"Superintendent Gristhorpe called," Sandra said as soon as they got in. "About fifteen minutes ago. You're to get over to number 17 Clarence Gardens as soon as you can. He didn't say what it was about."
"Bloody hell," Banks grumbled, buttoning up his donkey-jacket again. "Can you keep lunch warm?"
Sandra nodded.
"Can't say how long I'll be."
"It doesn't matter," she said, and smiled as he kissed her. "It's only a casserole. Oh, I almost forgot, he invited us to Sunday dinner tomorrow as well."
"That's some consolation, I suppose," Banks said as he walked out to the garage.
II
"It's a bloody disgrace, that's what it is," Maurice Ottershaw announced, hands on hips. Banks wasn't sure whether he meant the burglary itself or the fact that the police hadn't managed to prevent it. Ottershaw was a difficult character. A tall, gray-haired man, deeply tanned from his recent holiday, he seemed to think that all the public services were there simply for his benefit, and he consequently treated their representatives like personal valets, stopping just short of telling Banks to go and make some tea.
"It's not unusual," Banks offered, by way of meager compensation for the mess on the walls, carpet and appliances. "A lot of burglars desecrate the places they rob."
"I don't bloody care about that," Ottershaw went on, the redness of his anger imposing itself even on his tan. "I want these bloody vandals caught."
"We're doing our best," Banks told him patiently. "Unfortunately, we don't have a lot to go on."
Richmond and Hatchley had already talked to the neighbors, who had either been out or had heard nothing. Manson had been unable to find any fingerprints except for those of the owners and their cleaning lady, who had been in just the other day to give the place a thorough going-over. There was no way of telling exactly on what day the robbery had taken place, although it must have happened between Tuesday, the day of the cleaner's visit, and the Ottershaws' return early that Saturday morning.
"Can you give me a list of what's missing?"
"One hundred and fifty-two pounds seventy-five pence in cash, for a start," Ottershaw said.
"Why did you leave so much cash lying around the place?"
"It wasn't lying around, it was in a box in a drawer. It was just petty cash for paying tradesmen and such. I don't often have cash on me, use the card most of the time."
"I see you're an art lover," Banks said, looking toward the large framed prints of Bosch's Garden of Earthly Delights and Botticelli's The Birth of Venus hanging on the walls. Banks wasn't sure whether he could live with either of them.
Ottershaw nodded. "Just prints, of course. Good ones, mind you. I have invested in one or two original works." He pointed to a rough white canvas with yellow and black lines scratched across it like railway tracks converging and diverging. " London artist. Doing very well for herself, these days. Not when I bought it, though. Got it for a song. Poor girl must have been starving."
"Any pictures missing?"
Ottershaw shook his head.
"Antiques?" Banks gestured toward the standard lamp, crystalware and bone china.
"No, it's still all there and in one piece, thank the Lord."
"Anything else?"
"Some jewelry. Imitation, but still worth about five hundred pounds. My wife can give you descriptions of individual pieces. And there's all this of course. My wife won't watch this TV again, nor will she touch the hi-fi. It'll all have to be replaced. They've even spilled the Remy."
This last remark seemed a bit melodramatic to Banks, but he let it slip by. "Where is your wife, sir?" he asked.
"Lying down. She's a very highly strung woman, and this, on top of being stuck at the bloody airport for a whole night… it was just too much for her."
"You were supposed to be home yesterday?"
"Yes. I told you, didn't I? Bloody airport wallahs went on strike."
"Did anyone know you were away?"
"Neighbors, a couple of friends at work and the club."
"What club would that be, sir?"
"Eastvale Golf Club," Ottershaw announced, puffing out his chest. "As you probably know, it's an exclusive kind of place, so it's very unlikely that any criminal elements would gain access."
"We have to keep all possibilities open," Banks said, managing to avoid Ottershaw's scornful glare by scribbling nonsense in his notebook. There was no point in getting involved in a staring match with a victim, he thought.
"Anyone else?"
"Not that I know of."
"Would your wife be likely to have told anyone?"
"I've covered everyone we know."
"Where do you work, sir?"
"Ottershaw, Kilney and Glenbaum."
Banks had seen the sign often enough. The solicitors' offices were on Market Street, just a little further south than the police station.
"Who's going to clear all this up?" Ottershaw demanded roughly, gesturing around the disaster area of his living room.
The feces lay curled on the rug, staining the white fibers around and underneath it. The TV, video and stereo looked as if they'd been sprayed with a hose, but it was quite obvious what had actually happened. Amateurs, Banks thought to himself. Kids, probably, out on a lark. Maybe the same kids who'd done the old ladies' houses, graduating to the big time. But somebody had told them where to come, that the Ottershaws were away, and if he could find out who, then the rest would follow.
"I really don't know," Banks said. Maybe forensic would take it away with them. Perhaps, with a bit of luck, they'd be able to reconstruct the whole person from the feces: height, weight, coloring, eating habits, health, complexion. Some hope.
"That's fine, that is," Ottershaw complained. "We go away for a ten-day holiday, and if it's not enough that the bloody wallahs choose to go on strike the day we leave, we come home to find the house covered in shit!" He said the last word very loudly, so much so that the lab men going over the room smiled at each other as Banks grimaced.
"We're not a cleaning service, you know, sir," he chided Ottershaw mildly, as if talking to a child. "If we were, then we'd never have time to find out who did this, would we?"
"Shock could kill the wife, you know," Ottershaw said, ignoring him. "Doctor said so. Weak heart. No sudden shocks to the system. She's a very squeamish woman-and that's her favorite rug, that sheepskin. She'll never be able to manage it."
"Then perhaps, sir, you'd better handle it yourself," Banks suggested, glancing toward the offending ordure before walking out and leaving the house to the experts.
III
The Oak turned out to be one of those huge Victorian monstrosities-usually called The Jubilee or The Victoria-curving around the corner where Cardigan Drive met Elmet Street about half a mile north of Gallows View. It was all glossy tiles and stained glass, and it reminded Banks very much of the Prince William in Peterborough, outside which he used to play marbles with the other local kids while they all waited for their parents.
Inside, generations of spilt beer and stale cigarette smoke gave the place a brownish glow and a sticky carpet, but the atmosphere in the spacious lounge was cheery and warm. The gaudy ceiling was high and the bar had clearly been moved from its original central position to make room for a small dance floor. It now stretched the whole length of one of the walls, and a staff-or what looked more like a squadron-of buxom barmaids flexed their muscles on the pumps and tried to keep smiling as they rushed around to keep up with the demand. The mirrors along the back, reflecting chandeliers, rows of exotic spirits bottles and the impatient customers, heightened the sense of good-natured chaos. Saturday night at The Oak was knees-up night, and a local comedian alternated with a pop group whose roots, both musical and sartorial, were firmly planted in the early sixties.