Putnam likes Glory Road. There should be a little tightening in it, and "a few not very serious" suggestions for changes. Will mark ms. and send with detailed letter.

FARNHAM'S FREEHOLD

March 9, 1963: Robert A. Heinlein to Lurton Blassingame

The new novel ([Farnham's Freehold] working title: Grand Slam) I did in 25 intense days, 503 pages. Ginny seems to like it better than Glory Road, says it moves fast and can't be cut much. However, I intend to cut it a lot and get it to my typist about the end of this month. I haven't read it yet, but enjoyed it as I wrote.

March 21, 1963: Lurton Blassingame to Robert A. Heinlein

I don't know how you manage to produce a novel of 500 pages in 25 days, even a first draft.

July 8, 1963: Lurton Blassingame to Robert A. Heinlein

Good story in Farnham's Freehold, with enough adventure for some of the men's magazines.

August 21, 1963: Lurton Blassingame to Robert A. Heinlein

Peter [Israel] said he was writing you about cutting and revision ideas, and you probably have his letter by now.

October 4, 1963: Lurton Blassingame to Robert A. Heinlein

Peter Israel says, "Bob Heinlein is the boss. I'll express my opinions, but I have enough respect for his skill and judgment so that if he says a thing can't be done, I'll go along with the way Bob feels it has to be done. If he says the story cannot be cut below 100,000 words without seriously hurting it, I'll publish it at 100,000."

October 12, 1963: Robert A. Heinlein to Lurton Blassingame

Farnham 's Freehold contract with Putnam's: On page two I have changed the wordage to " 100,000" and struck out the delivery date and made it "to be arranged." I need to know [their] absolute rockbottom deadline for fall '64 publication. I know that he does not need the finished ms. by New Year's Day, that being what I struck out-nor could I deliver it by then in a smooth, retyped form; I've got too much to do to it, and my typist will need at least two months after I have finished cutting it. When you ask him for his absolute deadline, please point out to him that in twenty-five years I have never missed a deadline by even one day. I am quite sure that most editors stick at least a month of cushion into a deadline date since most writers are notoriously unpunctual in such matters. I want to know what his real date is. I will meet it.

THE MOON IS A HARSH MISTRESS

June 21, 1965: Robert A. Heinlein to Lurton Blassingame

The original of this letter goes with the original ms. of The Brass Cannon [The Moon Is a Harsh Mistress], the carbon goes with the carbon ms. Both will be sent to you tomorrow, original by airmail in the early morning, carbon by air express in the late afternoon, in an attempt to have them go by different airplanes. As you probably know from the news, we are isolated other than by air -- and the last I heard they were borrowing 1916 Curtiss pushers in order to move all the passengers, freight, mail, and food that is moving in and out of our small airport. Anent ms.: Please send the original to Putnam; it has with it a form for their supercolossal prize contest. But would you please tell him that I really have no expectation of a science fiction novel winning...

July 6, 1965: Lurton Blassingame to Robert A. Heinlein

Putnam's likes new book, same terms as last book. Don't like title; can you suggest another?

November 30, 1965: Robert A. Heinlein to Lurton Blassingame

You saw a copy of -- 's letter to me; I phoned him today. He had thrown me a curve in his proposals to edit a ms. which -- had approved in toto-but I tossed him another curve back saying okay and how quickly could he ship me the edited ms. for my approval? -- and pointed out to him that I had never signed a contract in the past with Putnam's, nor accepted any advance, until the ms. was fully approved down to the least word. I think he was taken aback by this, but he quickly agreed to go over the ms. himself, see what the copy editor had done, and then either okay it the way I had submitted it, removing the copy editor's changes, or send it to me for my approval.

THE PAST THROUGH TOMORROW

March 9, 1963: Robert A. Heinlein to Lurton Blassingame

I am returning herewith Peter Israel's letter concerning ihe Future History. I don't know just what he wants. I had had in mind an omnibus reprint book, using the first three books of the Future History. We hold all rights to (hese and we own the plates.

I suggest that we tell Israel that what we are offering is the first three volumes, for reprint, separately or as one jumbo volume-with plates furnished by us-and that if he does not want them, please tell us so in order that we may offer same to Doubleday's Science Fiction Book Club. I feel quite sure that they would take a chance on such an offer, with the plates laid in their laps. These three books are very famous in the field and they have not been available in hardcovers in years-and never from the S-F book club.

I WILL FEAR NO EVIL

August 21, 1969: Virginia Heinlein to Lurton Blassingame

Robert says that the new novel is as long as the Bible, but considering the number of authors of that, I doubt it. It is still in the process of completion. We'll send up a few rockets when it's done, and maybe you'll see one of them!

August 28, 1969: Virginia Heinlein to Lurton Blassingame

[Robert] left me a note saying, "Please tell him that I am anxious to learn what the new book is all about, too -- especially the ending.

"I seem to be translating Giles Goat Boy into late Martian."

September 2, 1969: Virginia Heinlein to Lurton Blassingame

. Robert's up to what he says is the last chapter. Then he added thoughtfully, "I hope it isn't like the short story." But I think this time he means it. He spent last night killing off someone; must have been a sort of Rasputin, from the length of time it's taken.

October 1, 1969: Virginia Heinlein to Lurton Blassingame

What word do you want about the novel? It's in the cutting stages-I thought that it dragged in spots. Don't you want to be surprised? All I can tell you is that it is quite different from anything I've ever read before, by Heinlein or anyone else. It will go to the typist before we leave here for the class reunion...

October 7, 1969: Virginia Heinlein to Lurton Blassingame

Re the new book, Robert has his doubts about Mac [Truman MacDonald Talley of NAL] liking it, pointing out that he turned down Stranger, but says he's been publishing some far-out stuff lately. My comment was that he can't sell the public Elsie Dinsmore anymore.

October 13, 1969: Virginia Heinlein to Lurton Blassingame The cutting goes along slowly...

November 12, 1969: Robert A. Heinlein to Lurton Blassingame

While I was writing / Will Fear No Evil and you and Ginny and Margo were handling everything else, a lot of nonfrantic items accumulated in your box on my desk. It appears from the file that I have not acknowledged checks in writing since 22 June. I intend to acknowledge checks and books, so that you will have a written record.

December 4, 1969: Virginia Heinlein to Lurton Blassingame

I'm just afraid that I shall have to type I Will Fear No Evil, which will completely spoil my winter! I think the first draft was 689 pages.

January 19, 1970: Lurton Blassingame to Robert A. Heinlein

I spent more time reading I Will Fear No Evil than I've spent on a manuscript in years. This is only partly because of the book's length-I've gone through longer ones faster-but the novel has so many good lines in it that I gave myself time enough to enjoy and chuckle over them.

January 31, 1970: Virginia Heinlein to Lurton Blassingame

Today Bob will probably sign his "X" on two powers of attorney. One for you, one for me. Yours will be for conducting business affairs, mine a general one...and