Mari did not follow, and laughed. "It was neat the way you didn't say something bad about the Terrorists just on his account." Fred Fine was stashing his armaments in his briefcase and staring at them. Sarah concluded that he had just come over to eavesdrop on their conversation and look at their secondary sex characteristics.

"Diplomatic? There's nothing I could say, Mari, that could be nasty enough to describe those assholes, and the sooner you realize that the better off you'll be."

"Oh, no, Sarah. That's not true. The Terrorists are nice guys, really."

"They are assholes."

"But they're nice. You said so yourself at Fantasy Island Nite, remember? You should get to know some of them."

Sarah nearly snapped that she had almost gotten to know some of them quite well on Fantasy Island Nite, but held her tongue, suddenly apprehensive. Had she said that on Fantasy Island Nite? And had Mar! known who she was? "Man, it is possible to be nice and be an asshole at the same time. Ninety-nine percent of all people are nice. Not very many are decent."

"Well, sometimes you don't seem terribly nice."

"Well, I don't wish to be nice. I don't care about nice. I've got more important things on my mind, like happiness."

"I don't understand you, Sarah. I like you so much, but I just don't understand you." Mari backed away a couple of paces on her spikes, gazing coolly at Sarah through her eye-holes. "Sometimes I get the feeling you're nothing but a clown." She stood and watched Sarah triumphantly.

DEATH TO CLOWN WOMAN! hung before Sarah's eyes. A knifing chill struck her and she was suddenly nauseated and lightheaded. She sat down on a table, assisted needlessly by Fred Fine.

"You'll be fine," he said confidently. "Just routine shock. Lie back here and we'll take care of you." He began making a clear space for her on the table.

Somehow, Sarah had managed to unzip the back pocket of her knapsack and wrap her fingers around the concealed grip of the revolver. Shocked, she forced herself to relax and think clearly. To scare the hell out of Mari was

neighborhood, the square had degenerated meteorically and become a chaotic intersection lined with dangerous discos, greasy spoons, tiny weedlike businesses, fast-food joints with armed guards and vacant buildings covered with acres of graffiti-festooned plywood and smelling of rats and derelicts' urine. The home office of the Big Wheel Petroleum Corporation had moved out some years ago to a Sunbelt location. It had retained ownership of its old twelve-story office building, and on its roof, thrust into the heavens on a dirty web of steel and wooden beams, the Big Wheel sign continued to beam out its pulsating message to everyone within five miles every evening. One of the five largest neon signs ever built, it was double-sided and square, a great block of lovely saturated cherry red with a twelve-spoked wagon wheel of azure and blinding white rotating eternally in the middle, underscored by heavy block letters saying BIG WHEEL that changed, letter by letter, from white to blue and back again, once every two revolutions. Despite the fact that the only things the corporation still owned in this area were eight gas stations, the building and the sign, some traditionalist in the corporate hierarchy made sure that the sign was perfectly maintained and that it went on every evening.

During the daytime the Big Wheel sign looked more or less like a billboard, unless you looked closely enough to catch the glinting of the miles of glass tubing bracketed to its surface. As night fell on the city, though, some mysterious hand, automatic or human, would throw the switch. Lights would dim for miles around and anchormen's faces would bend as enough electricity to power Fargo at dinnertime was sent glowing and incandescing through the glass tracery to beam out the Big Wheel message to the city. This was a particularly impressive sight from the social lounges on the east side of the Plex, because the sign was less than a quarter mile away and stood as the only structure between it and the horizon. On cloudless nights, when the sky over the water was deep violet and the stars had not yet appeared, the Big Wheel sign as seen from the Plex would first glow orange as its tubes caught the light of the sunset. Then the sun would set, and the sign would sit, a dull inert square against the heavens, and the headlights of the cars below would flicker on and the weak lights of the discos and the diners would come to life. Just when the sign was growing difficult to make out, the switch would be thrown and the Big Wheel would blaze out of the East like the face of God, causing thousands of scholarly heads to snap around and thousands of conversations to stop for a moment. Although Plex people had few opportunities to purchase gasoline, and many did not even know what the sign was advertising, it had become the emblem of a university without emblems and was universally admired. Art students created series of paintings called, for example, "Thirty-eight views of the Big Wheel sign," the Terrorists adopted it as their symbol and its illumination was used as the starting point for many parties. Even during the worst years of the energy crisis, practically no one at AM had protested against the idea of nightly beaming thousands of red-white-and-blue kilowatt-hours out into deep space while a hundred feet below derelicts lost their limbs to the cold.

The summit conference, the Meeting of Hearers, the Conclave of the Terrorist Superstars, was therefore held in the D24E lounge around sunset. About a dozen figures from various Terrorist factions came, including eight stereo hearers, two Big Wheel hearers, a laundry-machine hearer and a TV test-pattern hearer. Hudson Rayburn, Tiny's successor, got there last, and did not have a chair. So he went to the nearest room and walked in without knocking. The inhabitant was seated cross-legged on the bed, smoking a fluorescent red plastic bong and staring into a color-bar test pattern on a 21-inch TV. This was the wing of the TV test-pattern hearers, a variation which Rayburn's group found questionable. There were some things you could say about test patterns, though.

"The entire spectrum," observed Hudson Rayburn.

"Hail Roy G Biv," quoth the hearer in his floor's ritual greeting. Rayburn grabbed a chair, causing the toaster oven it was supporting to slide off onto the bed. "I must have this chair," he said. The hearer cocked his head and was motionless for several seconds, then spoke in a good-natured monotone. "Roy G Biv speaks with the voice of Ward Cleaver, a voice of great power. Yes. You are to take the chair. You are to bring it back, or I will not have a place for putting my toaster oven."

"I will bring it back," answered Rayburn, and carried it out. The hosts of the meeting had set up a big projection TV on one wall of the lounge, and the representatives of the Roy G Biv faction stared at the test pattern. One of them, tonight's emcee, spoke to the assembled Terrorists, glancing at the screen and pausing from time to time.

"The problem with the stereo-hearers is that everybody has stereos and so there are many different voices saying different things, and that is bad, because they cannot act together. Only a few have color TV5 that can show Roy G Biv, and only some have cable, which carries Roy G Biv on Channel 34 all the time, so we are unified."

"But there is only one Big Wheel. It is the most unified of all," observed Hudson Rayburn, staring out at the Big Wheel, glinting orange in the setting sun.

There was silence for a minute or so. A stereo-hearer, holding a large ghetto blaster on his lap, spoke up. "Ah, but it can be seen from many windows. So it's no better at all."

"The same is true of the stereo," said a laundry-machine hearer. "But there is only one dryer, the Seritech Super Big-Window 1500 in Laundry, which is numbered twenty-three and catches the reflection of the Astro-Nuke video game, and only a few can see it at a time, and I think it told me just the other day how we could steal it."