Ebbets Field: Fans line Bedford Avenue in hopes of retrieving home-run balls hit over the right-field wall. After eight scoreless innings, there is a roar from the crowd. A ball sails over the wall, and eager fans jostle for it! For some reason, it is a football-no one knows why. Later that season, the owner of the Brooklyn Dodgers will trade his shortstop to Pittsburgh for a left fielder, and then he will trade himself to Boston for the owner of the Braves and his two youngest children.

Sheepshead Bay: A leathery-faced man laughs heartily and hauls up his crab traps. A giant crab seizes the man's nose between his claws. The man is no longer laughing. His friends pull him from one side while the crab's friends pull from the other. It is no use. The sun sets. They are still at it.

New Orleans: A jazz band stands in the rain at a cemetery playing mournful hymns as a body is lowered into the earth. Now they strike up a spirited march and begin the parade back to town. Halfway there, someone realizes they have buried the wrong man. What's more, they weren't even close. The person they buried was not dead, or even sick; in fact, he was yodelling at the time. They return to the cemetery and exhume the poor man, who threatens to sue, although they promise to let him have his suit cleaned and send them the bill. Meanwhile, no one knows which person is actually dead. The band continues to play while each of the onlookers is buried in turn, on the theory that the deceased will go down the smoothest. Soon it becomes apparent that no one has died, and now it is too late to get a body, because of the holiday rush.

It is Mardi Gras. Creole food everywhere. Crowds in costume jam the streets. A man dressed as a shrimp is thrown into a steaming pot of bisque. He protests, but no one believes he is not a crustacean. Finally he produces a driver's license and is released.

Beauregard Square is teeming with sightseers. Once Marie Laveau practiced voodoo here. Now an old Haitian "conjure man" is selling dolls and amulets. A policeman tells him to move on, and an argument begins. When it is over, the policeman is four inches tall. Outraged, he still tries to make an arrest, but his voice is so high that no one can understand him. Presently a cat crosses the street, and the policeman is forced to run for his life.

Paris: Wet pavements. And lights-everywhere there are lights! I come upon a man at an outdoor cafe. It is Andre Malraux. Oddly, he thinks that I am Andre Malraux. I explain that he is Malraux and I am just a student. He is relieved to hear this, as he is fond of Mme. Malraux and would hate to think she is my wife. We talk of serious things, and he tells me that man is free to choose his own fate and that not until he realizes that death is part of life can he really understand existence. Then he offers to sell me a rabbit's foot. Years later, we meet at a dinner, and again he insists that I am Malraux. This time, I go along with it and get to eat his fruit cocktail.

Autumn. Paris is crippled by another strike. Now it is the acrobats. No one is tumbling, and the city comes to a standstill. Soon the strike spreads to include jugglers, and then ventriloquists. Parisians regard these as essential services, and many students become violent. Two Algerians are caught practicing handstands and their heads are shaved.

A ten-year-old girl with long brown curls and green eyes hides a plastic explosive device in the Minister of the Interior's chocolate mousse. With the first bite, he passes through the roof of Fouquet's and lands unharmed in Les Halles. Now Les Halles is no more.

Through Mexico by auto: The poverty is staggering. Clusters of sombreros evoke the murals of Orozco. It is over a hundred degrees in the shade. A poor Indian sells me a fried-pork enchilada. It tastes delicious, and I wash it down with some ice water. I feel a slight queasiness in the stomach and then start speaking Dutch. Suddenly a mild abdominal pain causes me to snap over like a book slamming shut. Six months later, I awake in a Mexican hospital completely bald and clutching a Yale pennant. It has been a fearful experience, and I am told that when I was delirious with fever and close to death's door I ordered two suits from Hong Kong.

I recuperate in a ward full of many wonderful peasants, several of whom will later become close friends. There is Alfonso, whose mother wanted him to be a matador. He was gored by a bull and then later gored by his mother. And Juan, a simple pig farmer who could not write his name but somehow managed to defraud I.T.T. out of six million dollars. And old Hernandez, who had ridden beside Zapata for many years, until the great revolutionary had him arrested for constantly kicking him.

Rain. Six straight days of rain. Then fog. I sit in a London pub with Willie Maugham. I am distressed, because my first novel, Proud Emetic, has been coolly received by the critics. Its one favorable notice, in the Times, was vitiated by the last sentence, which called the book "a miasma of asinine cliches unrivalled in Western letters."

Maugham explains that while this quote can be interpreted many ways, it might be best not to use it in the print ads. Now we stroll up Old Brompton Road, and the rains come again. I offer my umbrella to Maugham and he takes it, despite the fact he already has an umbrella. Maugham now carries two open umbrellas while I run along beside him.

"One must never take criticism too seriously," he tells me. "My first short story was harshly denounced by one particular critic. I brooded and made caustic remarks about the man. Then one day I reread the story and realized he had been correct. It was shallow and badly constructed. I never forgot the incident, and years later, when the Luftwaffe was bombing London, I shone a light on the critic's house."

Maugham pauses to buy and open a third umbrella. "In order to be a writer," he continues, "one must take chances and not be afraid to look foolish. I wrote The Razor's Edge while wearing a paper hat. In the first draft of Rain, Sadie Thompson was a parrot. We grope. We take risks. All I had when I began Of Human Bondage was the conjunction 'and.' I knew a story with 'and' in it could be delightful. Gradually the rest took shape."

A gust of wind lifts Maugham off his feet and slams him into a building. He chuckles. Maugham then offers the greatest advice anyone could give to a young author: "At the end of an interrogatory sentence, place a question mark. You'd be surprised how effective it can be."

Yes. I confess. It was I, Willard Pogrebin, mild mannered and promising at one time in life, who fired a shot at the President of the United States. Fortunately for all concerned, a member of the onlooking crowd jostled the Luger in my hand causing the bullet to ricochet off a McDonald's sign and lodge in some bratwurst at Himmelstein's Sausage Emporium. After a light scuffle in which several G-men laced my trachea into a reef knot, I was subdued and carted off for observation.

How did it happen that I had come to this, you ask? Me, a character with no pronounced political convictions; whose childhood ambition was to play Mendelssohn on the cello or perhaps dance on point in the great capitals of the world? Well, it all began two years ago. I had just been medically discharged from the army, the results of certain scientific experiments performed on me without my knowledge. More precisely, a group of us had been fed roast chicken stuffed with lysergic acid, in a research program designed to determine the quantity of LSD a man can ingest before he attempts to fly over the World Trade Center. Developing secret weapons is of great importance to the Pentagon and the previous week I had been shot with a dart whose drugged tip caused me to look and talk exactly like Salvador Dali. Cumulative side effects took their toll on my perception and when I could no longer tell the difference between my brother Morris and two soft-boiled eggs, I was discharged.