36
Alana Adler's mansion was in a brick rowhouse in Philadelphia, not far from Logan Square. I always liked Philly. It felt like Boston, only bigger. I went into the rowhouse.
"My name is Spenser," I said to the receptionist. "I have an appointment with Ms. Adler."
"Have a seat, please," the receptionist said. "I'll let her know you're here."
I sat in the chair provided. The receptionist sat at her desk. Except for the announcement of my arrival, everything was very quiet. The place was so starchy, I felt like I was going to the principal's office. After a few motionless, soundless moments, a door opened and a woman came into the room.
"Mr. Spenser?" she said.
"Yes."
"Mrs. Utley told me to expect you. Come on in."
Easy so far.
The room I entered was a small sitting room. There were heavy drapes, Tiffany lamps, a two-person love seat, a couple of club chairs, and a small antique writing table that Alana apparently used as a desk. She sat at it. I chose a club chair. We were at street level, and through the window you could watch people strolling by.
"How can I help you," Alana said.
She looked like a mature cheerleader. Probably in her late forties. She had a pretty face; short, blond hair; and a sturdy and serviceable-looking body. She was wearing a black turtleneck sweater and a gray pantsuit. Her heels were very high.
"Do you know Lionel Farnsworth?" I said.
The lines around her mouth deepened as if she were setting her jaw. It didn't look very effective, given the soft cuteness of her cheerleader face.
She shrugged.
"Did Mrs. Utley tell you why I'm interested in him?" I said.
"She said he is suspected of some, um, irregularities," she said.
"Before you became an executive," I said, "when you were working out of Mrs. Utley's house, you were one of the girls he often requested."
"Yes," she said.
"You know now why that is?"
"I was good at what I did," she said.
She smiled a little and thought about it.
"Actually," she said, "I still am."
"Do you and he have any sort of relationship now?" I said.
"Like what?"
I smiled.
"Like any sort," I said.
"Well, I see him now and then when he's in Philadelphia."
"Professionally?" I said.
"No, no. We're friends."
"Friends with benefits?" I said.
"I'm not sure that's your business."
"Does seem kind of nosy, doesn't it?" I said.
"On the other hand, I am hardly a virgin," she said.
"There's that," I said. "Did you know he also has a friend in Boston? And one in New Haven?"
"What do you mean?"
"I mean Lionel snuggles up to people that he wishes to exploit."
"Exploit?"
"Has he shared his dream with you?" I said. "Dreamgirl? A chain of boutique sex mansions across America, appealing to all those upscale sophisticates who used to join Playboy clubs?"
She stared at me.
"Love like a playboy," I said.
"He told you this?"
I smiled enigmatically. At least I hoped it was enigmatic. I was never exactly sure about my enigmatic smile.
"Mrs. Utley opened up a branch in Boston, one in New Haven, one here. Probably trying to capture the Ivy League market. Each is headed by one of her former working girls. April Kyle in Boston, Kristen LeClaire in New Haven. You here. Lionel has a relationship with each of you."
Alana stared at me. The lines that had appeared around her mouth had hardened.
"I would bet that you and he are planning to cut your ties to Mrs. Utley at an appropriate time and set up your own chain. From sea to shining sea."
She shook her head. Not so much in denial, I thought, as in disbelief.
"He can do the financing," I said. "But you have to come up with a down payment, and to acquire that quickly, he has helped you skim some earnings off the top and defraud Mrs. Utley."
"He has a relationship with April?"
"Yes."
"And Kristen?" Alana said.
"Yes."
"He told each of them those same things?"
"Yes."
We were quiet. I could feel the pressure of soundlessness in the house. I thought of the receptionist sitting in the reception room in the imperative silence. It was like being entombed. Then Alana began to breathe as if it were difficult and tears began to roll down her face. She didn't cover her face or say anything. She sat breathing hard with the tears flowing silently.
"Yeah," I said. "April and Kristen had pretty much the same thing to say."
37
Susan and I had a Valentine's Day supper at Aujour-d'hui, the dining room at the Four Seasons Hotel. It was the right kind of place for such a supper. The ceilings were high, the lights were muted, the service was friendly and well executed, the food was good, and the window-wall view of the Public Garden was all that the architect had probably hoped it would be. Many of the dining-room staff knew Susan and stopped to talk with her. None of them knew me, but they treated me as if they did because I was with her.
I didn't mind. There were circles where people knew me better. Of course, they weren't circles anyone wanted to move in.
We began with cocktails. Cosmopolitan for Susan. Martini for me, on the rocks, with a twist. When we were alone and it was safe, we exchanged poems written expressly for the occasion, as we always did. Susan's poem, like all her poems, began "roses are red, violets are blue" and went on through odd rhymes and strange metaphors to say very touching things, some of which were quite funny and some of which were quite obscene. My poetry was, of course, Miltonesque… in a vulgar sort of way. She read hers aloud, though softly, and I read mine the same. When we were through we leaned across the table and kissed each other lightly, and settled back to read the menu.
"Do you ever throw your poems from me away?"
"Of course not," I said.
"I keep yours, too."
"After we're gone," I said, "what do you suppose people will think?"
"That we were foul-mouthed, oversexed, and clever," Susan said.
"Not a bad obit," I said.
The waiter came with his pad.
"How was your trip," she said to me after we had ordered.
I told her.
She frowned and took a small sip of Cosmopolitan.
"Isn't this beginning to give you a headache?" she said.
"In the memorable words of L'il Abner," I said, " 'Confusin,' but not amusin'."'
"It's beginning to sound like one of those tumultuous medieval paintings of hell, where it's not easy to see who is doing what to whom."
"People aren't always being open and frank with me," I said. "But the best I can figure is that Mrs. Utley wanted to branch out. Lionel cut in on it and has seduced these three experienced professionals to think he loves them so they'll help him steal Mrs. Utleys money."
"What about his dream of going national?" Susan said. "Is that real or persiflage."
"Yikes," I said. "Persiflage."
"Must I continuously remind you," Susan said, "that I went to Harvard?"
"I love you anyway," I said. "I don't know about his dream."
"What about Ollie DeMars?" Susan said. "If April was in this with Lionel Whosis, why did Lionel Whosis hire Ollie to harass her, and why did she hire you to prevent it?"
"Don't know."
"Who killed Ollie?"
"Don't know."
The waiter came by and looked at my empty glass. I nodded. He went to get me another martini.
"What do you know for sure?" she said.
"That everybody I have talked to so far has lied to me."
"Even Mrs. Utley?"
I shrugged.
"Maybe," I said. "I can't be sure she hasn't."
"It does seem clear that Lionel is trying to pull off some scheme."
"Yes."
"And all of the people he's to pull it off with," Susan said, or on, or however one says it, are women."