Hyacinth was standing in the doorway. An extremely loud explosion seeped into her ears. Smoke filled the room, catching the hallway light and forming hundreds of 3-D images from Sarah's past life.

Hyacinth's fairy godmother costume was changed, for now she wore heavy leather gloves over her white cloth gloves, and bulky ear protectors under her conical hat, and a pair of goggles beneath her milky-white veil. In her hands she carried a giant revolver. Sarah knew that under her dress, Hyacinth was made of strong young oakwood.

Hyacinth took one step into the room and shrugged on the main light switch. Tiny stood in the center, staring. The man who had been swimming on the floor was dead. Another clasped his knee and screamed at the ceiling. Sarah laid her head down restfully and put her hands on her ears.

Cones of fire were spurting from the front and back of Hyacinth's gun and her hands were snapping rhythmically up and down. Tiny had his hands on his chest, and as he walked backward toward the window the back of his football jersey bulged and fluttered like a loose sail, darkness splashing away from it. The electrical cord was between his legs. His steps shortened and he fell backward through the picture window. The cord and plug trailed slowly behind him and snapped out room and were gone. The noise was so immense that Sarah heard nothing until much later. The blasts were synchronized with the music's beat:

WHAM WHAM WHAM WHAM

with each WHAM followed by a high whine that shrieked through until the next WHAM, so that when Tiny was gone there remained a terrible high tone that resonated between the walls of the room, far too loud for Sarah to stand, filling her awareness like the blowing of the Last Trumpet and tormenting the injured Terrorists, who cried out in it and wrapped their arms around their heads. The Droog on, top of Sarah was pulled slowly away and Hyacinth yanked Sarah to her feet. Sarah did not even move her legs as the smoky doorway twisted past her, the corridor walls with their Big Wheels rolled on by, the landings of the fire stair rushed up toward her from blackness and her soft bed drifted up to envelop her face. Hyacinth was above her, probing, rubbing, kissing her. She would not stop until Sarah was well again.

Virgil used his master key eight times before attaining a dark, stained sub-sublevel of the Plex, where great water mains from the City entered from the depths and fed the giant pumps that pressurized the plumbing system overhead.

In an uncharacteristic flash of foresightedness, the Plex's architects made allowances for the certainty that, once in a while, one group or another would flush hundreds of toilets simultaneously and damage the cold water system. So they installed two parallel, independent systems of main pipes to feed the distribution systems of the wings; to switch between them one need only close one set of valves and open another. This Virgil accomplished by grunting and straining at a few red iron wheels. Satisfied that things were settling back toward normal, he set out for Professor Sharon's old lab to see if Casimir Radon was still there.

The Computing Center was not far away. Though it had many rooms, its heart was a cavernous square space with white walls and a white floor waxed to a thick glossy sheen. The white ceiling was composed of square fluorescent light panels in a checkerboard pattern. Practically all of the room was occupied by disc memory units: brown-and-blue cubes, spaced in a grid to form a seemingly endless matrix of six-foot aisles. At the center of the room was an open circle, and at the center of that area stood the Central Processing Unit of the Janus 64. A smooth triangular column five feet on a side and twelve feet high, it would have touched the ceiling except that above was a circular opening about forty feet across, encircled by a railing so that observers could stand and look into the core of the Computing Center.

Around the CPU were a few other large machines: secondary computers to organize the tasks being fed to the Janus 64, array processors, high-speed laser printers, a central control panel and the like. But closest of all was the Operator's Station, a single video terminal, and tonight the operator was Consuela Gorm, high priestess of MARS. She had volunteered to do the job on this night of partying, when the only people still using the computer in the adjacent Terminal Room were the goners, the hopelessly addicted hackers who had nothing else to live for.

The only sounds were the whine of the refrigeration units, which drew away the heat thrown off by the tightly packed components of the Janus 64; the high hum of the whirling memory discs, multiplied by hundreds; and the pitter-pat of Consuela's fingertips across the keypad of the Operator's Station. She was hunkered down there, staring hypnotized into the screen, and behind her Fred Fine stood thin and straight as the CPU itself. Tonight they were testing

Shekondar Mark V, their state-of-the-art Sewers & Serpents simulation program.

Now, at a few minutes before midnight, they had worked out the few remaining

bugs and they stood transfixed as their program did exactly what it was

supposed to.

"Looks like a routine adventure," mumbled Consuela.

"But it looks like Shekondar might have generated a werewolf colony in this party's vicinity. I'm seeing a lot of indications of lycanthropic activity."

"You'd want plenty of silver arrows on this campaign."

"With this level of activity, you'd want a cleric specialized in lycanthropes," scoffed Consuela.

Fred Fine was perfectly aware of that. He was merely making conversation so Consuela would not realize he was thinking intently about something, and try to beat him to the punch. Yes, the werewolf colony was obvious– it was a large one, probably east-northeast in the Mountains of Krang. Only large-scale organization could account for the lack of wolfsbane and garlic, which were usually abundant in this biome. But Fred Fine was concerned with observations on a far grander scale. Though nothing was catastrophically wrong, something was very strange, and Fred Fine found that he was covered with goosebumps. He tapped a foot nervously and scanned the descriptions scrolling past on the screen.

"Listen for birds!" he hissed.

Consuela ordered an Aural Stimuli Report, specifying Avians as field of interest.

NO AVIAN SOUNDS DETECTABLE, said Shekondar Mark V.

"Damn!" said Fred Fine. "Let's have the alchemist test one of his magical substances– say, some of the fire-starting fluid." MAGICAL COMBUSTIBLES AND EXPLOSIVES FAIL TO FUNCTION.

"Uh-oh! All characters jettison all magical items immediately!" SMALL FIRES AND EXPLOSIONS IN ALCHEMICAL SUBSTANCES.

"Good. We'll get farther away."

LARGE EXPLOSIONS. NOXIOUS SMOKE. NO INJURIES DUE TO WIND DIRECTION.

"Lucky! Forgot even to check for that. My character will try turning on his pocket calculator."

ELECTRONIC DEVICES FAIL TO FUNCTION.

"Wait a minute," said the astonished Consuela. "What is this? I don't know of anything that can cause disruption of magic and technology at the same time! Some kind of psionics, maybe?" "I don't know. I don't know what it is.,, "We wrote this thing. We have to know what's in it." "Aural Stimuli Report, General. Quick!"

DEEP RUMBLING CONSISTENT WITH TEMBLOR OR LARGE SUBTERRANEAN MOVEMENT.

"Can't be an earthquake. We'll head for solid rock, that should protect us. Head uphill!"

MOVEMENT SPEED HALVED BY TEMBLOR. ROCK OUTCROPPING REACHED IN SIX TURNS. EXTREMELY LOUD HISSING. GASEOUS ODOR. GROUND BECOMES WARM.

"It's almost like a Dragon," said Consuela in a constricted, terrified voice, "but from down in the earth."

"God! I can't think of what the hell this is!"