The apartment block I was directed to was not in a very good state of repair. The plaster that was covering the cracks had cracks, and the grime on the peeling paint was itself starting to peel. Inside there was a small lobby where an elderly doorman was watching a dubbed version of 65 Walrus Street. He directed me to the fourth floor, where I found Mrs Nakajima’s apartment at the end of the corridor. The varnish on the door had lost its shine and the brass doorknob was tarnished, dusty and dull, no one had been in here for some time. I knocked despite this and, when silence was all that answered me, grasped the knob and turned it slowly. To my surprise it moved easily and the door creaked open I paused to look about me and, seeing no one, stepped inside.

Mrs Nakajima’s apartment was ordinary in the extreme. Three bedrooms, bathroom and kitchen. The walls and ceiling were plainly painted, the flooring a light-coloured wood. It seemed as though she had moved out a few months ago and taken almost everything with her. The only notable exception to this was a small table near the window of the living room, upon which I found four slim hide-bound volumes lying next to a brass reading lamp. I picked up the uppermost book. It had ‘Jurisfiction’ embossed on the cover, above a name I didn’t recognise. I tried to open the book but the covers were stuck fast. I tried the second book with no better luck, but paused for a moment when I saw the third book. I gently touched the slim volume and ran my fingertips across the thin layer of dust that had accumulated on the spine. The hair bristled on my neck and I shivered. But it wasn’t a fearful feeling. It was the light tingle of apprehension; this book, I knew, would open. The name on the cover was my own. I had been expected. I opened the book. On the title page was a handwritten note from Mrs Nakajima that was short and to the point:

For Thursday Next, in grateful anticipation of good work and fine times ahead with Jurisfiction. I jackanoried you into a book when you were nine but now you must do it for yourself—and you can, and you shall. I also suggest that you are quick, Mr Schitt-Hawse is walking along the corridor outside as you read this and he isn’t out collecting for ChronoGuard orphans.  —Mrs Nakajima

I ran to the door and slid the bolt just as the door handle rattled. There was a pause and then a loud thump on the door.

‘Next!’ came Schitt-Hawse’s unmistakable voice. ‘I know you’re in there! Let me in and we can fetch Jack together!’

I had been followed, obviously. It suddenly struck me that perhaps Goliath were more interested in how to get into books than in Jack Schitt himself. There was a billion-pound hole in the budget for their advanced weapons division and a Prose Portal, any Prose Portal, would be just the thing to fill it.

‘Go to hell!’ I shouted as I returned to my book. On the first page, under a large heading that read ‘READ ME FIRST!’, there was a description of a library somewhere. I needed no second bidding; the door flexed under a heavy blow and I saw the paint crack near the lock. If it was Chalk or Cheese they wouldn’t take long to gain entry.

I relaxed, took a deep breath, cleared my throat and read in a clear, strong and confident voice, expressive and expansive. I added pauses, inflections and raised the tone of my voice where the text required it. I read as I had never read before.

‘I was in a long, dark, wood-panelled corridor,’ I began, ‘lined with bookshelves that reached from the richly carpeted floor to the vaulted ceiling—’

The sound of thumping increased and as I spoke the door frame splintered near the hinges and collapsed inward as Chalk fell with a heavy thump on to the floor, closely followed by Cheese, who landed on top of him.

‘The carpet was elegantly patterned and the ceiling was decorated with rich mouldings that depicted scenes from the classics—’

‘Next!’ yelled Schitt-Hawse, putting his head round the door as Chalk and Cheese struggled to get up. ‘Coming to Osaka was not part of the deal! I told you to keep me informed. Nothing will happen to you—’

But something was happening. Something new, something other. My utter loathing of Goliath, the urge to get away, the knowledge that without entry to books I would never see Landen again—all of these things gave me the will to soften the barriers that had hardened since the day I first entered Jane Eyre in 1958.

‘High above me, spaced at regular intervals, were finely decorated circular apertures through which light gained entry—’

I could see Schitt-Hawse move towards me but he had started to become less tangible; although I could see his lips move, the sound arrived at my ears a full second later. I continued to read, and as I did so the room about me began to fworp from view.

‘Next!’ yelled Schitt-Hawse. ‘You’ll regret, this I swear!’

I carried on reading.

‘—reinforcing the serious mood of the library—’

‘Bitch!’ I heard Schitt-Hawse cry. ‘Grab her!’

But his words were as a zephyr; the room took on the appearance of morning mist and darkened. I felt a gentle tingling sensation, the feeling of tepid water brushing on the skin—and in the next instant, I had gone.

I blinked twice but Osaka was far behind. I closed the book, carefully placed it in my pocket and looked around. I was in a long, dark, wood-panelled corndor lined with bookshelves that reached from the richly carpeted floor to the vaulted ceiling. The carpet was elegantly patterned and the ceiling was decorated with rich mouldings that depicted scenes from the classics, each cornice supporting the marble bust of an author. High above me, spaced at regular intervals, were finely decorated circular apertures through which light gained entry and reflected off the polished wood, reinforcing the serious mood of the library. Running down the centre of the corridor was a long row of reading tables, each with a green-shaded brass lamp. The library appeared endless; in both directions the corridor vanished into darkness with no definable end. But this wasn’t important. Describing the library would be like going to see a Turner and commenting on the frame. On all the walls, end after end, shelf after shelf, were books. Hundreds, thousands, millions of books. Hardbacks, paperbacks, leather-bound volumes, uncorrected proofs, handwritten manuscripts, everything. I stepped closer and rested my fingertips lightly on the pristine volumes. They felt warm to the touch, so I leaned closer and pressed my ear to the spines. I could hear a distant hum, the rumble of machinery, people talking, traffic, seagulls, laughter, waves on rocks, wind in the winter branches of trees, distant thunder, heavy rain, children playing, a blacksmith’s hammer—a million sounds all happening together. And then, in a revelatory moment, the clouds slid back from my mind and a crystal-clear understanding of the very nature of books shone upon me. They weren’t just collections of words arranged neatly on a page to give the impression of reality—each of these volumes was reality. The similarity of these books to the copies I had read back home was no more than the similarity a photograph has to its subject—these books were alive!

I walked slowly down the corridor, running my fingers along the spines and listening to the comfortable pat-pat-pat sound they made, every now and then recognising a familiar title. After a couple of hundred yards I came across a junction where a second corridor crossed the first. In the middle of the crossway was a large circular void with a wrought-iron rail and a spiral staircase bolted securely to one side. I peered cautiously down. Not more than thirty feet below me I could see another floor, exactly like this one. But in the middle of that floor was another circular void through which I could see another floor, and another and another and so on to the depths of the library. I looked up. It was the same above me, more circular light wells and the spiral staircase reaching up into the dizzy heights above. I leaned on the balcony and looked about me at the vast library once again.