Sano waited. The damp chill seeped into him, and he paced before the guardhouses to keep warm. Finally, when he was beginning to think he would never gain admittance to the yashiki, the gate opened again.
Another guard stood there. Bowing, he said, “Sir, Lord Niu is not presently in the city. But if you would be so obliging as to come with me, Lady Niu will see you.”
Sano wasn’t surprised to find Lord Niu absent, or Lady Niu at home in Edo. According to the law of alternate attendance, the daimyo spent four months of each year in the capital, and the rest on their provincial estates. When they returned to their estates, the shogun made them leave their wives and families in Edo as hostages. The daimyo were divided into two groups, one of which was in Edo while the other was in the country. These restrictions, which greatly humiliated the proud daimyo, effectively kept them from plotting and staging a rebellion. They also had to maintain two establishments, thereby draining their wealth into nonmilitary expenditures. Peace came with a high price, and the daimyo had paid it with their money, their pride, and their freedom. Still, Sano hadn’t expected Lady Niu to receive him. Most ladies spent their days confined to the women’s quarters of their mansions while the daimyo’s retainers handled the households’ official business. They seldom received strangers of the opposite sex. Even more curious now-and increasingly unsure of how he should act once inside- Sano followed the guard through the gate.
He saw immediately that the yashiki was laid out like a military camp, where soldiers’ tents were arranged around the general’s. Here the barracks bordered a vast courtyard where tens of samurai patrolled, protecting the estate’s center where the Niu family lived. Other samurai tinkered with weapons in the guardrooms, or sat idly. More barracks, larger and more elaborate residences for higher-ranking officers, formed an inner wall. A paved walk led
Sano and his escort through them and into a formal garden. Beyond this lay the daimyo’s mansion, a large but deceptively simple-looking structure with half-timbered walls and a tile roof, set above the ground on a granite podium. Sano knew that such mansions were rambling complexes of many buildings, connected by long corridors or intersecting roofs, that housed hundreds. Awe, combined with a sense of his own inferiority, weakened Sano’s resolve. Was he a fool, daring to confront such a rich and powerful family?
Just outside the house stood an open shed containing several palanquins decorated with elaborate carved lacquerwork. Sano followed the guard beneath the covered porch and into the spacious entry way, where he removed his shoes and donned a pair of guest slippers. He placed his swords on a shelf that held a large collection of bows, swords, and spears; etiquette dictated that samurai must always enter a private home unarmed. Then he followed his guide into the house proper.
The guard’s quick pace allowed him only a glimpse of a vast empty reception room with a coffered ceiling, murals of green islands in a swirling blue sea, and a large dais at the far end where the daimyo sat during formal ceremonies. A maid was opening windows to air the room; through them, Sano saw the outdoor stage where No dramas were performed in summer. Everything was elegant and luxurious, but not ostentatiously so. The Tokugawa sumptuary laws forbade lavish home decoration, and no daimyo would risk seizure of his property.
A corridor led to another reception room. From it came the murmur of voices. When they entered, the guard knelt and bowed.
“Yoriki Sano Ichirō, from the Office of the North Magistrate,” he announced, rising to stand beside the door.
Sano also knelt and bowed. When he raised his head, his eyes went immediately to the woman who knelt upon the dais, dominating the room and everyone in it.
Against the painted backdrop of misty gray mountains, Lady Niu was a striking figure in her aqua kimono printed with colorful landscapes. Her body was broad and straight, like a man’s; the white throat that rose from the kimono’s deep neckline formed a strong, thick column. From the neck up, she had an arresting classical beauty. Her face was an elongated oval with smooth, youthful skin, a slender nose, long, narrow eyes, and a delicate small mouth vivid with scarlet paint. Her black hair, swept back from her forehead into an elaborate chignon fastened with lacquer combs, showed no gray. But her erect posture and confident air suggested maturity. A silk quilt patterned in diamonds of aqua and black covered her lap and spread over the square frame of a charcoal brazier. Against it, her hands lay folded, their smallness and daintiness belying the aura of power she exuded. Lady Niu was a fascinating study in contrasts: a woman whose appearance combined beauty with strength, who radiated femininity but did not let convention shut her away from the world. Sano wanted to know more about her.
Bowing again, he recited the words appropriate to the occasion. “I offer you this humble token of my respect.” With both hands, he extended the box of cakes. Funeral custom prohibited him from directly mentioning death during a condolence call. He would have to introduce the subject after the formalities were done.
“Your tribute is much appreciated.” Lady Niu’s voice was husky but melodious. If she felt any grief over Yukiko’s death, she hid it behind her properly calm demeanor. She inclined her head. Then she turned toward the wall on her left. “Eii-chan?”
Now Sano took notice of the others in the room. The figure coming toward him was not a child, as the diminutive chan implied, but a large, hulking man with a lumpy, pock-marked face. His vacant expression at first made Sano think that this was a feebleminded servant kept on for some reason involving obligation or sentiment. However, the rich black silk robes and two elaborate swords identified Eii-chan as a high-ranking retainer in the daimyo’s service. And Sano saw an unmistakable flash of intelligence- wary, measuring-in the tiny eyes that met his for an instant. Without speaking, Eii-chan held out a tray to receive Sano’s gift and to offer the traditional return token, a decorated box of matches. Then he carried the tray to a table by the door, set the gift there among others, and resumed his place near Lady Niu.
“Lord Niu’s daughters,” Lady Niu said, nodding toward a standing screen on one side of the room, halfway between her and Sano.
Through its close-woven lattice, Sano discerned two shadowy figures. Otherwise he could see nothing of the women but a fold of red silk kimono lying on the floor beside the screen. As he watched, a hand snatched it out of sight. He noted that Lady Niu had said “Lord Niu’s” and not “my” daughters. They must be the children of a concubine, placed in Lady Niu’s charge.
“I understand that you have come on official business regarding Yukiko,” Lady Niu said.
“Yes.” Sano was glad that she’d brought it up first. “Regretfully I must trouble you with a few questions.”
Lady Niu lowered her eyes, signifying resigned acceptance. Her expression was serene, like that of a royal beauty in an ancient painting.
Sano had planned his questions carefully. He must avoid giving any sign that he was investigating a murder, and avoid offending the Nius. And he was conscious of the listening daughters behind the screen, no doubt eager for forbidden knowledge. So instead of asking Lady Niu if she believed the deaths were suicide, he said, “Were you surprised by the manner of Miss Yukiko’s demise?”
“Yes, of course,” Lady Niu replied. She paused. “But in retrospect, I am forced to admit that it was sadly in keeping with Yukiko”s character.”
A small gasp issued from behind the screen, so faint that Sano barely heard it.