To the west, a road called Bishop Furthing led off towards farmland, enclosed on either side by the ubiquitous dry stone walls of the district. On its corner stood a tree-shaded cottage with a front door only steps from the street. It had an enclosed garden to one side from which the excited yelping of small dogs burst forth at regular intervals, as if someone were playing with them, rough and tumble. The building itself was labelled as inconspicuously as possible with the single word POLICE, blue letters on a white sign that stuck out from a window. Home of the archangel Gabriel, Lynley concluded, suppressing a smile.

To the south, two roads veered off from an overgrown two-bench common: Keldale Abbey Road, ostensibly leading to the same, and over the humped bridge that spanned the lazy movement of the River Kel, Church Street, with St. Catherine’s built on a hillock on the corner. It, too, was surrounded by a low stone wall, and embedded into this was a World War I memorial plaque, the sombre commonality of every village in the nation.

To the east was the road down which they had wended their way to this bit of Yorkshire heaven. It had been deserted earlier, but now the bent form of a woman trudged up the incline, a scarf tucked into her black coat. Shod in heavy brogues and dazzling blue ankle socks, she carried a mesh bag over one arm. It dangled there limply, empty. On a Sunday afternoon there was little hope of filling it with foodstuffs purchased at the grocer’s, for everything was locked up tight, and even if it were not, she was heading in the wrong direction to be making a purchase: out of the village, back up towards the moors. A farmwife, perhaps, having made some delivery.

The village was surrounded by woods, by the upward slope of meadow, by the feeling of absolute security and peace. Once St. Catherine’s bells ceased ringing, the birds took up, tittering from rooftops and trees. Somewhere, a fire had been lit and woodsmoke, just the ghost of its fragrance, was like a whisper in the air. It was hard to believe that three weeks past, a mile out of town, a man had been decapitated by his only daughter.

“Inspector Lynley? I hope I haven’t kept you waiting long. I always lock up during church since there’s no one else to watch the place. I’m Stepha Odell. I own the lodge.”

At the sound of the voice, Lynley turned from his inspection of the village, but at the sight of her, his polite introduction died on his lips.

A tall, shapely woman-perhaps forty years old-stood before him. She was dressed for church in grey linen, a well-cut dress with a white collar. The rest of her was black: shoes, belt, handbag, and hat. Except for her hair, which was coppery red and fell to her shoulders. She was stunning.

He found his voice. “Thomas Lynley,” he said idiotically. “This is Sergeant Havers.”

“Do come in.” Stepha Odell’s voice was warm and pleasant. “I’ve your rooms ready. You’ll find us a quiet inn at this time of year.”

There was a chill in the building they entered, an atmosphere produced by thick walls and stone floors. These were covered with a faded Axminster carpet. She led them into a tiny reception area, moving with a swift, unconscious grace, and produced an oversized register for them to sign. “You’ve been told I only do breakfast, haven’t you?” she asked earnestly, as if satisfying hunger were the uppermost thing on his mind at this moment.

Do I look that desperate? “We’ll manage, Mrs. Odell,” Lynley said. Tricky move, old boy. Transparent as hell. Havers stood mute at his side, her face without expression.

“Miss,” their hostess replied. “Stepha really. You can get meals at the Dove and Whistle on St. Chad’s Lane or at the Holy Grail. Or if you want something special, there’s Keldale Hall.”

“The Holy Grail?”

She smiled. “The pub across from St. Catherine’s.”

“That name must certainly propitiate the abstinent gods.”

“At least it does Father Hart. But he’s been known to tip a pint or two in an evening there. Shall I show you your rooms?”

Without waiting for an answer, she led them up the crooked stairs, displaying, Lynley noted, a remarkably pretty pair of ankles and above which rose an even prettier pair of legs. “You’ll find us glad to have you in the village, Inspector,” she stated as she opened the door to the first room and then with a gesture of her hand indicated the room next door with the unspoken message that it was up to them to decide who stayed where.

“That’s helpful. I’m glad to hear it.”

“We’ve none of us anything against Gabriel, you see. But he’s not been a popular man round here since they carted Roberta off to the asylum.”

Lynley was positively white with rage, but there was not the slightest indication of that emotion in his voice. Barbara watched his performance on the telephone with grudging admiration. A virtuoso, she admitted.

“The name of the admitting psychiatrist?… There wasn’t one? What a fascinating procedure. Then upon whose authority…When exactly did you expect me to stumble upon this information, Superintendent, since you’ve conveniently left it out of the report?…No, you’ve got things backwards, I’m afraid. You don’t move a suspect to an institution without formal paperwork…It’s unfortunate that your police matron is on holiday, but you fi nd a replacement. You don’t move a nineteen-yearold girl into a mental hospital for the simple reason that she refuses to speak to anyone.”

Barbara wondered if he would allow himself to explode, if he would show even a crack in that well-tailored Savile Row armour of his.

“I’m afraid that bathing daily is not the preeminent indication of unshakable sanity, either… Don’t pull rank on me, Superintendent. If this is any indication of the manner in which you’ve handled this case, there’s no wonder to me that Kerridge is after your skin… Who’s her solicitor?…Shouldn’t you be getting her one yourself, then?…Don’t tell me what you have no intention of doing. I’ve been brought in on this case and henceforth it shall be conducted correctly. Am I being quite clear? Now please listen carefully. You have exactly two hours to get everything to me in Keldale: every warrant, every paper, every deposition, every note that was taken by every officer on this case. Do you understand? Two hours…Webberly. W-e-b-b-e-r-l-y. Phone him then and have done with it.” Stone-faced, Lynley handed the telephone back to Stepha Odell.

She replaced it behind the reception counter and ran a finger along the receiver several times before looking up. “Should I have said nothing?” she asked, a trace of anxiety in her voice. “I don’t want to cause trouble between you and your superiors.”

Lynley flipped open his pocket watch and checked the time. “Nies is not my superior. And yes, you should have told me. Thank you for doing so. You saved me a needless trip to Richmond that no doubt Nies was longing to force me to make.”

Stepha didn’t pretend to understand. Instead, she gestured vaguely to a door on their right. “I…May I offer you a drink, Inspector? You as well, Sergeant? We’ve got a real ale that, as Nigel Parrish is fond of saying, ‘sets you to rights.’ Come this way.”

She led them into a typical English country inn lounge, whose air was heavy with the scent of a recent fire. The room had been cleverly designed with enough home-like qualities to keep residents comfortable while maintaining a formal enough atmosphere to keep villagers out. There were a variety of plump, chintz-covered couches and chairs decorated with petit point pillows; tables spread out in no particular arrangement were maple, well used and ringed on their tops where too many glasses had been placed on the wood without protection; the carpet was a floral design, patchy with darker colours in some sections where furniture had recently been moved; suitably tedious prints hung on the walls: riding to hounds, a day at Newmarket, a view of the village. But behind the bar at the far side of the room and over the fireplace were two watercolours that displayed a distinctive talent and remarkable taste. Both were views of a ruined abbey.