‘You can look at me,’ she said. ‘Why do you avoid it?’

‘Why torture myself with something I can’t have?’ He tried to keep bitterness out of his tone, and made a lame attempt to be amusing. ‘I don’t like to press my nose against shop windows.’

‘Craig, I want you to look at me, right now. How do I strike you?’

‘Female. Quite the opposite of male.’

‘I’m more, don’t you think?’

‘Granted.’

‘Much more,’ she said definitely, ‘and the much more of me is the propaganda of me and the legend of me, and that is attractive. But don’t be deceived. Even without all that, there is much more to me. Not merely my beauty, either. If I were to undo my bra right now and remove this strip of cloth down here-what would you see of me? First, two breasts. I’m realistic. There are better breasts to be seen in every half-dollar art magazine. Second, my nakedness below. No rare or exotic contour, no different down there from what you can see on any chippy you pick up for five dollars or fifty dollars. That’s not the much more of me I speak of, Craig. What I speak of cannot be seen, must be intimately known. When you buy me, you are, it is true, paying a bigger price than ever before for lesser physical endowments than can be had at a fairer market price, but you are buying two marvellous things. One is, as you’ve guessed, the fame of me, the right to remember, when you are old and old memories are important, or when you are merely older and ribald with others, that once you possessed the flesh of Märta Norberg, yes, the Märta Norberg. That is important to men, of course. Imagine to be a man and to know that once you had enjoyed the favours of Ninon de Lenclos or Madame Du Barry or Eleanora Duse. That is the obvious pleasure you buy. But there is another that is better, far superior. Do I titillate you?’

‘Go on,’ said Craig, drinking his whisky, and keeping his gaze shoulder high, and wishing that they were dressed and elsewhere.

‘Do I titillate you?’ she repeated.

‘Yes.’

‘Of course, I do. I have told you I am a good buy for two reasons. One is my desirability as a conversation piece, The other is this, Craig-my desirability as an experience. Do you know what that means?’

‘I’m not sure.’

‘Do not regard what I am going to tell you as extraordinary vanity. I’ve simply equated myself against all others, I know my worth, and I am practical. When you come to bed with Märta Norberg, you eliminate the remembrance of every other woman you have known since adolescence. I will explain, Craig. Only a handful of others, in the world, know what I am to tell you. The act of love is my other gift-the one I have brought along with my acting. Those are my two perfect skills. You have known experienced women, no doubt, active, intelligent amateurs, and prostitutes and call girls. Often such women have considerable knowledge of love, and are infinitely superior in their pleasure-giving to any housewife drab or dull-assed starlet. But the gifts of prostitutes are tarnished by their ready availability and the unspoken feeling of degradation. Nowhere can similar gifts be found untarnished, except in my bed. You will take my word when I say that I know more of love than any prostitute or courtesan or backstreet Bovary. Your face tells me nothing now, but you may be secretly doubting me. I am sure you are. I pride myself on being a psychologist of men and their minds. You may be saying to yourself-what more can this boastful woman know of love than any other? How many ways can a woman lie with a man-on her back, on her side, on her stomach, sitting, standing, upside down, whatever you guess or know. You may be saying to yourself-how many erotic movements are there, and words, and pressures, and erogenous zones? All is limited and repetitious, and nothing can be new. You may even assure yourself that the ways of love, beyond intercourse, are restricted to six or sixteen. And so you will doubt me. And to that I can only say, Craig, say this-try me-find out.’

She sipped her vodka.

Except for her profound, humourless sincerity, Craig would have been embarrassed. He did not know quite how to respond. ‘That’s quite a sales talk,’ he said at last.

She smiled. ‘I’m rarely called upon to make it.’

‘But you have made it. And now I’ll tell you something-I still don’t believe it.’

‘Are you daring me? Is that what?’

‘Nothing so childish. I simply will not accept your statement that you can please, entirely through physical skill, without one iota of emotion, passion, love given from the heart-’

‘Save that fairy tale for your damn books,’ she interrupted, ‘and for all the empty women who read them and want to be deluded. Craig, I know men. Once you have a man between your thighs, you have his unconditional surrender on your terms, in exchange for whatever pleasures you wish to serve him. In intercourse, of whatever duration, a man is senseless, an absolute lower animal. His enjoyment derives not from the knowledge that his mate adores him-that may pertain before and after the act-but during the act he wants the primitive gluttony, and the better that is, the more voluptuous, sensuous, maddening, the more ecstatic he becomes.’ She paused and seemed to draw herself up, and the bikini bra filled. ‘I am honest, Craig. I don’t barter my heart-only what is beneath it-and I have never had a complaint. On the contrary, my lovers have become beggars, debasing themselves with their pleas for more of me. Now, what do you think of that?’

‘I think you have accomplished exactly what you set out to do-make me helplessly curious.’

She tossed her hair. ‘Then we have a deal?’

‘No-not on your terms.’

‘I see you still don’t believe me.’ Her face had strangely darkened. ‘What will convince you? Do you want a preview tonight?’

‘Not if you would consider it an option on my services.’

‘Don’t be rude.’

‘I don’t mean to be rude, Märta. I’m simply not on your wavelength. We’re not communicating at all. You’re speaking to me about a parcel you label sex, and I’m saying if it has no other name, it’s a poor product. Haven’t you ever been in love? What would happen if you fell in love?’

‘I wouldn’t be where I am,’ she said stiffly. ‘Craig, I have never and will never let myself be used.’

‘But you will use someone else.’

‘How am I to take that? Are you being sarcastic, chastising me?’

‘I’m simply trying to believe you. I can’t believe you. I’m appalled.’

‘Quit simpering at me. Don’t be a sanctimonious child. And don’t start categorizing me with your cheap writer’s clichés-prefab characterization-Enter, the cold, calculating devourer of men, et cetera.’

‘I’m not judging you. I confine myself to observing, imagining, reporting. I’m trying to find out who you are. Do you know?’

‘You’re damn well sure I know,’ she said. ‘I’ll tell you who I am, and who I am not. I am an actress, a great actress, the greatest in this century. That means one thing to me-my art comes first, and everything else can go merrily to hell. In this world, there are two kinds of actress. One is the actress-woman. She is schizoid. She is one-half public performer and one-half private human being. She is the one who winds up emotionally bankrupt, soon forgotten except for a fund-raising benefit and a ghost-written memoir. The other is the actress-actress, who is not split in two halves, but is of a single indestructible piece, single, whole, self-sufficient, self-directed, devoted only to herself as celebrity and artist. Everything in her life, every judgment, decision, every choice and turning, must measure up to one standard-is it good for the actress that I am? This applies to homelife, leisure, children, finances-and above all, it applies to love.’

She swallowed her drink, then, instead of asking Craig for another, she brushed past him to the table and began pouring her own.