In bed, Lukassa whispers to me, like every night, “Fox, fox, what is your name?” I lick inside wrist, she makes little tired sigh. Whisper. “They call me Lukassa, but I don’t know.” Like every night.

Sleeps. Lal sleeps. Nyateneri leans over bed, speaks in the other talk, ours. Says, “Hear me. Old man drinks no more ale downstairs.” I keep eyes tight shut. Nyateneri. “Hear me.”

Early, early morning, they go out, all three together. Lukassa kisses nose, says, “Be good.” Nyateneri looks at me. Boots on stairs, gone. I eat rest of the meat and cheese, go under bed when Marinesha comes in to sweep. Very safe place. Marinesha opens window a little, goes away. Tree makes crick-sish, crick-sish against window.

People don’t know foxes can climb trees if they really want. Squirrels know.

What happened was, I was running after the fox in the tree—I mean, the fox wasn’t actually in the tree anymore, because it had already jumped down to the ground, given me one quick look, and then flashed out of sight between the stable and my vegetable garden. I was carrying a basket of new-washed clothes to hang in the sun, but I just dropped them where I stood and went after that animal. It had killed my hen— she wasn’t really mine, exactly, but I was the one who named her, Sona was what I called her, and she always followed me everywhere, even when I didn’t have any grain for her. And that fox killed her, and I would have killed it if I could. I would have.

But it was gone when I came around the stable—just completely vanished; it must have turned on its track, shot right under the bathhouse and slipped away through the wild berry-brambles beyond. Rosseth has been told and told and told to block up that place—the frogs pop up and frighten the guests, and once or twice there’s been a tharakki. Rosseth can be quite pleasant, in his way, but he is simply an irresponsible boy.

Anyway, I stood there for a moment—so angry all over again about Sona, she was such a nice hen—and then I remembered the wet clothes, and I hurried back, hoping I hadn’t spilled any out of the basket. And I hadn’t, thank goodness, at least nothing that would be any the worse off for one more grass-stain, and I was just turning toward the naril tree where I like to hang wash this time of year because everything picks up the smell of the blossoms— and suddenly there they were, two men coming up out of the orchard, as though they’d cut right across the fields, not staying to the road at all. I didn’t trust them right away. I don’t trust people who don’t walk the road.

They were small, thin, brown men, both of them, dressed in brown, and they looked almost exactly alike to me, except that one of them had something wrong with his mouth—only half of his upper lip moved when he spoke. The other had blue eyes. I was frightened of his eyes. I can’t tell you why.

I stood very, very still, pretending I hadn’t seen them. That’s what Sona used to do, my hen, when a hawk was circling overhead. The other chickens would be running in all directions, screaming and cackling, and Sona would just stand right where she was, so still, never once looking at the hawk, not even at its shadow sweeping over the ground. It always worked for her, poor Sona, so she thought it always would.

Well, it didn’t work any better for me. They came up to me—they really were small, no taller than I am, and they made no sound. Their feet didn’t, I mean. The one with the blue eyes stood right in front of me, facing me, and the one with the funny mouth stood just behind my shoulder—I couldn’t see him without turning my head, but I could feel him there.

They were very polite, I’ll say that for them. The blue-eyed one said, “Please excuse us, good young lady, we are looking for a friend? A tall woman? With a bow and a pet fox? Her name will be Nyateneri?” That was how he talked, everything a question, in a soft, slidey kind of voice. Foreign accents like that make me nervous, anyway.

I know they shouldn’t, working around inns most of my life, but they always do.

Just the kind of friends that hulking creature would have, that’s what I thought. I didn’t have any reason to do her any favors, strutting around in her ugly boots and letting her fox kill my Sona. “There’s no one like that staying here,” I told them. “The only women we have right now are with the players, sleeping in the stable. But they don’t have any bows.” Let her miss her stupid message, I thought—maybe she’ll learn to say Good morning, Marinesha once in a while.

The blue-eyed man asked me, “Perhaps she only stayed here a night or two, and then went on? It would be recent, quite recent?” I just shook my head. I said, “We had some dancers here last month, and a horse-coper, she cured Rosseth’s donkey of the staggers, but she was small, tiny. That’s all, honestly.” Once you start lying, it’s amazing how you go on, how it catches you up. I made up all that part about the horse-coper.

The other one said, at my shoulder, “Perhaps we should talk to the landlord? You could take us to him?” The same sort of voice, you couldn’t have told them apart with your eyes shut. I looked around for Rosseth, but of course he wasn’t anywhere in sight.

Blue Eyes nodded. He said, “That would be best? If we spoke to the landlord?” He put his hand on my shoulder, and I actually cried out with the heat of it—I did, and I felt that heat for a week afterward, what’s more. I can feel it now, if I think about it. Blue Eyes said, “We will follow you? Please?”

So I walked back to the inn, with my arms still full of washing, and those two right behind me. They didn’t touch me again, and they didn’t say anything to frighten me—they didn’t say anything at all, and that was the most frightening thing, because I couldn’t see them, you see, and they were so silent I wouldn’t have known they were there. And when we got to the door, I just jumped aside, and I said, “In there, just wait, you wait for Karsh,” and I ran back to the naril tree and began hanging those clothes over the branches as though my life depended on it and I never once looked back over to see if they had gone inside. I just hung those clothes and hung them, and I didn’t even know I was crying until I was done.

I hadn’t slept very well, because of the players. They were supposed to give a performance in two days for the Mercers’ Guild in town, and they had been rehearsing almost all night every night for a week. It wasn’t that they didn’t know the play well—there can’t be a traveling troupe in the land that doesn’t give some version of The Marriage of the Wicked Lord Hassidanya twenty or thirty times a year—but I think this must have been the largest and most knowledgeable audience they were ever likely to face, and none of them could sleep for nervousness anyway. So they kept going over and over their parts, two and three at a time or all together, running the whole thing through just once more: there in the straw by lantern-light, with the horses looking on solemnly over their stall doors and nodding at the good parts. Finally I came down from the loft, wished them all disaster for luck, and went outside to walk and think until sunrise, as I do sometimes.

The women rode out just before dawn, all three together for the first time. They didn’t see me. Usually I waved at them when I saw them setting off each day— and Lal, at least, always waved back—but this once I stepped aside, into the hollow of a burned-out tree, and watched them pass by in silence. It might have been a different air about them, literally, a new smell of purpose, for I was already as tuned, as pitched to their scent as to no other in my life, except that of Karsh, because of the way he likes to slip up and catch you not working. Or perhaps it was simply the way they looked in the red and silver morning: sudden strangers beyond my conception of foreignness, alien as I had never imagined them, although I should have. I was too young then to see past my own skin, and my skin was in love with them, all three. Yet I never saw them more truly than I did that morning.