The procession completed, I was hidden in the Tecumseh House until 5:30, when I was to have a state supper at the reeve’s house. When I write “hidden” I mean it literally. My fellow townsmen felt that it would be unseemly for me to stroll about the streets, like an ordinary human being, before my apotheosis that night, so I was put in the best bedroom in our hotel, upon the door of which a Canadian Red Ensign had been tacked, and the barman, Joe Gallagher, was given strict orders to keep everyone away from me. So there I sat by my window, looking across a livery-stable yard toward St. James’ Presbyterian Church, occasionally reading War and Peace (for I was now well embarked on the big, meaty novels I had longed for at the Front), but mostly too excited to do anything but marvel at myself and wonder when I would be free to do as I pleased.
Freedom was certainly not to be mine that day. At six I supped ceremonially at the reeve’s; there were so many guests that we ate on the lawn from trestle tables, consuming cold chicken and ham, potato salad and pickles in bewildering variety, and quantities of ice cream, pie, and cake. We then set the whole banquet well awash inside ourselves with hot, strong coffee. Our progress to the Athelstan Opera House was stately, as befitted the grandees of the occasion, and we arrived ten minutes before the scheduled proceedings at 7:30.
If you are surprised that so small a place should have an Opera House, I should explain that it was our principal hall of assembly, upstairs in the Athelstan Block, which was the chief business premises of our village, and built of brick instead of the more usual wood. It was a theatre, right enough, with a stage that had a surprising roller curtain, on which was handsomely painted a sort of composite view, or evocation, of all that was most romantic in Europe; it is many years since I saw it, but I clearly remember a castle on the shores of a lagoon, where gondolas appeared amid larger shipping, which seemed to be plying in and out of Naples, accommodated at the foot of snowtopped Alps. The floor of the Opera House was flat, as being more convenient for dancing, but this was compensated for by the fact that the stage sloped forward toward the footlights, at an angle which made sitting on chairs a tricky and even perilous feat. I do not know how many people it seated, but it was full on this occasion, and people stood or sat in the aisles on extra chairs, borrowed from an undertaker.
The reeve and I and the other notables climbed a back stairs and pushed our way through the scenery to the chairs that had been set for us on the stage. Beyond the curtain we heard the hum of the crowd above the orchestra of piano, violin, and trombone. A little after the appointed time—to allow for latecomers, said the reeve, but no latecomer could have squeezed in—the curtain rose (swaying menacingly inward toward us as it did so), and we were revealed, set off against a set of scenery that portrayed a dense and poisonously green forest. Our chairs were arranged in straight rows behind a table supporting two jugs of water and fully a dozen glasses, to succour the speakers in their thirst. We were a fine group: three clergymen, the magistrate, the Member of Parliament and the Member of the Legislature, the Chairman of the Continuation School Board, and seven members of the township council sat on the stage, as well as the reeve and myself. I expect we looked rather like a minstrel show. I was the only man in uniform on the stage itself, but in the front row were six others, and on the right-hand end of this group sat Percy Boyd Staunton, in a major’s uniform, and at his side was Leola Cruikshank.
On the fourth finger of Leola’s left hand was a large diamond ring. Diana had taught me something of these refinements and I got the message at once, as that ring flashed its signals to me during the applause that greeted our appearance. Was I stricken to the heart? Did I blench and feel that all my glory was as dross? No; I was rather pleased. There was one of my homecoming problems solved already, I reflected. Nevertheless I was a little put out and thought that Leola was a sneak not to have informed me of this development in one of her letters.
The purpose of the gathering was plainly signalled by the Union Jack that swathed the speaker’s table and a painted streamer that hung above our heads in the toxic forest. “Welcome To Our Brave Boys Back From The Front,” it shouted, in red and blue letters on a white ground. We stood solemnly at attention while the piano, violin, and trombone worked their way through God Save the King, O Canada, and, for good measure, The Maple Leaf Forever. But we did not then rush greedily upon the noblest splendours of the evening. We began with a patriotic concert, to hone our fervour to a finer edge.
Muriel Parkinson sang about the Rose that Blows in No-Man’s Land, and when she shrieked (for her voice was powerful rather than sweet) that “midst the war’s great curse stood the Red Cross Nurse,” many people mopped their eyes. She then sang a song about Joan of Arc, which was a popular war number of the day, and thus a delicate compliment was paid to France, our great ally. Muriel was followed by a female child, unknown to me, who recited Pauline Johnson’s poem Canadian Born, wearing Indian dress; it was at this point that I became aware that one of our Brave Boys, namely George Muskrat the Indian sniper, who had picked off Germans just as he used to pick off squirrels, was not present. George was not a very respectable fellow (he drank vanilla extract, which was mostly alcohol, to excess, and shouted in the streets when on a toot), and he had not been given any medals.
The female child reciter had an encore and was well into it before the applause for her first piece had quite subsided. Then, for no perceptible reason, another girl played two pieces on the piano, not very well; one was called Chanson des Fleurs and the other La Jeunesse, so perhaps they were further compliments to the French. Then a fellow with a local reputation as a wit, named Murray Tiffin, “entertained”; he was often asked to “entertain” at church evenings, but this was his greatest opportunity so far, and he toiled like a cart horse to divert us with riddles, jokes, and imitations, all of some local application.
“What’s the bravest thing a man can do?” he demanded. “Is it go right out to Africa and shoot a lion? No! That’s not the bravest thing a man can do! Is it capture a German machine-gun nest single-handed?” (Great applause, during which I, the worst actor in the world, tried to feign a combination of modesty and mirth.) “No! The bravest thing a man can do is go to the Deptford Post Office at one minute past six on a Saturday night and ask Jerry Williams for a one-cent stamp!” (Uncontrollable mirth, and much nudging and waving at the postmaster, who tried to look like a man who dearly loved a joke against his cranky self.)
Then Murray got off several other good ones, about how much cheaper it was to buy groceries in Bowles Corners than it was even to steal them from the merchants of Deptford, and similar local wit of the sort that age cannot wither nor custom stale; I warmed to Murray, for although his jokes were clean they had much of the quality that had assured my own rest-camp success as Charlie Chaplin.
When Murray had offended individually at least half the people present and delighted us all collectively, the reeve rose and began, “But to strike a more serious note—” and went on to strike that note for at least ten minutes. We were gathered, he said, to honour those of our community who had risked their lives in defence of liberty. When he had finished, the Methodist parson told us, at some length, how meritorious it was to risk one’s life in defence of liberty. Then Father Regan solemnly read out the eleven names of the men from our little part of the world who had been killed in service; Willie’s was among them, and I think it was in that moment that I really understood that I would never see Willie again. The Reverend Donald Phelps prayed that we might never forget them, at some length; if God had not been attending to the war, He knew a good deal more about it, from our point of view, by the time Phelps had finished. The Member of the Legislature told us he would not detain us long and talked for forty minutes about the future and what we were going to do with it, building on the sacrifices of the past four years, particularly in the matter of improving the provincial road system. Then the Member of Parliament was let loose upon us, and he talked for three minutes more than one hour, combining patriotism with a good partisan political speech, hinting pretty strongly that although Lloyd George, Clemenceau, and Wilson were unquestionably good men. Sir Robert Borden had really pushed the war to a successful conclusion.