A touch on my arm made me turn. For a second I did not recognise Kristina Kovacs. It was not that she had aged very much, or changed greatly in appearance since I had seen her last, yet all the same something had happened to her. She looked not like herself but like a close relative, her own twin, perhaps, vaguer than the woman I had known, less sharply defined, faded, somehow, and somehow hollow-seeming. I could not think what to say to her, and instead leaned down quickly and kissed her on the cheek. Her skin was warm and dry, and seemed to vibrate tinily all over its surface, as if she were in the grip of a fever. She put a hand to the spot where I had kissed her and gave a familiar, dusky laugh – I am not the kissing kind – and leaned back from the shoulders to look up at me, holding her head to one side, her black eyes bright with fond malice and amusement. She exclaimed at how well I looked; she seemed genuinely surprised, as if she had come to a place in her life that allowed only of disimprovements. And yet she was no more than half my age. I wondered if she could recall with the same sweet, poignant clarity as I did that afternoon years before when she had come unannounced to my hotel room, in Budapest, or Bucharest, was it, or Belgrade? The place does not matter, only the moment. I remembered her salmon-coloured slip and the solemn way she lay down on her back before me on the bed, as if she had been felled by the awesome force of her own passion. I bit her lips until they bled, I licked the soles of her feet. Now she was asking me what I would speak on tomorrow at the conference, and Franco Bartoli popped up like a toy man at my elbow and, smoothing a hand on his fine, soft, gleaming beard, said with a roguish smirk that surely Professor Vander could have only one subject, here, in Turin…? I did not know what he was talking about. "I have prepared nothing," I said. I wanted him to be gone from my side. I was picturing the sprinkle of freckles in the hollow between Kristina Kovacs's pale, mismatched and somehow melancholy breasts. Behind her now the smoky city stretched away to the mountains in the distance with their furled rim of cloud. She was still gazing up at me with that wry, intimate smile. She has, or had, a habit of moving her head very slightly from side to side, as if she were swaying in time to the measures of a slow, inner melody. I felt unwell. The sour wine had parched the linings of my mouth. I leaned out to set my emptied glass on the table and took the opportunity to elbow Bartoli as if by accident in his little paunch, which made me feel better, then stamped away from him and Kristina Kovacs with pointed rudeness and planted myself before one of the glass walls with my back to the room, glaring bleakly out over the city. Behind me the buzz of conversation faltered briefly and caught itself up on a higher, more brittle note: Axel Vander being a boor, as usual. As I had at the hotel window that morning, I imagined again how I would seem to someone looking up from the streets below, an airborne figure, suspended on an angled stick and perhaps about to plummet, a decrepit, lost archangel. Once more I experienced a burning, bile-like rush of self-pity, pure and unfocused. Kristina Kovacs came and stood beside me, a breathing presence, the crown of her head level with my shoulder. I fancied I caught a whiff of her breath, warm, brownish and bad.Together we looked out at the distant mountain ranges. "I think I have been found out," I heard myself saying, in a tone of laboured, unconvincing lightness. "I had a letter. Someone has been looking into my past. She is coming here." I glanced sidelong at Kristina, and smiling she returned my glance. "She?" she murmured, shaking her head. "Oh, Axel, have you been foolish again?"

I was instantly abashed and angry at myself. I could not think why I had confided in her. She knew nothing about me or my past, the real or the invented one. What was she to me but an afternoon of mostly simulated passion in an overheated hotel room in a snowbound city I would never return to? I have always supposed it was those few hours in bed that had prompted the belated review she wrote of After Words. The review was a light piece, intended to be teasingly allusive; it had struck an incongruously frivolous note amid the weighty lucubrations of Débat. The letter of thanks I sent to her when the piece appeared had cost me much effort. I had sought to match her sly, arch tone, but the result was unsatisfactory in a way I could not quite make out. Her note in reply was all innocence and warm affection, with no mention of our tryst. Now I wondered uneasily if perhaps she did know more about me than she pretended, about my past, I mean, my interesting past. Well, what did it matter any more? That harpy even now on her way from Antwerp would likely be the end of me. I was, I realised, looking forward to the prospect of destruction. Yes, let it come, I thought, almost gaily, I shall welcome it! All at once, in place of the anger and self-pity of a minute ago, I had a sensation of incipient weightlessness, as if at any moment I might float upward, wingless and yet wonderfully volant, and drift away free, into air, and light, the empty, cold and brilliant blue.

