terror of the day, no one dared to burn or throw away any newspapers. Every front page carried Mao's portrait, and every few lines featured Mao's quotations. These papers had to be treasured and it would bring disaster if anyone saw you disposing of them. Keeping them was also a problem: mice might gnaw into Mao's portrait, or the papers might simply rot either of these would be interpreted as a crime against Mao. Indeed, the first large-scale factional fighting in Chengdu was triggered by some Red Guards accidentally sitting on old newspapers which had Mao's face on them. A schoolfriend of my mother's was hounded to suicide because she wrote "Heartily love Chairman Mao' on a wall poster with one brush stroke inadvertently shorter, making the character 'heartily' look like the one meaning 'sadly."
One day in February 1967, in the depths of this overwhelming terror, my parents had a long conversation which I only came to know about years later. My mother was sitting on the edge of their bed, and my father was in a wicker chair opposite. He told her that he now knew what the Cultural Revolution was really about, and the realization had shattered his whole world. He could see clearly that it had nothing to do with democratization, or with giving ordinary people more say. It was a bloody purge to increase Mao's personal power.
My father talked slowly and deliberately, choosing his words carefully.
"But Chairman Mao has always been so magnanimous," my mother said.
"He even spared Pu Yi.
Why can't he tolerate his comrades-in-arms who fought for a new China with him? How can he be so harsh on them?"
My father said quietly, but intensely, "What was Pu Yi?
He was a war criminal, with no support from the people.
He couldn't do anything. But…" He fell into a meaningful silence. My mother understood him: Mao would not tolerate any possible challenge. Then she asked, "But why all of us, who after all only carry out orders? And why incriminate all these innocent people? And so much destruction and suffering?"
My father replied, "Maybe Chairman Mao feels he could not achieve his goal without turning the whole place upside down. He has always been thorough and he has never been fainthearted about casualties."
After a charged pause, my father went on: "This cannot be a revolution in any sense of the term. To secure personal power at such cost to the country and the people has to be wrong. In fact, I think it is criminal."
My mother scented disaster. After reasoning like this, her husband had to act. As she expected, he said, "I am going to write a letter to Chairman Mao."
My mother dropped her head into her hands.
"What's the use?" she burst out.
"How could you possibly imagine Chairman Mao would listen to you? Why do you want to destroy yourself- and for nothing? Don't count on me to take it to Peking this time!"
My father leaned over and kissed her.
"I wasn't thinking about your delivering it. I'm going to post it." Then he lifted her head and looked into her eyes. In a tone of despair he said, 'what else can I do? what alternatives do I have? I must speak up. It might help. And I must do it even if just for my conscience."
"Why is your conscience so important?" my mother said.
"More than your children? Do you want them to become "blacks"?"
There was a long pause. Then my father said hesitantly, "I suppose you must divorce me and bring up the children your way." Silence fell between them again, making her think that perhaps he had not made up his mind about writing the letter, because he was aware of its consequences. It would surely be catastrophic.
Days passed. In late February, an airplane flew low over Chengdu spreading thousands of sparkling sheets which floated down out of the leaden sky. On them was printed a copy of a letter dated 17 February and signed by the Central Military Committee, the top body of senior army men. The letter told the Rebels to desist from their violent actions. Although it did not condemn the Cultural Revolution directly, it was obviously trying to halt it. A colleague showed the leaflet to my mother. My parents had a surge of hope. Perhaps China 's old and much-respected marshals were going to intervene. There was a big demonstration through the streets of central Chengdu in support of the marshals' call.
The leaflets were the result of upheavals behind closed doors in Peking. In late January Mao had for the first time called on the army to support the Rebels. Most of the top military leaders except Defense Minister Lin Biao were furious. On 14 and 16 February, they held two long meetings with political leaders. Mao himself stayed away, as did Lin Biao, his deputy. Zhou Enlai presided. The marshals joined forces with Politburo members who had not yet been purged. These marshals had been the commanders of the Communist army, veterans of the Long March, and heroes of the revolution. They condemned the Cultural Revolution for persecuting innocent people and destabilizing the country. One of the vice-premiers, Tan Zhenlin, burst out in a fury, "I've followed Chairman Mao all my life. Now I'm not following him anymore!" Immediately after these meetings the marshals began to take steps to try to stop the violence. Because it was particularly bad in Sichuan, they issued the letter of 17 February especially for the province.
Zhou Enlai declined to throw his weight behind the majority, and stuck with Mao. The personality cult had endowed Mao with demonic power. Retribution against the opposition was swift. Mao stage-managed mob attacks on the dissident Politburo members and military commanders, who were subjected to house raids and brutal denunciation meetings. When Mao gave the word to punish the marshals, the army did not make a move to support them.
This single feeble attempt to stand up to Mao and his Cultural Revolution was termed the "February Adverse Current." The regime released a selective account of it to generate more intense violence against the capitalistroaders.
The February meetings were a turning point for Mao.
He saw that virtually everyone opposed his policies. This led to the total discarding in all but name of the Party.
The Politburo was effectively replaced by the Cultural Revolution Authority. Lin Biao soon began to purge commanders loyal to the marshals, and the role of the Central Military Committee was taken over by his personal office, which he controlled through his wife. Mao's cabal now was like a medieval court, structured around wives, cousins, and fawning courtiers. Mao sent delegates to the provinces to organize "Revolutionary Committees," which were to be the new instruments of his personal power, replacing the Party system all the way down to the grass roots.