Nice of us, Ned had thought.

Pacing back and forth, his father had started making crisp decisions, the way he always did when finally on location after the long buildup to a project. Ned had seen him like this before.

Barrett Reinhardt—the publisher’s art director for the book—had been here in Provence two months ago, preparing a list of possible photographs, emailing jpegs back to Edward Marriner in Montreal, but Ned’s father always preferred to react to what he saw when he got to a place he was shooting.

He’d pointed out a balcony off the second floor of the university, right above the square, opposite the facade, and decided they’d shoot with the digital camera from the ground, stitching a wide shot on the computer, but he wanted to go up to that balcony and use large-format film from there.

Melanie, following him around with her binder, had scribbled notes in different-coloured inks.

His father would make his photo selection later when he saw what they had, Ned knew. The challenge would probably be getting the tall bell tower on the left and the full width of the building into one shot. Steve had gone with the guy from the mayor’s office into the university to see about access to the balcony.

A crowd had gathered to watch them setting up. Greg, using adequate French and a smile, was making sure the spectators stayed around the edges of the square, out of the shots. A gendarme had come to assist. Ned had watched, sourly. His French was better than the others’, but he hadn’t actually felt like helping. He’d left at that point, and gone inside the cathedral.

He really wasn’t sure why he was in such a bad mood. On the face of it, he ought to have been really cool with this: out of school almost two months early, skipping exams (he did have three essays to write here and deliver in July back home), staying in a villa with a swimming pool while his dad and the others did their work…

Within the dark, high-vaulted cathedral, he abruptly removed his iPod buds and hit the off button. Listening to Houses of the Holy in here wasn’t quite as clever as he’d thought it would be. He’d felt silly and even a little bit nervous alone in a place this shadowy and vast, unable to hear anything around him. He could imagine the headlines: Canadian Student Stabbed by Led Zeppelin—Hating Priest.

The thought amused him, a little. He’d put it in an email to the guys back home later. He sat down on a bench halfway up the central aisle, stretched out his legs, and glanced at Melanie’s booklet. The cover photo was taken from a cloister. An arch in the foreground, a sunlit tree, the bell tower behind against a really blue sky. It was postcard pretty. It probably was on a postcard.

His father would never take a picture like it, not in a million years. Not of this cathedral. Edward Marriner had talked about that yesterday, while they’d watched their first sunset from the terrace.

Ned opened the brochure. There was a map at the front. The light was dim, but his eyesight was good, he could make it out. As best he could tell, from the map key on the facing page, this place had been built in a dozen stages over too many centuries by too many people who didn’t care what had been done before they arrived. A mess.

That was the point, his dad had explained. The facade they were setting up to shoot was hemmed in by Aix’s streets and squares. It was part of them, entangled in the city’s life, not set back to be admired the way cathedrals usually were. The front had three styles and colours of stone that didn’t come close to matching up with one another.

His father had said that was what he liked about it.

Remember why we’re doing this shot, he’d reminded everyone as they’d piled out of the van and started unloading. Perfect cathedral facades like Notre Dame in Paris or Chartres were snapped by every tourist who saw them. This one was different, and a challenge—for one thing, they couldn’t back up too much or they’d crash through a window into a university classroom and ruin a lecture on the eternal greatness of France.

Greg had laughed. Suck, Ned had thought, and reached for his earbuds.

That was when Melanie had fished the brochure from her black shoulder tote. The tote was almost as big as she was. The running joke was that half the missing objects in the world could be found in Melanie’s bag, and she had a good idea where the other half were.

Alone inside, Ned studied the map and looked up. Where he was sitting was called a nave, not an aisle. I knew that, he thought, inwardly imitating Ken Lowery’s exaggerated voice in science class.

As best he could tell, the nave had been finished in 1513 but the part just behind him was four hundred years older, and the altar ahead was “Gothic,” whenever that was. The small chapel behind that had been built around the same time as the nave where he was sitting. If you looked left or right, the dates got even more muddled.

He stood up and walked again. It was a little creepy being alone in here, actually. His footsteps, in Nikes, were soundless. He approached a side door with two heavy old iron locks and a new brass one. A sign said it led out to the cloister and listed the times for tours. The black iron locks did nothing any more, the new one was bolted. Figured. Couldn’t get out. That might have been a cool idea, sit in a cloister and listen to music. He didn’t have any religious music on the iPod, thank God, but U2 would have done.

The cloister, Melanie’s map informed him, was really old, from the 1100s. So was the side aisle where he was standing now. But the chapel up at the end of it was eighteenth century, the newest thing here. You could almost laugh. They could put a Starbucks somewhere in this place and it would fit as much as anything else did. Chapel of Saint-Java.

He walked towards that late chapel by the steps to the altar. Not much to see. Some fat white candles had burned down, none were burning now. People weren’t allowed inside this morning: Edward Marriner was at work out front.

Ned crossed in front of the altar and worked his way back down the other side. This aisle was from 1695, the map told him. He stopped to get his bearings: this would be the north side, the cloister was south, his father was shooting the west facade. For no good reason it made him feel better to work that out.

This was a shorter nave, hit a wall partway down. Ned found himself back in the main section, looking up at a stained-glass window. He found another bench near the last side chapel by the bell tower. Saint-Catherine’s, the brochure advised; it had been the university’s chapel.

Ned imagined students hurrying here to confession five hundred years ago, then back across the road to lectures. What did they wear to school in those days? He popped in his buds again, dialing Pearl Jam on the wheel.

He was in the south of France. Well, forgive him for not doing cartwheels. His father would be shooting like a madman (his own word) from now to the middle of June. The photographs were for a big-deal book next Christmas. Edward Marriner: Images of Provence, accompanying a text by Oliver Lee. Oliver Lee was from London but had lived down here for the last thirty years, writing (Melanie had told him all this) six novels, including some prize-winners. Star English writer, star Canadian photographer, star French scenery. Big-deal book.

Ned’s mother was in the Sudan.

The reports were of serious fighting again, north of Darfur. She was almost certainly there, he thought, leaning back on the bench, closing his eyes, trying to let the music envelop him. Angry music. Grunge.

Pearl Jam finished, Alanis Morissette came up next on his shuffle. The deal was, his mother would phone them here every second evening. That, Ned thought bitterly, was going to for sure keep her safe.

Doctors Without Borders was supposed to be respected and acknowledged everywhere, but they weren’t always, not any more. The world had changed. Places like Iraq had proven that, and the Sudan was real far from being the smartest place on earth to be right now.