On the night before Homecoming Sunday at the Grace Baptist Church, the Reverend Lester Lowe has a terrible dream from which he awakes, trembling, bathed in sweat, staring at the narrow windows of the parsonage. Through them, across the road, he can see his church. Moonlight falls through the parsonage's bedroom windows in still silver beams, and for one moment he fully expects to see the werewolf the old codgers have all been whispering about. Then he closes his eyes, begging for forgiveness for his superstitious lapse, finishing his prayer by whispering the “For Jesus' sake, amen”—so his mother taught him to end all his prayers.

Ah, but the dream…

In his dream it was tomorrow and he had been preaching the Homecoming Sermon. The church is always filled on Homecoming Sunday (only the oldest of the old codgers still call it Old Home Sunday now), and instead of looking out on pews half or wholly empty as he does on most Sundays, every bench is full.

In his dream he has been preaching with a fire and a force that he rarely attains in reality (he tends to drone, which may be one reason that Grace Baptist's attendance has fallen off so drastically in the last ten years or so). This morning his tongue seems to have been touched with the Pentecostal Fire, and he realizes that he is preaching the greatest sermon of his life, and its subject is this: THE BEAST WALKS AMONG US. Over and over he hammers at the point, vaguely aware that his voice has grown roughly strong, that his words have attained an almost poetic rhythm.

The Beast, he tells them, is everywhere. The Great Satan, he tells them, can be anywhere. At a high school dance. Buying a deck of Marlboros and a Bic butane lighter down at the Trading Post. Standing in front of Brighton's Drug, eating a Slim Jim, and waiting for the 4:40 Greyhound from Bangor to pull in. The Beast might be sitting next to you at a band concert or having a piece of pie at the Chat 'n Chew on Main Street. The Beast, he tells them, his voice dropping to a whisper that throbs, and no eye wanders. He has them in thrall. Watch for the Beast, for he may smile and say he is your neighbor, but oh my brethren, his teeth are sharp and you may mark the uneasy way in which his eyes roll. He is the Beast, and he is here, now, in Tarker's Mills. He

But here he breaks off, his eloquence gone, because something terrible is happening out there in his sunny church. His congregation is beginning to change, and he realizes with horror that they are turning into werewolves, all of them, all three hundred of them: Victor Bowle, the head selectman, usually so white and fat and pudgy… his skin is turning brown, roughening, darkening with hair! Violet MacKenzie, who teaches piano… her narrow spinster's body is filling out, her thin nose flattening and splaying! The fat science teacher, Elbert Freeman, seems to be growing fatter, his shiny blue suit is splitting, clocksprings of hair are bursting out like the stuffing from an old sofa! His fat lips split back like bladders to reveal teeth the size of piano keys!

The Beast, the Rev. Lowe tries to say in his dreams, but the words fail him and he stumbles back from the pulpit in horror as Cal Blodwin, the Grace Baptist's head deacon, shambles down the center aisle, snarling, money spilling from the silver collection plate, his head cocked to one side. Violet MacKenzie leaps on him and they roll in the aisle together, biting and shrieking in voices which are almost human.

And now the others join in and the sound is like the zoo at feeding-time, and this time the Rev. Lowe screams it out, in a kind of ecstasy: “The Beast! The Beast is everywhere! Everywhere! Every-” But his voice is no longer his voice; it has become an inarticulate snarling sound, and when he looks down, he sees the hands protruding from the sleeves of his good black suitcoat have become snaggled paws.

And then he awakes.

Only a dream, he thinks, lying back down again. Only a dream, thank God.

But when he opens the church doors that morning, the morning of Homecoming Sunday, the morning after the full moon, it is no dream he sees; it is the gutted body of Clyde Corliss, who has done janitorial work for years, hanging face-down over the pulpet. His push-broom leans close by.

None of this is a dream; the Rev. Lowe only wishes it could be. He opens his mouth, hitches in a great, gasping breath, and begins to scream.

Spring has come back again-and this year, the Beast has come with it.

On the shortest night of the year, Alfie Knopfler, who runs the Chat 'n Chew, Tarker's Mills' only cafe, polishes his long Formica counter to a gleaming brightness, the sleeves of his white shirt rolled to past his muscular, tattooed elbows. The cafe is for the moment completely empty, and as he finishes with the counter, he pauses for a moment, looking out into the street, thinking that he lost his virginity on a fragrant early summer night like this one — the girl had been Arlene McCune, who is now Arlene Bessey, and married to one of Bangor's most successful young lawyers. God, how she had moved that night on the back seat of his car, and how sweet the night had smelled!

The door into summer swings open and lets in a bright tide of moonlight. He supposes the cafe is deserted because the Beast is supposed to walk when the moon in full, but Alfie is neither scared nor worried; not scared because he weighs twotwenty and most of it is still good old Navy muscle, not worried because he knows the regulars will be in bright and early tomorrow morning for their eggs and their homefries and coffee. Maybe, he thinks, I'll close her up a little early tonight-shut off the coffee urn, button her up, get a six-pack down at the Market Basket, and take in the second picture at the drive-in. June, June, full moon—a good night for the drive-in and a few beers. A good night to remember the conquests of the past.

He is turning toward the coffee-maker when the door opens, and he turns back, resigned.

“Say! How you doin'?” he asks, because the customer is one of his regulars… although he rarely sees this customer later than ten in the morning.

The customer nods, and the two of them pass a few friendly words.

“Coffee?” Alfie asks, as the customer slips onto one of the padded red counter-stools.

“Please.”

Well, still time to catch that second show, Alfie thinks, turning to the coffee-maker. He don't look like he's good for Long. Tired. Sick, maybe. Still plenty of time to—

Shock wipes out the rest of his thought. Alfie gapes stupidly. The coffee-maker is as spotless as everything else in the Chat 'n Chew, the stainless steel cylinder bright as a metal mirror. And in its smoothly bulging convex surface he sees something as unbelievable as it is hideous. His customer, someone he sees every day, someone everyone in Tarker's Mills sees every day, is changing. The customer's face is somehow shifting, melting, thickening, broadening. The customer's cotton shirt is stretching, stretching… and suddenly the shirt's seams begin to pull apart, and absurdly, all Alfie Knopfler can think of is that show his little nephew Ray used to like to watch, The Incredible Hulk.

The customer's pleasant, unremarkable face is becoming something bestial. The customer's mild brown eyes have lightened; have become a terrible gold-green. The customer screams… but the scream breaks apart, drops like an elevator through registers of sound, and becomes a bellowing growl of rage.

It—the thing, the Beast, werewolf, whatever it is-gropes at the smooth Formica and knocks over a sugar-shaker. It grabs the thick glass cylinder as it rolls, spraying sugar, and heaves it at the wall where the specials are taped up, still bellowing.