Jillian announced herself to the secretary, while Harvath nodded pleasantly at the two powerful-looking security guards. Neither of them returned Harvath’s greeting. They just stared, sizing him up.

“Oui, d’accord,” said the attractive receptionist as she hung up the phone and turned to Jillian. “Dr. Davidson is officing on the top floor at the end of the corridor. I will need to see your identification, please.”

Jillian and Harvath both proffered their passports. The receptionist copied down their information and then took digital photos of each of the visitors. Moments later a machine beneath her desk spat out two laminated badges. “If you would please be kind enough to pin these visitor passes to your clothing,” said the woman to Jillian, “you may proceed upstairs.”

They walked up a narrow, winding staircase together in silence. When they emerged onto the third floor, it looked as if they were stepping onto the set of a Three Musketeers movie.

The rough-hewn plank flooring was complemented by a series of wooden beams that lined the low ceiling. Eighteenth-century oil paintings of life at court, pastoral scenes, and a variety of still life subjects hung in gilded frames and lined both sides of the hallway. Beneath the paintings was the occasional antique chair or collection of leather-bound books piled artistically on sturdy, farmhouse-style tables. If not for the modern halogen lighting, Harvath would have sworn they had traveled back in time.

Davidson’s office was at the end of the hall on the right. When they arrived at the heavy wooden door, Harvath knocked, and a voice from inside instructed them to enter. Rising from behind her desk to greet her two guests, Dr. Molly Davidson was not at all what Harvath had expected.

She stood at least two inches taller than him, and with her long blond hair and deeply tanned skin looked more like a beach volleyball player than one of the world’s foremost experts on ancient arms and armor.

“Dr. Davidson,” said Jillian, offering her hand as they met her halfway across the room. “I’m Dr. Alcott, and this is Sam Guerin,” she continued, using the alias Harvath was traveling under.

Except for its extraordinary length, the office, with its petite sink, sloping roof, and small windows set into the eaves, resembled a typical Parisian-style garret apartment, or chambre de bonne used for housing domestics. The long room looked as if it was predominantly used by Sotheby’s for storage, but someone had shoved most of the office furniture and cardboard boxes toward a back corner to clear space for the arms and armor expert from London.

Workbenches with microscopes, illuminated magnifying glasses, and a host of other research tools lined the interior wall. A short row of bookcases ran along the opposite wall beneath the windows, while down the center of the room was an enormous worktable that had to be at least seven feet wide and twice as long. Half of the table was covered with a series of white sheets on top of which were the artifacts Dr. Davidson was currently investigating, including the breastplates.

Davidson shook both of their hands and then shut the door behind them. “I have to apologize for the modest quarters. This was the best they could do for me on such short notice.”

Through the room’s closed windows, Harvath could still hear the rush of whining Vespas and noisy diesel delivery trucks from the busy street below. He also could hear the muted melody of a song he thought he recognized. It seemed to be coming from inside the room itself. It took him a couple seconds of intent listening before he could place it. It was the seventies funk classic “Love Rollercoaster” by the Ohio Players. If Dr. Davidson had a stereo hidden somewhere, Harvath had to hand it to her, she had good taste.

“I also have to apologize for that noise,” added Davidson. “The shop next door rented out their upstairs apartment to a young DJ who’s home all day and gone all night. Half the time, I end up having to take my work home with me just to get away from it. “Davidson walked down the length of the room, pounded on the far wall, and yelled in French for the music to be turned down. The command seemed to work, for seconds later it was barely audible.

Harvath, though, didn’t much care for Dr. Davidson referring to music of the Ohio Players as noise.

“I’m sorry I couldn’t tell you much more over the phone,” continued Davidson as she crossed to a computer workstation and reached for a box that was inside one of the drawers. “But as I indicated, I was still waiting for a couple of key test results to come in this afternoon. We’ve only had the artifacts for a little over a week now.”

“That’s okay,” replied Jillian. “Have the test results come back then?”

“Yes. I just got them.”

“What can you tell us?” asked Harvath as he lifted an enormous battle hammer from the table and shifted it from hand to hand, gauging its weight.

“I can tell you,” snapped Davidson as she brought a box of white cotton gloves from her drawer over to the table and handed a pair to Harvath, “that I would rather you not handle any of the artifacts without my permission, and even then, only whilst wearing proper gloves. These items are quite old and need to be treated with extreme care.”

“Of course,” said Harvath, setting the battle hammer down and pulling on the gloves. “I’m sorry.”

Davidson looked slightly mollified. “I suppose there’s no harm done. Out of everything you could have picked up, you selected the sturdiest item. It’s quite an amazing piece. According to our testing, the hammer’s head was forged from metals mined in North Africa, and the handle itself, interestingly enough, is made from Indian teak-the hardest wood known to mankind.”

“Why is that interesting?” asked Harvath.

“It’s interesting because we’ve dated the piece to the third century

B.C., and it was believed that Greece was the only common point of contact for those two cultures. India and North Africa were not known to be direct trading partners.”

“Could the Greeks have traded in North African metals or Indian teak?” asked Jillian.

“I don’t profess to be an expert on either culture,” replied Davidson. “This is a bit out of my league. My expertise runs more along the lines of arms and armor of the Middle Ages and that sort of thing, but I suppose anything is possible. There’s just as much about the ancient world that has been lost to us as has survived.”

Jillian nodded her head in agreement as Harvath walked along the table and asked, “Are all of these items part of your investigation?”

“Yes. According to our client, all of the items were discovered together.”

“And where was that?”

“We don’t know,” replied Davidson.

“You don’t?” said Harvath, somewhat skeptical. “Why not?”

“Our client wouldn’t say.”

“That certainly can’t make your job very easy,” offered Jillian.

“No,” answered Davidson. “In fact, it makes it a lot more difficult for us. But for some of our clients, items have been in their families for generations and there’s the possibility that they are simply unaware of the actual origins.”

And there’s also the very likely possibility, thought Harvath, that more than a few of the artifacts that come your way are criminally tainted and their owners say as little as possible to help them remain under the radar. Harvath had done his homework on the prestigious British auction house at a public internet terminal at Newcastle Airport before arriving in Paris. Sotheby’s had been involved in numerous scandals over the years dealing with the sale of stolen artifacts, and they were anything but naïve when it came to the ways of the world. That said, they had built a reputation on protecting their clients’anonymity at all costs. He didn’t relish the prospect of having to sweat Molly Davidson, but if it came down to it, he’d do it. For the time being, though, he wanted to know more about her research and what she’d been able to uncover. “You mentioned in your e-mail to Dr. Whitcomb that you thought the breast-plates came from Carthage, around the third century B.C. Why is that?”