SHE IS DRIVING TO HER SISTER'S APARTMENT. WORK HAS held her up, she is running an hour late. Traffic is miserable, of course. Another accident on 195, when isn't there an accident? She is thinking about all the things she still has to get done. Cash-flow analysis of the first six months. Cash-flow projection of the next six months. Storyboards for Roger. Copy proofs for Claire.

Toppi called her at work to say that Libby was having a bad day. Please don't stay out too late.

She is driving to her sister's apartment, but she is not thinking about her sister. She is not looking forward to dinner with Trish. It has become one more thing to do on a long list of things to do, and part of her suspects that this is bad. She has lost perspective. She has let her life get away from her. The rest of her is too busy to care.

She has her responsibilities. She is the responsible one.

Trisha is off to college. Trisha has her first apartment, tiny, cramped, but beautiful because it is all hers. Trisha has new friends, new life, new goals. She wants to be a playwright, she told Jillian excitedly last week. Before that she had wanted to study communications. Before that it had been English. Trish is young, beautiful, bright. The world is her oyster, and Jillian does not doubt that Trish will become exactly who she wants to become, doing exactly what she wants to do.

And this pains her in a way she doesn't understand. Lifts her up, pushes her down. She is the surrogate mother, proud of her child's accomplishments. She is the tired older sister, feeling a nagging twinge of jealousy when she has nothing to be jealous of. Yes, her path was harder. No, she was never nineteen and carefree. No, she has never gotten to live on her own, not even now. But she went to college, earned a business degree. At thirty-six she runs a successful ad agency, calling all the shots. She didn't sacrifice everything for her mother and sister. She carved out her own life, too.

And yet…

Visiting Trish is hard for her these days. She does not do it nearly as often as she should.

Now, she drives around Thayer Street, looking for a place to park. The third week in May, the sun is just starting to set and the sidewalks are crowded with Brown University summer students, milling outside of Starbucks, the Gap store, Abercrombie amp; Fitch. Jillian still gets a twinge of unease over Trisha living in the city. Especially after the recent reports of two rapes, the second of which was only two weeks ago. One was over at Providence College, however, and the other was some woman in her home.

Trisha knows about the attacks. They even talked about it last week. Some of the girls have started carrying pepper spray. Trish bought a canister as well. Plus she inspected the locks on her apartment. Her apartment is really very secure. A little basement studio, with only tiny windows set high in the wall and not big enough for a grown man to crawl through. Trisha had also installed a bolt lock when she signed her lease last spring. It's a key in, key out kind of lock; supposedly one of the best money can buy.

“I'll be fine,” Trish told Jillian in that exasperated way only a teenager can manage. “For heaven's sake, I've taken two courses in self-defense!”

Jillian finally finds a parking spot deep down on Angell Street. She has a bit of a hike now to Trisha's apartment, but that's not unusual given the state of Providence 's parking. Plus, it's a balmy, dusky evening and she could use the exercise.

Jillian doesn't have pepper spray. She contemplates this as she locks the door of her gold Lexus. She does what she's seen on TV-she carries her car keys in her fist, with the biggest key sticking out between two fingers like a weapon. She also keeps her head up and her footsteps brisk. Of course, this comes naturally to her. She has never been the shrinking violet type. She likes to think that Trish got her independent spirit from her.

Trisha lives at the edge of the Brown campus. Generally, they meet at her apartment, then walk to Thayer Street with its host of ethnic restaurants and upscale coffee shops. Jillian could go for some Pad Thai. Or maybe grilled lamb.

For the first time, her footsteps pick up. Thayer Street has such great restaurants; it's nice to be out and about on College Hill, with its youth and vitality. And the night is lovely, not too hot, not too cold. After dinner they can go for some ice cream. Trisha can tell her all about her summer internship at Trinity Theater, whether the set guy-Joe, Josh, Jon-has asked her out yet. There would be fresh gossip on her group of friends, of course, The Girls. Tales of adventure from their recent trip to Providence Place Mall, ladies' night out in Newport, etc., etc.

Jillian could relax, sit back, and let Trisha go. Tell me about every hour, minute, day. Tell me everything.

For this is where the proud surrogate mother and tired older sister come together: they both love to listen to Trish. They love her enthusiasm. They cherish her excitement. They marvel at her wonder, a nineteen-year-old woman-girl, still learning about the world, still convinced she can make it a better place.

Jillian arrives at Trisha's apartment complex. Once, it was a grand old home. Now, the building is subdivided into eight units for the college crowd. As the basement renter, Trisha has her own entrance around back.

Jillian rounds the house as the sun sinks lower on the horizon and casts the narrow alleyway into gloom. Trisha has a powerful outdoor spotlight above the back door. Jillian is slightly surprised, given the rapidly falling night, that Trish has not turned it on. She'll mention it to her.

At the door, Jillian raises her hand, she lets her knuckles fall. And then she catches her breath as the door soundlessly swings in to reveal the darkened stairs.

“Trisha? Trish?”

Jillian moves cautiously down the steps, having to use the handrail to guide her way. Had Trisha grown tired of waiting for her? Maybe she'd decided to start her laundry and had run down the street to the Laundromat. That had happened once before.

At the bottom of the stairs is another door, this one wooden, simple. An inside bedroom door. Jillian puts her hand on the shiny brass-colored knob. She turns. The door sweeps open and Jillian is face-to-face with a deep-shadowed room.

“Trisha?”

She takes three steps in. She glances at the tiny kitchenette. She turns toward the bed, and-

A force slams into her from behind. She cries out, her hands popping open, her car keys flying across the room, as she goes down hard. She catches herself with her left palm and promptly hears something crack.

“Trish?” Her voice high-pitched, reedy, not at all like herself. The bed, the bed, that poor woman on the bed.

“Goddamn bitch!”

A weight is pressing against her back. Rough hands tangle in her hair. Her head is jerked back. She gasps for air. Then her head is slammed against the floor.

Stars. She sees stars, and her scattered senses try to understand what is happening. It's not a cartoon. There is no Coyote or Road Runner. This is her, in her sister's apartment, and oh my God, she is under attack. That is not a store mannequin tied naked and spread-eagled to the bed. Trish, Trish, Trish!

All of a sudden, Jillian is pissed off.

“No!” she cries.

“Fucking, fucking, fucking,” the man says. He has her hair again. Her head goes up. Her head goes down. Her nose explodes and blood and tears pour down her face. She whimpers, but then her rage grows even hotter. She must get this man! She must hurt this man! Because even in pain, even in shock, she has a deeper, instinctive understanding of what has just happened here. Of what this man just did to her sister.