So now our two faces were jostling for position, framed by the ancient frame of the monks' little look-see window. What vanished faces had peered out there, sweating in their robes, trying to see where the Vikings were that would come to kill them and take their books, their vessels, and their coins. No mason likes to leave a large window for Vikings, and that window spoke still of old nervousness and peril.

At length it was clear that his experiment was impossible with both of us there. One or other of us would miss the outcome. So he sent me back down on my own by the dank stairway of stones, and I can still feel that wet wall under my hand, and the strange fright that grew in me to be separated from him. My little breast beating as if there was an uncomfortable pigeon trapped there.

I came out from the tower and stood away from the base as he had bid me, for fear of the hammers falling and killing me dead. The tower looked enormous from there, it seemed to stretch up to the filthy grey clouds of that day. To heaven. Not a breeze stirred. The neglected graves of that section of the yard, the graves of men and women of some century where the people could only afford rough stones, and not a name writ upon them, seemed different now on my own, as if their poor skeletons might rise up against me, to devour me in their eternal hunger. Standing on the ground I was a child on a precipice, that was the feeling, like that scene in the old play King Lear where the king's friend imagines he is falling down a beetling cliff, where there is no cliff, so that when you read it, you also think there is a cliff, and fall with the king's friend. But

I peered up faithfully, faithfully, lovingly, lovingly. It is no crime to love your father, it is no crime to feel no criticism of him, and especially so when I knew him into my early womanhood or nearly, when a child tends to grow disappointed in her parents. It is no crime to feel your heart beating up to him, or as much of him as I could see, his arm now stuck out the little window, and the bag held suspended in the Irish air. Now he was calling to me, and I could barely catch his words. But after a few repeats I think I heard him say: 'Are you stood back, dearest?'

'I am stood back, Pappa,' I called, I nearly screamed, such a distance the words had to rise, and such a small window to enter to reach his ears.

'Then I will let loose the bag. Watch, watch!' he called.

'Yes, Pappa, I am watching!'

He loosened the top of the bag as best he could with the fingers of one hand and shook the contents free. I had seen him place them there. It was a handful of feathers from the feather bolster on their bed, plucked out against the screeches of his wife, and two mason's hammers he kept for when he repaired the little walls and headstones of graves.

I stared and stared. Maybe I heard a curious music. The chattering of the jackdaws and the old scratchy talking of the rooks in the great beech trees there mingled like a music in my head. My neck was straining and I was bursting to see the outcome of that elegant experiment, an outcome my father had said might stand to me in my life, as the basis of a proper philosophy.

Although there was not a breath of wind, the feathers immediately drifted away, dispersing like a little explosion, even rising greyly against the grey clouds, almost impossible to see. The feathers drifted, drifted away.

My father was calling, calling, in enormous excitement in the tower, 'What do you see, what do you see?'

What did I see, what did I know? It is sometimes I think the strain of ridiculousness in a person, a ridiculousness born maybe of desperation, such as also Eneas McNulty – you do not know who that is yet – exhibited so many years later, that pierces you through with love for that person. It is all love, that not knowing, that not seeing. I am standing there, eternally, straining to see, a crick in the back of my neck, peering and straining, if for no other reason than for love of him. The feathers are drifting away, drifting, swirling away. My father is calling and calling. My heart is beating back to him. The hammers are falling still.

Dear reader! Dear reader, if you are gentle and good, I wish I could clasp your hand. I wish – all manner of impossible things. Although I do not have you, I have other things. There are moments when I am pierced through by an inexplicable joy, as if, in having nothing, I have the world. As if, in reaching this room, I have found the anteroom to paradise, and soon will find it opening, and walk forward like a woman rewarded for my pains, into those green fields, and folded farms. So green the grass is burning!

This morning Dr Grene came in, and I had to scramble and rush to hide these pages. For I did not want him to see, or to question me, for here contains already secrets, and my secrets are my fortune and my sanity. Luckily I could hear him coming from far off down the corridor, because he has metal on the heels of his shoes. Luckily also I suffer not a jot from rheumatism or any particular infirmity associated with my age, at least in my legs. My hands, my hands alas are not what they were, but the legs hold good. The mice that move along the skirting board are faster, but then, they were always faster. A mouse is a brilliant athlete, make no mistake, when he needs to be. But I was quick enough for Dr Grene.

He knocked on the door which is an improvement on the poor wretch that cleans out my room, John Kane, if that is how you spell his name – it is the first time I have written it down -and by the time he had the door opened I was sitting here at an empty table.

As I do not consider Dr Grene an evil man, I was smiling.

It was a morning of considerable cold and there was a rheum of frost over everything in the room. Everything was glimmering. Myself I was dressed in all my four dresses, and I was snug enough.

'Hmm, hmm,' he said. 'Roseanne. Hmm. How are you, Mrs

McNulty?'

'I'm very well, Dr Grene,' I said. 'It's very kind of you to visit me.'

'It's my job to visit you,' he said. 'Has this room been cleaned today?

'It has not,' I said. 'But surely John will be here soon.' 'I suppose he will,' said Dr Grene.

Then he crossed in front of me to the window and looked out.

'This is the coldest day of the year so far,' he said. 'So far,' I said.

'And do you have everything you need?' 'I do, in the main,' I said.

Then he sat on my bed as if it were the cleanest bed in Christendom, which I daresay it is not, and stretched out his legs, and gazed down at his shoes. His long whitening beard was as sharp as an iron axe. It was very hedgelike, saintlike. On the bed beside him was a plate, still with the smeared remnants of beans from the night before.

'Pythagoras,' he said, 'believed in the transmigration of the soul, and cautioned us to be careful when we ate beans, in case we were eating the soul of our grandmother.'

'Oh,' I said.

'This we read in Horace,' he said. 'Batchelors Beans?' 'I suppose not.'

Dr Grene answered my question with his usual solemn face. The beauty of Dr Grene is that he is entirely humourless, which makes him actually quite humorous. Believe me, this is a quality to be treasured in this place. 'So,' he said, 'you are quite well?'

'I am.'

'What age are you now, Roseanne?' 'I suppose I am a hundred.'

'Don't you think it very remarkable to be so well at a hundred?' he said, as if in some way he had contributed to this fact, as perhaps he had. After all, I had been under his care for thirty odd years, maybe more. He himself was growing old, but not as old as myself.

'I think it very remarkable. But, Doctor, I find so many things remarkable. I find the mice remarkable, I find the funny green sunlight that climbs in that window remarkable. I find you visiting me today remarkable.'