Boy, wait until he got back to the kids in seventh grade at
Busiris, Illinois! Would their eyes ever pop when he told them all about it!
But his happiness was too good to last. Aunt Thea suddenly said she had a headache and couldn't possibly go. Then she and Uncle Nate went into their bedroom, and even in the front room, three rooms and a hallway distant, young Tim could hear their voices. After a while Uncle Nate, slamming doors behind him, came out. He was red-faced and scowling, but he wasn't going to call the party off. All four of them, very uncomfortable and silent, rode in a taxi to the theater on Times Square. But when they got inside, even Uncle Nate forgot the quarrel or at least he seemed to. There was, the big stage with its towering silvery curtains and through the curtains came a vibration of excitement and of delicious danger. And even through the curtains the hot hairy ape-stink filled the theater.
"Did King Kong get loose just like in the movie?" Jill said.
Mr. Howller started. "What? Oh, yes, he sure did. Just like in the movie."
"Were you scared, Grandpa? Did you run away like everybody else?
He hesitated. Jill's image of her grandfather had been cast in a heroic mold. To her he was a giant of Herculean strength and perfect courage, her defender and champion. So far he had managed to live up to the image, mainly because the demands she made were not too much for him. In time she would see the cracks and the sawdust oozing out. But she was too young to disillusion now.
"No, I didn't run," he said. "I waited until the theater was cleared of the crowd."
This was true. The big man who'd been sitting in the seat before him had leaped up yelling as Kong began tearing the bars out of his cage, had whirled and jumped over the back of his seat, and his knee had hit young Howller on the jaw. And so young Howller had been stretched out senseless on the floor under the seats while the mob screamed and tore at each other and trampled the fallen.
Later he was glad that he had been knocked out. It gave him a good excuse for not keeping cool, for not acting heroically in the situation. He knew that if he had not been unconscious, he would have been as frenzied as the others, and he would have abandoned his parents, thinking only in his terror of his own salvation. Of course, his parents had deserted him, though they claimed that they had been swept away from him by the mob. This could be true: maybe his folks had actually tried to get to him. But he had not really thought they had, and for years he had looked down on them because of their flight. When he got older, he realized that he would have done the same thing, and he knew that his contempt for them was really a disguised contempt for himself.
He had awakened with a sore jaw and a headache. The police and the ambulance men were there and starting to take care of the hurt and to haul away the dead.
He staggered past them out into the lobby and, not seeing his parents there, went outside. The sidewalks and the streets were plugged with thousands of men, women, and children, on foot and in cars, fleeing northward.
He had not known where Kong was. He should have been able to figure it out, since the frantic mob was leaving the midtown part of Manhattan. But he could think of only two things. Where were his parents? And was Aunt Thea safe? And then he had a third thing to consider. He discovered that he had wet his pants. When he had seen the great ape burst loose, he had wet his pants.
Under the circumstances, he should have paid no attention to this. Certainly no one else did. But he was a very sensitive and shy boy of thirteen, and, for some reason, the need for getting dry underwear and trousers seemed even more important than finding his parents. In retrospect he would tell himself that he would have gone south anyway. But he knew deep down that if his pants had not been wet he might not have dared return to the Empire State Building.
It was impossible to buck the flow of the thousands moving like lava up Broadway. He went east on 43rd Street until he came to Fifth Avenue, where he started southward. There was a crowd to fight against here, too, but it was much smaller than that on Broadway. He was able to thread his way through it, though he often had to go out into the street and dodge the cars. These, fortunately, were not able to move faster than about three miles an hour.
"Many people got impatient because the cars wouldn't go faster," he told Jill, "and they just abandoned them and struck out on foot."
"Wasn't it noisy, Grandpa?"
"Noisy? I've never heard such noise. I think that everyone in Manhattan, except those hiding under their beds, was yelling or talking. And every driver in Manhattan was blowing his car's horn. And then there were the sirens of the fire trucks and police cars and ambulances. Yes, it was noisy. "
Several times he tried to stop a fugitive so he could find out what was going on. But even when he did succeed in halting someone for a few seconds, he couldn't make himself heard. By then, as he found out later, the radio had broadcast the news. Kong had chased John Driscoll and Ann Redman out of the theater and across the street to their hotel. They had gone up to Driscoll's room, where they thought they were safe. But Kong had climbed up, using windows as ladder steps, reached into the room, knocked Driscolf out, grabbed Ann, and had then leaped away with her. He had headed, as Carl
Denham figured he would, toward the tallest structure on the island. On King Kong's own island, he lived on the highest point, Scull Mountain, where he was truly monarch of all he surveyed. Here he would climb to the top of the Empire State Building, Manhattan's Skull Mountain.
Tim Howller had not known this, but he was able to infer that Kong had traveled down Fifth Avenue from 38th Street on. He passed a dozen cars with their tops flattened down by the ape's fist or turned over on their sides or tops. He saw three sheet covered bodies on the sidewalks, and he overheard a policeman telling a reporter that Kong had climbed up several buildings on his way south and reached into windows and pulled people out and thrown them down onto the pavement.
"But you said King Kong was carrying Ann Redman in the crook of his arm, Grandpa," Jill said. "He only had one arm to climb with, Grandpa, so ... so wouldn't he fall off the building when he reached in to grab those poor people?"
"A very shrewd observation, my little chickadee," Mr. Howller said, using the W. C. Fields voice that usually sent her into giggles. "But his arms were long enough for him to drape Ann Redman over the arm he used to hang on with while he reached in with the other. And to forestall your next question, even if you had not thought of it, he could turn over an automobile with only one hand. "
"But ... but why'd he take time out to do that if he wanted to get to the top of the Empire State Building?"
"I don't know why people often do the things they do," Mr. Howller said. "So how would I know why an ape does the things he does?"
When he was a block away from the Empire State, a plane crashed onto the middle of the avenue two blocks behind him and burned furiously. Tim Howller watched it for a few minutes, then he looked upward and saw the red and green lights of the five 'planes and the silvery bodies slipping in and out of the searchlights.
"Five airplanes, Grandpa? But the movie ..."
"Yes, I know. The movie showed abut fourteen or fifteen. But the book says that there were six to begin with, and the book is much more accurate. The movie also shows King Kong's last stand taking place in the daylight. But it didn't; it was still nighttime."
The Army Air Force plane must have been going at least 250 mph as it dived down toward the giant ape standing on the top of the observation tower. Kong had put Ann Redman by his feet so he could hang on to the tower with one hand and grab out with the other at the planes. One had come too close, and he had seized the left biplane structure and ripped it off. Given the energy of the plane, his hand should have been torn off, too, or at least he should have been pulled loose from his hold on the tower and gone down with the plane. But he hadn't let loose, and that told something of the enormous strength of that towering body. It also told something of the relative fragility of the biplane.