Parvati-the-witch was born in Old Delhi in a slum which clustered around the steps of the Friday mosque. No ordinary slum, this, although the huts built out of old packing cases and pieces of corrugated tin and shreds of jute sacking which stood higgledy-piggledy in the shadow of the mosque looked no different from any other shanty-town… because this was the ghetto of the magicians, yes, the very same place which had once spawned a Hummingbird whom knives had pierced and pie-dogs had failed to save… the conjurers' slum, to which the greatest fakirs and prestidigitators and illusionists in the land continually flocked, to seek their fortune in the capital city. They found tin huts, and police harassment, and rats… Parvati's father had once been the greatest conjurer in Oudh; she had grown up amid ventriloquists who could make stones tell jokes and contortionists who could swallow their own legs and fire-eaters who exhaled flames from their arseholes and tragic clowns who could extract glass tears from the corners of their eyes; she had stood mildly amid gasping crowds while her father drove spikes through her neck; and all the time she had guarded her own secret, which was greater than any of the illusionist flummeries surrounding her; because to Parvati-the-witch, born a mere seven seconds after midnight on August 15th, had been given the powers of the true adept, the illuminatus, the genuine gifts of conjuration and sorcery, the art which required no artifice.

So among the midnight children were infants with powers of transmutation, flight, prophecy and wizardry… but two of us were born on the stroke of midnight. Saleem and Shiva, Shiva and Saleem, nose and knees and knees and nose… to Shiva, the hour had given the gifts of war (of Rama, who could draw the undrawable.bow; of Arjuna and Bhima; the ancient prowess of Kurus and Pandavas united, unstoppably, in him!)… and to me, the greatest talent of all-the ability to look into the hearts and minds of men.

But it is Kali-Yuga; the children of the hour of darkness were born, I'm afraid, in the midst of the age of darkness; so that although we found it easy to be brilliant, we were always confused about being good.

There; now I've said it. That is who I was-who we were.

Padma is looking as if her mother had died-her face, with its opening-shutting mouth, is the face of a beached pomfret. 'O baba!' she says at last. 'O baba! You are sick; what have you said?'

No, that would be too easy. I refuse to take refuge in illness. Don't make the mistake of dismissing what I've unveiled as mere delirium; or even as the insanely exaggerated fantasies of a lonely, ugly child. I have stated before that I am not speaking metaphorically; what I have just written (and read aloud to stunned Padma) is nothing less than the literal, by-the-hairs-of-my-mother's-head truth.

Reality can have metaphorical content; that does not make it less real. A thousand and one children were born; there were a thousand and one possibilities which had never been present in one place at one time before; and there were a thousand and one dead ends. Midnight's children can be made to represent many things, according to your point of view: they can be seen as the last throw of everything antiquated and retrogressive in our myth-ridden nation, whose defeat was entirely desirable in the context of a modernizing, twentieth-century economy; or as the true hope of freedom, which is now forever extinguished; but what they must not become is the bizarre creation of a rambling, diseased mind. No: illness is neither here nor there.

'All right, all right, baba,' Padma attempts to placate me. 'Why become so cross? Rest now, rest some while, that is all I am asking.'

Certainly it was a hallucinatory time in the days leading up to my tenth birthday; but the hallucinations were not in my head. My father, Ahmed Sinai, driven by the traitorous death of Dr Narlikar and by the increasingly powerful effect of djinns-and-tonics, had taken flight into a dream-world of disturbing unreality; and the most insidious aspect of his slow decline was that, for a very long time, people mistook it for the very opposite of what it was… Here is Sonny's mother, Nussie-the-duck, telling Amina one evening in our garden: 'What great days for you all, Amina sister, now that your Ahmed is in his prime! Such a fine man, and so much he is prospering for his family's sake!' She says it loud enough for him to hear; and although he pretends to be telling the gardener what to do about the ailing bougainvillaea, although he assumes an expression of humble self-deprecation, it's utterly unconvincing, because his bloated body has begun, without his knowing it, to puff up and strut about. Even Purushottam, the dejected sadhu under the garden tap, looks embarrassed.

