Lifting my glass, I took another sip. Across the room, the door opened --

And there she was.

I caught my breath, nearly choking on that last swallow of beer. She was a far cry from the holos I'd studied before I'd left: her blond hair falling flat and listless across her shoulders, her once radiant face turned weary and hopeless, her young, athletic body slumped with fatigue inside the confines of a plain and ill-fitting blue dress and brown jacket. She'd been through the mulcher and then some.

But it was her, all right. Amanda Lowell, daughter of Sir Charles Anthony Lowell, ninety-seventh richest man in the world. The woman who I'd gambled would be the inspirational spark that would send Weldon Sommers's career into the musical stratosphere.

The woman I'd come two hundred years into the past to find.

A pair of hard-eyed men crowded in right behind her, catching the door before it could swing completely shut. Once, I suspected, the genteel Miss Lowell would have flinched to have men like that even in the same room with her. Now, she didn't even seem to notice as they pushed past her in their rush to get to an unoccupied table between the door and the far corner of the bar. One of them said something as they passed; shaking her head, she started across the room.

I watched her as she made her way between the tables toward the bar. Her blank eyes stayed fixed straight ahead, not even acknowledging the presence of the people she was brushing past. I saw a couple of men glance at her, then glance just as casually away again. The brunette hadn't been the only hopeless-looking single woman in tonight, and there was nothing else in Amanda's appearance that anyone here would notice, let alone care about.

No one except Weldon Sommers.

I hoped.

Slowly, I lowered my glass to the table, afraid to move quickly lest I distract his attention. Had he seen her? Surely he had. Had he noticed her face, then, her dully terrified state of mind? Again, how could he have missed it?

But the music hadn't changed from the emotionally vacant barroom drivel. Amanda found an empty stool and slumped down onto it; and still the music didn't change. The bartender stepped up to her, nodded at her inaudible request, and turned to the bottles stacked behind him. Over by the door, one of the hard-eyed men grabbed a passing waitress's arm and jabbed a finger imperiously toward the bar.

And still the music didn't change.

I squeezed my glass hard, afraid to even look at Weldon, a horrible thought crawling like a spiny lizard through my gut. Had my mild attempts at encouragement actually had the opposite effect? Could the revived memory of whatever that dark incident was in his past have temporarily shied him away from his private crusade to lift the downtrodden and comfort the brokenhearted?

Because if I had, I had very possibly just altered history. _No pushing, no suggesting, no altering._...

And then, as the sweat began to collect on my forehead, the music finally changed.

It began slowly, just as it had earlier with the brunette. The major chords he'd been playing softened, flattened, and folded into their minor counterparts. The music modulated once, then twice, as Weldon searched for just the right key to fit the forlorn woman at the bar. The phrasing began to stretch out, the harmonies deepening and stretching and reaching.

And slowly, subtly, it transformed itself into the soft melody I'd been praying to hear ever since I arrived in this time period. A piece simply called, "For Love of Amanda."

I took a deep breath. This was it: the turning point in Weldon's life.

And, if I did my job right, it would be Amanda's redemption as well.

Across the room, the bartender handed Amanda her drink. Lost in her own misery, distracted perhaps by the buzz of conversation around her, she hadn't yet noticed the melody drifting through the smoke toward her.

But she would soon; and when she did, I decided, it might be better if I wasn't here. Leaving my glass where it was, I slid my legs out from under the table and headed toward the restrooms.

I went inside and let myself into one of the stalls, wishing I had a better idea of how long I should stay in here. All the biographies said was that "For Love of Amanda" had been inspired by a woman who'd come into the bar where Weldon was playing. I didn't know if she was going to go over and talk to him, or for how long; whether she would tell him her name or whether the song's title was just a wild coincidence.

All I knew was that the final, published song was six and a half minutes long. For no particular reason, I decided to give them seven. Pacing as best I could in the confined space, I counted out the minutes, sweating the whole time. The waiting, as always, was the worst part.

I'd wondered earlier if Amanda would go over to talk to him. In fact, she'd done me one better: I emerged from the restroom to find her seated at the table I'd just left. From my angle I couldn't tell whether they were talking or whether she'd just moved closer so she could hear the music better, but I was guessing the former.

Perfect.

And meanwhile, the familiar song continued its inexorable path through the oblivious room. _Like a handmade silk glove_, Amanda's own phrase echoed through my mind.

I paused just outside the restroom door, pretending to adjust my belt, looking surreptitiously around the room. The two hard-eyed men who'd come in behind Amanda were still seated where I'd last seen them, now with half-full beer bottles in their hands. They were definitely eyeing Amanda as they muttered together, but neither looked interested in making any kind of move on her.

But then, they hardly needed to leave the comfort of their table for that. There was no way for her to leave without walking directly past them.

While at this end of the room we had Weldon, apparently smitten enough with this woman he'd just met to compose a song for her on the spot. A song, moreover, that would be deathless enough to endure for the next two hundred years.

If he was smitten enough to take exception to her leaving with a pair of rowdies, there could be serious trouble.

I finished adjusting my belt and started wandering back toward Weldon and Amanda. Number one on my Things-To-Do list was to make sure Amanda would be ready to move when I was. Number two would be to neutralize the men waiting for her at the door. I doubted they had any idea of Weldon's future place in history, or would care even if they did, and I had to make absolutely sure all of this whispered past without affecting him.

My first clear look at Amanda's face as I approached the table was all I needed to see that Weldon's music had again worked its magic. The tension and hopelessness she'd been carrying when she arrived had been smoothed away, leaving behind something far more like the calm and lovely young woman of those holos. Weldon was still playing her song, working his way through variations and embellishments that I knew he wouldn't include in the final published version. The music's mood was one of hope now, and triumph, and peace, and joy.

And in Weldon's own face, I could see another transformation taking place. Slowly, almost reluctantly, his quiet bitterness and rejection of life were beginning to fade away. Each time he looked at Amanda his eyes seemed to brighten, as if her newly rekindled hope was itself a breath of air on the nearly cold embers of his own life.

It was like a scene from a nineteenth-century romantic novel. It was certainly history in the making. And it was all so beautiful, I almost hated to interrupt.

Almost.

Amanda's head jerked around as I sat down at the table beside her, her eyes startled out of the music's spell and back to reality. "'Sokay, lady," I assured her, letting my words slur together. "'Smy table, but you can sit here. Pretty music, isn't it?"