Eve found herself sitting at a table in the back corner of the ballroom. "I don't see why that would have stopped either of you."

Laughing delightedly Magda snagged fresh flutes of champagne, then shooed the server away. "My own fault. I made a rule never to take a lover more than twenty years older or younger. Stuck with it, too. More's the pity. But…" She paused to sip, studying Eve. "It isn't Roarke I want to talk about, but you. You're exactly what I thought he'd fall for when his time came around."

Eve choked on her wine, blinked. "You're the first person who's ever said that" She struggled with herself a moment, then gave up. "Why do you say it?"

"You're quite attractive, but he wouldn't have been blinded by your looks. You find that amusing," Magda noted, nodding in approval. "Good. A nice sense of humor's essential when dealing with any man, but particularly one of Roarke's nature."

They were solid looks though, Magda mused. Neither glamorous nor staggering, but solid with good bones, clear eyes, and an interesting dent in the center of a strong chin.

"Your looks might have attracted him, but they didn't snare him. I wondered about that as Roarke has an interest, and an affection, for beauty. So I, having some interest and affection of my own in the man, followed the media on you."

Eve angled her head, a kind of challenge. "Do I pass?"

Amused, Magda ran one scarlet-tipped finger around the rim of her flute, then lifted it to equally bold lips, and sipped. "You're a smart, determined woman who doesn't merely stand on her own feet but uses them to boot whatever asses need booting. You're a physical woman with brains, and a look in your eyes when you glance around an event like this that says: 'What a bunch of nonsense. Haven't we all got something better to do?'"

Intrigued, Eve studied Magda in turn. More here, she realized, than some fluff piece who liked to play make-believe. "Are you a shrink or an actor?"

"Either profession requires solid elements of both." She paused again, sipped again. "My guess is you didn't – don't – give a hang about his money. That would have intrigued him. I can't see you falling at his feet either. If you had, he'd likely have scooped you up and played with you awhile. But he wouldn't have kept you."

"I'm not one of his damn toys."

"No, you're not." This time Magda lifted her glass in a toast. "He's madly in love with you, and it's lovely to see. Now, tell me about being a policewoman. I've never played one. I have played women who go outside the law to protect what's theirs, but never one who works within it to protect others. Is it exciting?"

"It's a job. It has its ups and downs like any."

"I doubt like any. You solve murders. We… civilians, I suppose you'd say, can't help but find the process, including the murder, fascinating."

"That's because you're not the one who's dead."

"Exactly." Magda threw back her magnificent head and roared with laughter. "Oh, I like you! I'm so glad. You don't want to talk about your work, I understand. People from outside think mine is exciting, glamorous. When what it is… is a job, with its ups and downs like any."

"I've seen a lot of your work. I think Roarke has everything you've done on disc. I like the one where you're a scheming conwoman who falls for her mark. It's fun."

"Bait and Switch. Yes, it was. Chase Conner was my leading man in that, and I fell for him, too. It was also fun, while it lasted. I'm auctioning off the costume I wore in the cocktail party scene."

She glanced around the ballroom, scanning her things, things that had once been vital to her, with amusement. "It should bring a good price, and help get The Magda Lane Foundation for the Performing Arts off the ground. So many bits and pieces of a career, of a life, going on the block before much longer."

She turned, studying a display arranged like a lady's boudoir, with a shimmering nightgown, an open jewelry case where chains and stones spilled gloriously onto a gleaming dressing table. "That's a lovely bit of female business, isn't it?"

"Yeah, if you're into that."

Magda swiveled back, smiling. "At one time I was desperately into that. But, a smart woman doesn't survive a fickle career like acting without regularly reinventing herself."

"What are you now?"

"Yes, yes," Magda murmured. "I like you very much. People ask me why I'm doing this, why I'm giving so much of it up. Do you know what I say?"

"No, what?"

"That I intend to live and to work for a great deal longer. Time enough to collect more." She gave that lusty laugh again, turned back to Eve. "That's true enough, but there's more. The Foundation's a dream of mine, a cherished one. Acting's been good to me. I want to pass it on, while I'm still around and young enough to enjoy it all. Grants, scholarships, facilities for all that new blood to swim in. It pleases me that a young actor or director might get his or her start from a break given in my name. That's vanity."

"I don't think so. I think it's wisdom."

"Oh. Now I like you even more. Ah, there's Vince, giving me the eye. My son," Magda explained. "He's handling the media and assisting in the security for this extravaganza. Such a demanding young man," she added, signaling across the room. "God knows where he got that particular trait. So that's my cue to get back to work." She rose. "I'm going to be in New York for the next several weeks. I hope we'll see each other again."

"That would be nice."

"Ah, Roarke, perfect timing." Magda turned to beam at him as he walked to the table. "I have to abandon your delightful wife as duty calls. I expect an invitation to dinner, very soon, so I can spend more time with both of you, and indulge in one of those spectacular meals your man arranges. What is his name?"

"Summerset," Eve said, lip curling.

"Yes, of course. Summerset. Soon," she said, and kissed both Roarke's cheeks before gliding off.

"You were right. I did like her."

"I was sure you would." As he spoke, he began to guide her smoothly toward the exit. "I'm sorry to interrupt your evening off, but we have some trouble."

"A problem with security? Somebody try to duck out with a pocketful of baubles?"

"No. It's nothing to do with theft, and everything to do with murder."

Her eyes changed. Woman to cop. "Who's dead?"

"One of the housekeeping staff, from what I'm told." He kept her arm, steered her toward a bank of elevators. "She's in the south tower, forty-sixth floor. I don't know the details," he said shortly before she could interrupt. "My head of hotel security just informed me."

"Have the police been contacted?"

"I've contacted you, haven't I?" Eyes grim, he waited while the elevator shot up to the south tower. "Security knew I was on site, and that you were with me. It was decided to inform me – and you – first."

"Okay, don't get testy. We don't even know if it's a homicide yet. People are always yelling murder at unattended deaths. Mostly they're accidents or natural causes."

The minute she stepped off the elevator, her eyes narrowed to slits. Too many people in the hallway, including one hysterical female in a housekeeper's uniform, lots of guys in suits, and several people who were obviously guests who'd popped out of their rooms to see what the commotion was.

She reached into her foolish little purse, pulled out her badge, and held it up as she strode forward.

"NYPSD, clear this area. You people go back in your rooms, anyone with hotel security stand by. And somebody deal with this woman here. Who's security chief?"

"That would be me." A tall lean man with a coffee-colored complexion and mirror-sheened bald head stepped forward. "John Brigham."

"Brigham, you're with me." Since she didn't have her master code, she gestured to the door.