My fading father… for almost ten years he had always been in a good mood at the breakfast table, before he shaved his chin; but as his facial hairs whitened along with his fading skin, this fixed point of happiness ceased to be a certainty; and the day came when he lost his temper at breakfast for the first time. That was the day on which taxes were raised and tax thresholds simultaneously lowered; my father flung down the Times of India with a violent gesture and glared around him with the red eyes I knew he only wore in his tempers. 'It's like going to the bathroom!' he exploded, cryptically; egg toast tea shuddered in the blast of his wrath. 'You raise your shirt and lower your trousers! Wife, this government is going to the bathroom all over us!' And my mother, blushing pink through the black, 'Janum, the children, please,' but he had stomped off, leaving me with a clear understanding of what people meant when they said the country was going to pot.

In the following weeks my father's morning chin continued to fade, and something more than the peace of the breakfast table was lost: he began to forget what sort of man he'd been in the old days before Narlikar's treason. The rituals of our home life began to decay. He began to stay away from the breakfast table, so that Amina could not wheedle money out of him; but, to compensate, he became careless with his cash, and his discarded clothes were full of rupee notes and coins, so that by picking his pockets she could make ends meet. But a more depressing indication of his withdrawal from family life was that he rarely told us bedtime stories any more, and when he did we didn't enjoy them, because they had become ill-imagined and unconvincing. Their subject-matter was still the same, princes goblins flying horses and adventures in magic lands, but in his perfunctory voice we could hear the creaks and groans of a rustling, decayed imagination.

My father had succumbed to abstraction. It seems that Narlikar's death and the end of his tetrapod dream had shown Ahmed Sinai the unreliable nature of human relationships; he had decided to divest himself of all such ties. He took to rising before dawn and locking himself with his current Fernanda or Flory in his downstairs office, outside whose windows the two evergreen trees he planted to commemorate my birth and the Monkey's had already grown tall enough to keep out most of the daylight when it arrived. Since we hardly ever dared disturb him, my father entered a deep solitude, a condition so unusual in our overcrowded country as to border on abnormality; he began to refuse food from our kitchen and to live on cheap rubbish brought daily by his girl in a tiffin-carrier, lukewarm parathas and soggy vegetable samosas and bottles of fizzy drinks. A strange perfume wafted out from under his office door; Amina took it for the odour of stale air and second-rate food; but it's my belief that an old scent had returned in a stronger form, the old aroma of failure which had hung about him from the earliest days.

He sold off the many tenements or chawls which he'd bought cheaply on his arrival in Bombay, and on which our family's fortunes had been based. Freeing himself from all business connections with human beings-even his anonymous tenants in Kurla and Worli, in Matunga and Mazagaon and Mahim-he liquefied his assets, and entered the rarefied and abstract air of financial speculation. Locked in his office, in those days, his one contact with the outside world (apart from his poor Fernandas) was his telephone. He spent his day deep in conference with this instrument, as it put his money into such-andsuch shares or soandso stocks, as it invested in government bonds or bear market equities, selling long or short as he commanded… and invariably getting the best price of the day. In a streak of good fortune comparable only to my mother's success on the horses all those years previously, my father and his telephone took the stock exchange by storm, a feat made more remarkable by Ahmed Sinai's constantly-worsening drinking habits. Djinn-sodden, he nevertheless managed to ride high on the abstract undulations of the money market, reacting to its emotional, unpredictable shifts and changes the way a lover does to his beloved's slightest whim… he could sense when a share would rise, when the peak would come; and he always got out before the fall. This was how his plunge into the abstract solitude of his telephonic days was disguised, how his financial coups obscured his steady divorce from reality; but under cover of his growing riches, his condition was getting steadily worse.