My whorish instincts protest the idea of a free option even for six months-but I'm willing to go along, pursuant to your advice. He [a would-be producer] would be a lot better off (safer) and I would be happier if there were some minor cash involved, with the deal spelled out. The option money needn't be much and it could have renewable dates by small payments. However, I suspect that he does not want to sign a formal option now because that necessitates spelling out the deal which is being optioned-and he probably hasn't any clear idea what the deal might be until he has a treatment to show financial backers.

BUILDING

COLORADO SPRINGS

EDITOR'S NOTE: When Robert and I were first married, we lived in Colorado Springs. After the motion picture script sold, it was necessary to move to Hollywood, as Robert was to be technical director for what became Destination Moon.

After the shooting on the film was completed, Robert's contract was up, so we returned to Colorado to build our house there. While we were building, the Korean War began-although it was called a "police action, " it was a full-fledged war; the draft was still in place, and prices on everything began to soar. Robert might be called back to do engineering, and although I was on inactive duty, there was the ever-present possibility that I might be called back to active duty. Neither of those things happened, but we went through a period of not knowing whether we would have to leave our house half-built and go off to war.

In one of these letters there is mention of the quickly rising costs of lumber; Camp Carson nearby Colorado Springs had been renamed Fort Carson, and an enormous building program had begun there. We were caught by the rising prices on everything needed to complete the house.

Before Robert began writing, he had some interest in planning single-family houses. He had several plans of his own. However, those were for a flat area, and the lot we purchased was on a hillside. Neither one of us was prepared, though, for the intricacies of the actual building of a house.

I was required to read Mr. Blandings Builds His Dream House. We both avoided the mistakes in that story, but we made a brand new set of our own.

July 9, 1950: Robert A. Heinlein to Lurton Blassingame

...We are going ahead with building and have the foundation in, the services in, and the septic tank built, but I shall have to shut down the job again and wait if monies do not come in. Yes, I know I could remedy that by giving you new copy and I wish to Heaven I could-but I am so fouled up with...handling payroll and purchases, and trying to be an architect that I can't write stories. I continue to have much trouble with the contractor.

August 13, 1950: Robert A. Heinlein to Lurton Blassingame

...I am sorry to get tough with him, but I 've got to have the money. The checks you sent me got me past this week's payroll-but I had a serious disappointment on another matter this Week and I am more strapped than ever. In the meantime, the army is reactivating a base here with a million dollar construction program and all local lumberyards immediately boosted their prices. Lumber has gone up 60% around here in the last six weeks. Nevertheless, the roof is being framed up now; we'll have it closed in by the end of this week-and we'll move in around Labor Day, if my nerves hold out. Then I intend to stop everything and start turning out new copy.

August 14, 1950: Robert A. Heinlein to Lurton Blassingame

Your letter of 11 August arrived today and caused us much jubilation...an advance check on the NAL contract twice the size we had expected, news that you had sold "Roads" ["The Roads Must Roll"] for TV, and news of the Kellogg show [Tom Corbett, Space Cadet] for Space Cadet. Ginny and I are agreed that you are the original miracle man. All this adds up to no more real money worries for Robert and assurance that we can finish our house in an orderly fashion without a mortgage.

EDITOR'S NOTE: We moved into the house Labor Day weekend. It was closed in, glazed, but the clerestory needed to have the glass bricks installed, so we spent the weekend pushing oakum into the spaces around the glass bricks, "floating" them. I obtained a large roll of brown paper and stapled it to the wall studs. At least we had a place to live in. The subfloor was laid, but it would be a

The Heinleins' house at Colorado Springs. They had th'e house built themselves and ran into many difficulties-not the least being a shortage of building materials due to the war in Korea! long time before the house was finished. And Robert sat down and wrote The Puppet Masters.

September 13, 1950: Robert A. Heinlein to Lurton Blassingame

We finally managed to get moved into our new house. It is far from finished; while the outer shell is closed in solid, the interior is a forest of studs and butcher paper temporary partitions. We do have plumbing and we do have kitchen fixtures and we do have heating; we'll make out.

I am still much badgered by bills, mechanics, unavoidable chores, and such, but I have a place to write and should now be able to continue at it fairly steadily.

February 11, 1951: Robert A. Heinlein to Lurton Blassingame

...We managed to spend $6,000 in six days-which turns out to be awfully hard work. I have been trying to buy and get onto the job every bit of metal, every last stick of wood, needed to complete this house.

Incidentally, it just nicely cleaned us out again. The laughable price freeze [because of the wartime economy] came much too late to do a man who is building any good. But, with the material on hand, I now know that I can and will finish.

May 13, 1951: Robert A. Heinlein to Lurton Blassingame

We put up the ceiling this past week; tomorrow we paint it and start putting up wall paneling. The house looks like an Okie camp, Sunday is the only day I can do paperwork as I have mechanics working both days and evenings. I put in about a fourteen-hour day each day and am gradually losing my bay window. Housebuilding is most impractical, but we are slowly getting results.

June 10, 1951: Robert A. Heinlein to Lurton Blassingame

It is ten-thirty and I must be up around six. Today being Sunday I worked all day alone on the house. It continues to be an unending headache, but we are beginning to see the end-about another month if we don't run into more trouble. The biggest headache, now that the bank account is refreshed, is finding and keeping mechanics. This town is in a war building boom and every mechanic has his pick of many jobs. I should have four or five working; I have two, plus myself. I work at any trade which is missing at the moment. Fortunately, I can do most of the building trades myself, after a fashion. I have a stone mason doing cabinet work, which will give you some idea of the difficulties of getting help. Often I think of your comment, more than a year ago, that you hoped I would not have trouble but never knew of a case of a person building his own home who did not have lots of trouble. Well, we surely have had it, but the end is in sight-if I don't go off my rocker first.

What am I saying? I am off my rocker!

April 17, 1961: Robert A. Heinlein to Lurton Blassingame

Actually, I am not studying Arabic very much nor am I writing; I am moving massive boulders with pick and shovel and crowbar and block and tackle, building an irrigation dam-a project slightly smaller than the Great Pyramid but equal to Stonehenge. I no longer have any

"Project Stonehenge:" The creation of a decorative pool was undertaken by the Heinleins alone-and made them a two -- , wheelbarrow family. fat on my tummy at all but have a fine new collection of aches, pains, bruises, and scratches.