I look up and am surprised to see Pascagoula standing right next to me.
“Are you . . . do you need something, Pascagoula?” I ask.
“I need to tell you something, Miss Skeeter. Something bout that—”
“You cannot wear dungarees to Kennington’s,” Mother says from the doorway. Like vapor, Pascagoula disappears from my side. She’s back at the sink, stretching a black rubber hose from the faucet to the dishwasher.
“You go upstairs and put on something appropriate.”
“Mother, this is what I’m wearing. What’s the point of getting dressed up to buy new clothes?”
“Eugenia, please let’s don’t make this any harder than it is.”
Mother goes back to her bedroom, but I know this isn’t the end of it. The whoosh of the dishwasher fills the room. The floor vibrates under my bare feet and the rumble is soothing, loud enough to cover a conversation. I watch Pascagoula at the sink.
“Did you need to tell me something, Pascagoula?” I ask.
Pascagoula glances at the door. She’s just a slip of a person, practically half of me. Her manner is so timid, I lower my head when I talk to her. She comes a little closer.
“Yule May my cousin,” Pascagoula says over the whir of the machine. She’s whispering, but there’s nothing timid about her tone now.
“I . . . didn’t know that.”
“We close kin and she come out to my house ever other weekend to check on me. She told me what it is you doing.” She narrows her eyes and I think she’s about to tell me to leave her cousin alone.
“I . . . we’re changing the names. She told you that, right? I don’t want to get anybody in trouble.”
“She tell me Saturday she gone help you. She try to call Aibileen but couldn’t get her. I’d a tole you earlier but . . .” Again she glances at the doorway.
I’m stunned. “She is? She will?” I stand up. Despite my better thinking, I can’t help but ask. “Pascagoula, do you . . . want to help with the stories too?”
She gives me a long, steady look. “You mean tell you what it’s like to work for . . . your mama?”
We look at each other, probably thinking the same thing. The discomfort of her telling, the discomfort of me listening.
“Not Mother,” I say quickly. “Other jobs, ones you’ve had before this.”
“This my first job working domestic. I use to work at the Old Lady Home serving lunch. Fore it move out to Flowood.”
“You mean Mother didn’t mind this being your first house job?”
Pascagoula looks at the red linoleum floor, timid again. “Nobody else a work for her,” she says. “Not after what happen with Constantine.”
I place my hand carefully on the table. “What did you think about... that?”
Pascagoula’s face turns blank. She blinks a few times, clearly outsmarting me. “I don’t know nothing about it. I just wanted to tell you what Yule May say.” She goes to the refrigerator, opens it and leans inside.
I let out a long, deep breath. One thing at a time.
SHOPPING WITH MOTHER isn’t as unbearable as usual, probably because I’m in such a good mood from hearing about Yule May. Mother sits in a chair in the dressing lounge and I choose the first Lady Day suit I try on, light blue poplin with a round-collar jacket. We leave it at the store so they can take down the hem. I’m surprised when Mother doesn’t try on anything. After only half an hour, she says she’s tired, so I drive us back to Longleaf. Mother goes straight to her room to nap.
When we get home, I call Elizabeth’s house, my heart pounding, but Elizabeth picks up the phone. I don’t have the nerve to ask for Aibileen. After the satchel scare, I promised myself I’d be more careful.
So I wait until that night, hoping Aibileen’s home. I sit on my can of flour, fingers working a bag of dry rice. She answers on the first ring.
“She’ll help us, Aibileen. Yule May said yes!”
“Say what? When you find out?”
“This afternoon. Pascagoula told me. Yule May couldn’t reach you.”
“Law, my phone was disconnected cause I’s short this month. You talk to Yule May?”
“No, I thought it would be better if you talked to her first.”
“What’s strange is I call over to Miss Hilly house this afternoon from Miss Leefolt’s, but she say Yule May don’t work there no more and hang up. I been asking around but nobody know a thing.”
“Hilly fired her?”
“I don’t know. I’s hoping maybe she quit.”
“I’ll call Hilly and find out. God, I hope she’s alright.”
“And now that my phone’s back on, I keep trying to call Yule May.”
I call Hilly’s house four times but the phone just rings. Finally I call Elizabeth’s and she tells me Hilly’s gone to Port Gibson for the night. That William’s father is ill.
“Did something happen . . . with her maid?” I ask as casually as I can.
“You know, she mentioned something about Yule May, but then she said she was late and had to pack up the car.”
I spend the rest of the night on the back porch, rehearsing questions, nervous about what stories Yule May might tell about Hilly. Despite our disagreements, Hilly is still one of my closest friends. But the book, now that it is going again, is more important than anything.
I lay on the cot at midnight. The crickets sing outside the screen. I let my body sink deep into the thin mattress, against the springs. My feet dangle off the end, dance nervously, relishing relief for the first time in months. It’s not a dozen maids, but it’s one more.
THE NEXT DAY, I’m sitting in front of the television set watching the twelve o’clock news. Charles Warring is reporting, telling me that sixty American soldiers have been killed in Vietnam. It’s so sad to me. Sixty men, in a place far away from anyone they loved, had to die. I think it’s because of Stuart that this bothers me so, but Charles Warring looks eerily thrilled by it all.
I pick up a cigarette and put it back down. I’m trying not to smoke, but I’m nervous about tonight. Mother’s been nagging me about my smoking and I know I should stop, but it’s not like it’s going to kill me. I wish I could ask Pascagoula more about what Yule May said, but Pascagoula called this morning and said she had a problem and wouldn’t be coming in until this afternoon.
I can hear Mother out on the back porch, helping Jameso make ice cream. Even in the front of the house, I can hear the rumbly noise of ice cracking, the salt crunching. The sound is delicious, makes me wish for some now, but it won’t be ready for hours. Of course, no one makes ice cream at twelve noon on a hot day, it’s a night chore, but Mother has it in her mind that she’s going to make peach ice cream and the heat be damned.
I go out on the back porch and look. The big silver ice-cream maker is cold and sweating. The porch floor vibrates. Jameso’s sitting on an upsidedown bucket, knees on either side of the machine, turning the wooden crank with gloved hands. Steam rises from the well of dry ice.
“Has Pascagoula come in yet?” Mama asks, feeding more cream into the machine.
“Not yet,” I say. Mother is sweating. She pushes a loose strand of hair behind her ear. “I’ll pour the cream awhile, Mama. You look hot.”
“You won’t do it right. I have to do it,” she says and shoos me back inside.
On the news, now Roger Sticker is reporting in front of the Jackson post office with the same stupid grin as the war reporter. “. . . this modern postal addressing system is called a Z-Z-ZIP code, that’s right, I said Z-Z-ZIP code, that’s five numbers to be written along the bottom of your envelope . . .”
He’s holding up a letter, showing us where to write the numbers. A man in overalls with no teeth says, “Ain’t nobody gonna use them there numbers. Folks is still trying to get used to using the tellyphone.”