She had thought Tony was joking. She soon found that he wasn't, or else that she looked less like a gyptian than she'd thought, for many people stared, and children pointed, and by the time they reached the great doors of the Zaal they were walking alone between a crowd on either side, who had fallen back to stare and give them room.

And then Lyra began to feel truly nervous. She kept close to Ma Costa, and Pantalaimon became as big as he could and took his panther shape to reassure her. Ma Costa trudged up the steps as if nothing in the world could possibly either stop her or make her go more quickly, and Tony and Kerim walked proudly on either side like princes.

The hall was lit by naphtha lamps, which shone brightly enough on the faces and bodies of the audience, but left the lofty rafters hidden in darkness. The people coming in had to struggle to find room on the floor, where the benches were already crowded; but families squeezed up to make space, children occupying laps and daemons curling up underfoot or perching out of the way on the rough wooden walls.

At the front of the Zaal there was a platform with eight carved wooden chairs set out. As Lyra and the Costas found space to stand along the edge of the hall, eight men appeared from the shadows at the rear of the platform and stood in front of the chairs. A ripple of excitement swept over the audience as they hushed one another and shoved themselves into spaces on the nearest bench. Finally there was silence and seven of the men on the platform sat down.

The one who remained was in his seventies, but tall and bull necked and powerful. He wore a plain canvas jacket and a checked shirt, like many gyptian men; there was nothing to mark him out but the air of strength and authority he had. Lyra recognized it: Uncle Asriel had it, and so did the Master of Jordan. This man's daemon was a crow, very like the Master's raven.

«That's John Faa, the lord of the western gyptians,» Tony whispered.

John Faa began to speak, in a deep slow voice. «Gyptians! Welcome to the Roping. We've come to listen and come to decide. You all know why. There are many families here who've lost a child. Some have lost two. Someone is taking them. To be sure, landlopers are losing children too. We have no quarrel with landlopers over this.

«Now there's been talk about a child and a reward. Here's the truth to stop all gossip. The child's name is Lyra Belacqua, and she's being sought by the landloper police. There is a reward of one thousand sovereigns for giving her up to them. She's a landloper child, and she's in our care, and there she's going to stay. Anyone tempted by those thousand sovereigns had better find a place neither on land nor on water. We en't giving her up.»

Lyra felt a blush from the roots of her hair to the soles of her feet; Pantalaimon became a brown moth to hide. Eyes all around were turning to them, and she could only look up at Ma Costa for reassurance.

But John Faa was speaking again:

«Talk all we may, we won't change owt. We must act if we want to change things. Here's another fact for you: the Gobblers, these child thieves, are a taking their prisoners to a town in the far North, way up in the land of dark. I don't know what they do with 'em there. Some folk say they kill 'em, other folk say different. We don't know.

«What we do know is that they do it with the help of the landloper police and the clergy. Every power on land is helping 'em. Remember that. They know what's going on and they'll help it whenever they can.

«So what I'm proposing en't easy. And I need your agreement. I'm proposing that we send a band of fighters up north to rescue them kids and bring 'em back alive. I'm proposing that we put our gold into this, and all the craft and courage we can muster. Yes, Raymond van Gerrit?»

A man in the audience had raised his hand, and John Faa sat down to let him speak.

«Beg pardon, Lord Faa. There's landloper kids as well as gyptians been taken captive. Are you saying we should rescue them as well?»

John Faa stood up to answer.

«Raymond, are you saying we should fight our way through every kind of danger to a little group of frightened children, and then say to some of them that they can come home, and to the rest that they have to stay? No, you're a better man than that. Well, do I have your approval, my friends?»

The question caught them by surprise, for there was a moment's hesitation; but then a full-throated roar filled the hall, and hands were clapped in the air, fists shaken, voices raised in excited clamor. The rafters of the Zaal shook, and from their perches up in the dark a score of sleeping birds woke up in fear and flapped their wings, and little showers of dust drifted down.

John Faa let the noise continue for a minute, and then raised his hand for silence again.

«This'll take a while to organize. I want the heads of the families to raise a tax and muster a levy. We'll meet again here in three days' time. In between now and then I'm a going to talk with the child I mentioned before, and with Farder Coram, and form a plan to put before you when we meet. Goodnight to ye all.»

His massive, plain, blunt presence was enough to calm them. As the audience began to move out of the great doors into the chilly evening, to go to their boats or to the crowded bars of the little settlement, Lyra said to Ma Costa:

«Who are the other men on the platform?»

«The heads of the six families, and the other man is Farder Coram.»

It was easy to see who she meant by the other man, because he was the oldest one there. He walked with a stick, and all the time he'd been sitting behind John Faa he'd been trembling as if with an ague.

«Come on,» said Tony. «I'd best take you up to pay your respects to John Faa. You call him Lord Faa. I don't know what you'll be asked, but mind you tell the truth.»

Pantalaimon was a sparrow now, and sat curiously on Lyra's shoulder, his claws deep in the wolfskin coat, as she followed Tony through the crowd up to the platform.

He lifted her up. Knowing that everyone still in the hall was staring at her, and conscious of those thousand sovereigns she was suddenly worth, she blushed and hesitated. Pantalaimon darted to her breast and became a wildcat, sitting up in her arms and hissing softly as he looked around.

Lyra felt a push, and stepped forward to John Faa. He was stern and massive and expressionless, more like a pillar of rock than a man, but he stooped and held out his hand to shake. When she put hers in, it nearly vanished.

«Welcome, Lyra,» he said.

Close to, she felt his voice rumbling like the earth itself. She would have been nervous but for Pantalaimon, and the fact that John Faa's stony expression had warmed a little. He was treating her very gently.

«Thank you, Lord Faa,» she said.

«Now you come in the parley room and we'll have a talk,» said John Faa. «Have they been feeding you proper, the Costas?»

«Oh, yes. We had eels for supper.»

«Proper fen eels, I expect.»

The parley room was a comfortable place with a big fire, sideboards laden with silver and porcelain, and a heavy table darkly polished by the years, at which twelve chairs were drawn up.

The other men from the platform had gone elsewhere, but the old shaking man was still with them. John Faa helped him to a seat at the table.

«Now, you sit here on my right,» John Faa said to Lyra, and took the chair at the head of the table himself. Lyra found herself opposite Farder Coram. She was a little frightened by his skull-like face and his continual trembling. His daemon was a beautiful autumn-colored cat, massive in size, who stalked along the table with upraised tail and elegantly inspected Pantalaimon, touching noses briefly before settling on Farder Coram's lap, half-closing her eyes and purring softly.