"I am dying, Axel," Kristina Kovacs said.

She was looking at the floor with an almost girlish air of surprise and faint shame, as if it were some passionate secret she had blurted out. "Yes, I am dying," she said, more softly this time yet with more force, testing it, impressing on herself the incredible truth of it. I stared down at her. An aeroplane passed low above the building with a ripping rumble, and an instant later its vast shadow flashed across the glass walls. Kristina smiled, and shook her head ruefully, and said she was sorry, and that I must forget she had spoken. "Tell me about your girl," she said with awful, brave brightness. "The one who has found you out, I mean. You said it was a girl, didn't you? In the past it always was. What dreadful secret has she uncovered?" She laughed, not unkindly. I gripped the walking stick fiercely in my fist. How did she think she had the right to speak to me like this? I am Axel Vander. People do not say such things to me, with such impudence. She took a step nearer and put a hand on my arm, her grip at once urgent and infirm. I knew what was coming. I drew back from her touch. The air seemed suddenly thick, unbreathable. "Do you remember Prague?" she said. Prague, then, not Belgrade, not Budapest. I would say nothing. "So hot," Kristina murmured, her gaze blurring as she smiled into the past, "so hot, that hotel room…" This was intolerable. I looked about. Someone must rescue me. Where was that fool Bartoli, now that he was needed? "I'm sorry," I snarled, "forgive me," and wiping my mouth on my sleeve I turned from her abruptly and launched myself out across the sea-wide floor toward the door and escape. Franco Bartoli came hurrying after me, yelping. I brandished my stick, more in threat than farewell, and plunged on, a man pursued.

When she came out of the train station the street lamps were still palely burning in the dawn light and the air was the colour of dirty water. A map of the city showed her that it was not far to the hotel where he was staying. She decided to walk. A tram came lurching along its line. She liked trams, the ungainly, earnest look of them. She waited on the pavement as it passed, her bag in her hand, her raincoat over her arm. She felt like a figure from an earlier time, with that coat and bag, her plain dress and old-fashioned shoes, the eager, untried younger self of someone who in time would be famous, famously tragic, perhaps. Often she saw herself like this, in other guises, other possible lives, and so vividly it seemed she must have lived before. She shivered a little, and put on her raincoat; she had expected it would be warmer, this far south. Later the sun would come out. She had hardly slept on the train, huddled in a corner seat in a crowded compartment with her bag under her feet and her folded raincoat for a pillow. The train had kept stopping at deserted stations, and would stand for long minutes creaking and sighing in the night-deep, desolate silence, before setting off again with a series of loud clanks. Once she had pressed her face to the window and peered up and had seen that they were racing along beside a range of high, jagged mountains, whose sheer bases came to within a yard or two of the track. She had supposed they must be the Alps. She could glimpse their peaks, sparkling and unreal so high up there in the moonlight. She remembered being in the mountains once long ago with her father; he had pulled her up a slope on a sled, and afterwards had let her take a sip of his mulled wine. In the dark hour before dawn she dozed for a while; it was less like sleep than one of those fretful night fevers of childhood, and she woke repeatedly with a start, thinking one of the other passengers had touched her, or tried to interfere with her belongings. As they were arriving at last a fat man had stood up too soon and when the train stopped he had pitched forward and almost fallen on her, and to save himself had clapped a huge hand on her shoulder, hurting her. He had smelled faintly of vomit. Now, shaky and light-headed, she set off across the broad avenue. In the piazza before her the starlings were waking noisily in the trees, and a great flock of pigeons rose up, their thousand wings making a noise like derisive applause.