Taylor coasted for a moment on the pedals but then quickly worked back into his rhythm. His face was red and he was sweating freely. He reached to a cup holder on the side of the digital control board and took out a pair of half glasses and a slim card that had his production company’s logo at the top-a square with a mazelike design of curls inside it-and several handwritten notations below it. He put on the glasses and squinted anyway as he read the card.

“That’s not what I have here,” he said. “I’ve got LAPD Detective Harry Bosch at ten. Audrey wrote this. She’s been with me for eighteen years-since I was making straight-to-video dreck in the Valley. She is very good at what she does. And usually very accurate.”

“Well, that was me for a long time. But not since last year. I retired. I might not have been very clear about that on the phone. I wouldn’t blame Audrey if I were you.”

“I won’t.”

He glanced down at me, tilting his head forward to see over the glasses.

“So then what can I do for you, Detective-or I guess I should say Mr.-Bosch? I’ve got two and a half miles and then we’re finished here.”

There was a bench-press machine to Taylor ’s right. I moved over and sat down. I took the pen out of my shirt pocket-no snags this time-and got ready to write.

“I don’t know if you remember me but we have spoken, Mr. Taylor. Four years ago when the body of Angella Benton was found in the vestibule of her apartment building, the case was assigned to me. You and I spoke in your office over at Eidolon. On the Archway lot. One of my partners, Kiz Rider, was with me.”

“I remember. The black woman-she had known Angie, she said. From the gym, I think it was. I remember that at the time you two instilled a lot of confidence in me. But then you disappeared. I never heard from -”

“We were taken off the case. We were from Hollywood Division. After the robbery and shooting a few days later, the case was taken away. Robbery-Homicide Division took it.”

A low chime sounded from the stationary cycle and I thought maybe it meant Taylor had covered his first mile.

“I remember those guys,” Taylor said in a derisive voice. “Tweedledumb and Tweedledumber. They inspired nothing in me. I remember one was more interested in securing a position as technical advisor to my films than he was in the real case, Angie. Whatever happened to them?”

“One’s dead and one’s retired.”

Dorsey and Cross. I had known them both. Taylor ’s description aside, both had been capable investigators. You didn’t get to RHD by coasting. What I didn’t tell Taylor was that Jack Dorsey and Lawton Cross became known in Detective Services as the partners who had the ultimate bad luck. While working an investigation they drew several months after the Angella Benton case, they stopped into a bar in Hollywood to grab lunch and a booster shot. They were sitting in a booth with their ham sandwiches and Bushmills when the place was hit by an armed robber. It was believed that Dorsey, who was sitting facing the door, made a move from the booth but was too slow. The gunman cut him down before he got the safety off his gun and he was dead before he hit the floor. A round fired at Cross creased his skull and a second hit him in the neck and lodged in his spine. The bartender was executed last at point-blank range.

“And then what happened to the case?” Taylor asked rhetorically, not an ounce of sympathy in his voice for the fallen cops. “Not a damn thing happened. I guarantee it’s been gathering dust like that cheap suit you pulled out of the closet before coming to see me.”

I took the insult because I had to. I just nodded as if I agreed with him. I couldn’t tell if his anger was for the never avenged murder of Angella Benton or for what happened after, the robbery and the next murder and the shutting down of his film.

“It was worked by those guys full-time for six months,” I said. “After that there were other cases. The cases keep coming, Mr. Taylor. It’s not like in your movies. I wish it was.”

“Yes, there are always other cases,” Taylor said. “That’s always the easy out, isn’t it? Blame it on the workload. Meantime, the kid is still dead, the money’s still gone and that’s too bad. Next case. Step right up.”

I waited to make sure he was finished. He wasn’t.

“But now it’s four years later and you show up. What’s your story, Bosch? You con her family into hiring you? Is that it?”

“No. All of her family was in Ohio. I haven’t contacted them.”

“Then what is it?”

“It’s unsolved, Mr. Taylor. And I still care about it. I don’t think it is being worked with any kind of… dedication.”

“And that’s it?”

I nodded. Then Taylor nodded to himself.

“Fifty grand,” he said.

“Excuse me?”

“I’ll pay you fifty grand-if you solve the thing. There’s no movie if you don’t solve it.”

“Mr. Taylor, you somehow have the wrong impression. I don’t want your money and this is no movie. All I want right now is your help.”

“Listen to me. I know a good story when I hear it. Detective haunted by the one that got away. It’s a universal theme, tried and true. Fifty up front, we can talk about the back end.”

I gathered the notebook and pen from the bench and stood up. This wasn’t going anywhere, or at least not in the direction I wanted.

“Thanks for your time, Mr. Taylor. If I can’t find my way out I’ll send up a flare.”

As I took my first step toward the door a second chime came from the exercise bike. Taylor spoke to my back.

“Home stretch, Bosch. Come back and ask me your questions. And I’ll keep my fifty grand if you don’t want it.”

I turned back to him but kept standing. I opened the notebook again.

“Let’s start with the robbery,” I said. “Who from your company knew about the two million dollars? I’m talking about who knew the specifics-when it was coming in for the shoot and how it was going to be delivered. Anything and anybody you can remember. I’m starting this from scratch.”

Angella Benton died on her twenty-fourth birthday. Her body was found crumpled on the Spanish tile in the vestibule of the apartment building where she lived on Fountain near La Brea. Her key was in her mailbox. Inside the mailbox were two birthday cards mailed separately from Columbus by her mother and father. It turned out they were not divorced. They each just wanted to write their own birthday wishes to their only daughter.

Benton had been strangled. Before or after death, but most likely after, her blouse had been torn open and her bra jerked up to expose her breasts. Her killer then apparently masturbated over the corpse, producing a small amount of ejaculate that was later collected by forensic technicians for DNA typing. Her purse was taken and never recovered.

Time of death was established as between 11 p.m. and midnight. Her body was found by another resident in the apartment building when he left his home at 12:30 a.m. to take his dog for a walk.

That was where I came in. At the time I was a detective third grade assigned to the Hollywood Division of the Los Angeles Police Department. I had two partners. We worked in threes instead of pairs back then as part of an experimental configuration designed to close cases quickly. Kizmin Rider and Jerry Edgar and I were alerted by pager and assigned the case at 1 a.m. We met at Hollywood Division, picked up two Crown Vics and then drove to the crime scene. We saw Angella Benton’s body for the first time approximately two to three hours after she had been killed.

She lay on her side on brown tile that was the color of dried blood. Her eyes were open and bugged, distorting what I could tell had been a pretty face. The corneas were hemorrhaged. I noticed that her exposed chest was almost flat. It looked almost boyish and I thought maybe this had been a private embarrassment to her in a city where physical attributes seemed often to outweigh those on the inside. It made the tearing open of her blouse and lifting of her bra all the more of an attack, as if it were not enough to take her life, the killer also had to expose her most private vulnerability.