"I'm the president of the college, for the time being. When I asked the janitor to open her door for me, he would never have refused. I… um, I touched everything. I was a bit frantic. And then your policeman noticed that things seemed out of place, and the other men were called in to do all that scientific processing. I've just been beside myself." "But why did you go in?"
He lowered his voice even more and bent his head in the direction of the door. "That's just it. I had been reluctant to tell you until I could talk to Thomas face-to-face. He's just back from the West Coast this morning, on the red-eye." Why was he being so evasive?
"My wife called me from our home in Princeton at about one o'clock in the morning. I'm talking about the night after Lola was killed. She said that Thomas Grenier had called there from California, looking for me. Said he didn't have my number at the apartment in the city, which is just a sublet, so the phone isn't listed in my name. It all sounded so logical, I-I-I…" "What did he tell her?"
"Thomas told her that it was urgent that she get a message to me. That I must get into Lola's office before the police did. That there was something in her desk that would, um, well-that it could prove to be an embarrassment to the college if anyone found it.
"Not illegal. Not anything that would be a crime for me to remove. I would never, never have participated in any such thing. But to avoid a scandal-"
"What kind of scandal?"
"We had several going already, Ms. Cooper. I didn't know what he was referring to at the time. He just told Elena-that's my wife-Grenier told her that he'd explain it all to me when he got back to New York. That I was just to take the envelope and slip it under his door."
"And that's what you did?"
"That's what I tried to do." He shook his head from side to side. "I stayed up half the night worrying about it, then got here at the crack of dawn. Actually, and perhaps this just goes to my own naiveté-or, well, ignorance-it never occurred to me that the police would have any need to come to see Lola's office. I, uh, I've never had anything to do with a murder investigation. When I got that call from Elena, we all assumed that Ivan had killed Lola, and the school would have no reason to be involved."
Recantati was talking so quickly I thought he was going to run out of breath.
"I must have been in there for an hour. I started looking over her desk, neatly and calmly. When I couldn't find the envelope that Thomas had referred to, I practically panicked. I went through everything I could think of until I began to hear voices and footsteps in the corridor. I slipped out and went back up to my office."
Recantati rocked back and forth in his swiveling desk chair. "This will be the end of me with Sylvia Foote. She's so nauseatingly sanctimonious. And I was just doing what Thomas Grenier suggested to hold on to my job. It seemed perfectly harmless at the time. Besides that, I never found the damn thing."
"What kind of envelope was it?"
"A small one, very small. It had something to do with the project they were working on. The word 'Blackwells' was written on the front of it."
With the help of Mike's good instincts and a valid search warrant, I hoped that little envelope would be on my desk by the time I got there in the morning. When Recantati and Grenier were arguing before I arrived, it must have been about this.
"Did you and Grenier speak again during the week?"
"No, no. Not until today. He never called back, and I had no idea where in California he was staying. Since I 'failed' at his mission," Recantati said sarcastically, "I thought I'd just wait and tell him about it when I saw him. After I met you people last Friday, I knew I wasn't going back into Lola's office for a second try."
"I assume you were talking to Professor Grenier before I came in just now." I wanted to hear what the biologist had told Recantati before I interviewed him myself. "Did he explain to you why he wanted you to get the envelope, and what was in it that might possibly cause trouble for the school?"
"That's just it, Ms. Cooper. I'm afraid I snapped at Thomas, rather than talking with him. You see, he denies knowing anything about an envelope or a problem involving the Blackwells project. Thomas Grenier claims that he never made that telephone call to my wife."
26
"Shall I wait while you talk to Professor Grenier?"
"I'd prefer to speak with him alone, as we've done with each of you. Perhaps he and I can go down to his office, so I don't inconvenience you any longer. Will you be here at the college during this week?"
"The next two days. In fact, Sylvia and I were discussing the idea of rounding up some of the faculty tomorrow afternoon and having our own meeting about these events."
"I can't tell you how to run your institution, sir, but I hope you don't intend to conduct a private roundtable discussion about Lola Dakota's murder. If that's your plan, the detective and I would like to be present."
Recantati seemed hesitant to challenge any of Sylvia Foote's suggestions. "I, uh, I'll have to check with Sylvia. We were thinking more of housekeeping matters. Making sure that everyone knows we want them to assist you in any way they can." He bowed his head. "I'm so ashamed of the fact that I might have done something to make your job harder. I probably ought to tell them all what I did."
"Please don't, Professor. For the moment, I take it only Grenier is aware of this. Am I right, or have you told anyone else?" "He's the only one."
Grenier and the person who had actually made the telephone call, if there was such a person. "Let's leave it that way. I'd appreciate it if you let me know if you do decide to get a group of the faculty together.
"One other thing. What have you done with the books that were in Professor Dakota's office? Where are they now?"
"Her sister sent someone to pick up most of her personal effects-her papers and photographs, the knickknacks on her desk and the frames on her wall. But she didn't seem interested in Lola's books. Most of those have been packed away in boxes until we get word from the police that they're not needed for the investigation. Those things related to the Blackwells project will be distributed to other members of the faculty who are part of the team, and some of her research volumes will go to the library, of course." "May I look through those cartons while I'm here?" "Is that-? Well…" "Is it legal? Yes, it's fine. I'll make a formal record of anything
I take."
"I'll explain to Grenier where we've stored them, and he can take you there when you and he are finished. It's just down the hall from his room."
Recantati stepped out to the anteroom to give Grenier a few words of instruction, and then I followed the biologist to his office one flight above.
In contrast to the stark decor of Recantati's temporary space, this was garnished with awards and diplomas, a series of lithographs of Edward Jenner vaccinating his experimental population of village folk in England, and a collection of cobalt-blue antique apothecary jars. They were lined up in alphabetical order, with the one labeled "Arsenic" closest to my chair. A large model of the double helix, with its ladderlike strands of DNA in bright primary colors, sat before me on the desk. Grenier expanded and closed it like an accordion while I described my position and the nature of our investigation. I had used the same exhibit in many of my training lectures on the subject of genetic fingerprinting.
"Whatever Lola wants, eh? Lola gets." The biology professor smiled as he spoke the words of the song.
"I don't think she wanted dead, Professor."
"No," he said slowly, stretching out the single syllable. "But how she would have delighted in being the cause of all this intrigue. I think what she would have liked best is the air of suspicion that's been created here and the pointing of fingers at those of us who crossed her. If every one of us whom she disliked could be suspects for even a nanosecond, I think Lola would have left us behind without a second thought."