Faint. Dust and moisture had worked to undo it. But I could still discern the outlines of the lighthouse of Cabra, bordered by four slashes of my old spoon handle. The magic was still there, that force which had finally transported me to freedom. I felt it without calling upon it.

I turned and faced the other wall.

The sketch which I now regarded had fared less well than that of the lighthouse, but then it had been executed with extreme haste by the light of my last few matches. I could not even make out all of the details, though my memory furnished a few of those which were hidden: It was a view of a den or library, bookshelves lining the walls, a desk in the foreground, a globe beside the desk. I wondered whether I should risk wiping it clean.

I set my lantern on the floor, returned to the sketch on the other wall. With a corner of my blanket, I gently wiped some dust from a point near the base of the lighthouse. The line grew clearer. I wiped it again, exerting a little more pressure. Unfortunate. I destroyed an inch or so of outline.

I stepped back and tore a wide strip from the edge of the blanket. I folded what remained into a pad and seated myself on it. Slowly, carefully then, I set to work on the lighthouse. I had to get an exact feeling for the work before I tried cleaning the other one.

Half an hour later I stood up and stretched, bent and massaged life back into my legs. What remained of the lighthouse was clean. Unfortunately, I had destroyed about 20 per cent of the sketch before I developed a sense of the wall's texture and an appropriate stroke across it. I doubted that I was going to improve any further.

The lantern sputtered as I moved it. I unfolded the blanket, shook it out, tore off a fresh strip. Making up a new pad, I knelt before the other sketch and set to work.

A while later I had uncovered what remained of it. I had forgotten the skull on the desk until a careful stroke revealed it once again-and the angle of the far wall, and a tall candlestick... . I drew back. It would be risky to do any more rubbing. Probably unnecessary, also. It seemed about as entire as it had been.

The lantern was flickering once again. Cursing Roger for not checking the kerosene level, I stood and held the light at shoulder level off to my left. I put everything from my mind but the scene before me.

It gained something of perspective as I stared. A moment later and it was totally three-dimensional and had expanded to fill my entire field of vision. I stepped forward then and rested the lantern on the edge of the desk.

I cast my eyes about the place. There were bookshelves on all four walls. No windows. Two doors at the far end of the room, right and left, across from one another, one closed, the other partly ajar. There was a long, low table covered with books and papers beside the opened door. Bizarre curios occupied open spaces on the shelves and odd niches and recesses in the walls-bones, stones, pottery, inscribed tablets, lenses, wands, instruments of unknown function. The huge rug resembled an Ardebil I took a step toward that end of the room and the lantern sputtered again. I turned and reached for it. At that moment, it failed.

I growled an obscenity and lowered my hand. Then I turned, slowly, to check for any possible light sources. Something resembling a branch of coral shone faintly on a shelf across the room and a pale line of illumination occurred at the base of the closed door. I abandoned the lantern and crossed the room.

I opened the door as quietly as I could. The room it let upon was deserted, a small, windowless living place faintly lit by the still smoldering embers in its single, recessed hearth. The room's walls were of stone and they arched above me. The fireplace was a possibly natural niche in the wall to my left. A large, armored door was set in the far wall, a big key partly turned in its lock.

I entered, taking a candle from a nearby table, and moved toward the fireplace to give it a light. As I knelt and sought a flame among the embers, I heard a soft footfall in the vicinity of the doorway.

Turning, I saw him just beyond the threshold. About five feet in height, hunchbacked. His hair and beard were even longer than I remembered. Dworkin wore a nightshirt which reached to his ankles. He carried an oil lamp, his dark eyes peering across its sooty chimney.

"Oberon" he said, "is it finally time?"

"What time is that?" I asked softly.

He chuckled.

"What other? Time to destroy the world, of course!"

I kept the light away from my face, kept my voice low.

"Not quite," I said. "Not quite."

He sighed.

"You remain unconvinced."

He looked forward and cocked his head, peering down at me.

"Why must you spoil things?" he said.

"I've spoiled nothing."

He lowered the lamp. I turned my head again, but he finally got a good look at my face. He laughed.

"Funny. Funny, funny, funny," he said. "you come as the young Lord Corwin, thinking to sway me with family sentiment. Why did you not choose Brand or Bleys? It was Clarissa's lot served us best."

I shrugged and stood.

"Yes and no," I said, determined now to feed him ambiguities for so long as he'd accept them and respond. Something of value might emerge, and it seemed an easy way to keep him in a good humor.

"And yourself?" I continued. "What face would you put on things?"

"Why, to win your good will I'll match you," he said, and then he began to laugh.

He threw his head back, and as his laughter rang about me a change came over him. His stature seemed to increase, and his face fluffed like a sail cut too close to the wind. The hump on his back was diminished as he straightened and stood taller. His features rearranged themselves and his beard darkened. By then it was obvious that he was somehow redistributing his body mass, for the nightshirt which had reached his ankles was now midway up his shins. He breathed deeply and his shoulders widened. His arms lengthened, his bulging abdomen narrowed, tapered. He reached shoulder height on me, then higher. He looked me in the eye. His garment reached only to his knees. His hump was totally resorbed. His face gave a final twist, his features steadied, were reset. His laughter fell to a chuckle, faded, closed with a smirk.

I regarded a slightly slimmer version of myself.

"Sufficient?" he inquired.

"Not half bad," I said.

"Wait till I toss a couple logs on the fire."

"I will help you."

"That's all right."

I drew some wood from a rack to the right. Any stall served me somewhat, buying reactions for my study. As I was about the work, he crossed to a chair and seated himself. When I glanced at him I saw that he was not looking at me, but staring into the shadows. I drew out the fire-building, hoping that he would say something, anything. Eventually, he did.

"Whatever became of the grand design?" he asked.

I did not know whether he was speaking of the Pattern or of some master plan of Dad's to which he had been privy. So, "You tell me," I said. He chuckled again.

"Why not? You changed your mind, that is what happened," he said.

"From what to what-as you see it?"

"Don't mock me. Even you have no right to mock me," he said. "Least of all, you."

I got to my feet.

"I was not mocking you," I said.

I crossed the room to another chair and carried it over to a position near the fire, across from Dworkin. I seated myself.

"How did you recognize me?" I asked.

"My whereabouts are hardly common knowledge."

"That is true."

"Do many in Amber think me dead?"

"Yes, and others suppose you might be traveling off in Shadow."