If Wilfrid were going to be in at half-past five, she would come and see his ‘junk.’

His answer: “My God! Will you?” almost gave her pause. But dismissing hesitation with the thought: ‘I WILL be Parisian—Proust!’ she had started for her Club. Three-quarters of an hour, with no more stimulant than three cups of China tea, three back numbers of the ‘Glass of Fashion,’ three back views of country members ‘dead in chairs,’ had sent her forth a careful quarter of an hour behind her time.

On the top floor Wilfrid was standing in his open doorway, pale as a soul in purgatory. He took her hand gently, and drew her in. Fleur thought with a little thrill: ‘Is this what it’s like? Du cote de chez Swann!’ Freeing her hand, she began at once to flutter round the ‘junk,’ clinging to it piece by piece.

Old English ‘junk’ rather manorial, with here and there an eastern or First Empire bit, collected by some bygone Desert, nomadic, or attached to the French court. She was afraid to sit down, for fear that he might begin to follow the authorities; nor did she want to resume the intense talk of the Tate Gallery. ‘Junk’ was safe, and she only looked at him in those brief intervals when he was not looking at her. She knew she was not playing the game according to ‘La Garconne’ and Amabel Nazing; that, indeed, she was in danger of going away without having added to her sensations. And she couldn’t help being sorry for Wilfrid; his eyes yearned after her, his lips were bitter to look at. When at last from sheer exhaustion of ‘junk’ she sat down, he had flung himself at her feet. Half hypnotised, with her knees against his chest, as safe as she could hope for, she really felt the tragedy of it—his horror of himself, his passion for herself. It was painful, deep; it did not fit in with what she had been led to expect; it was not in the period, and how—how was she to get away without more pain to him and to herself? When she HAD got away, with one kiss received but not answered, she realised that she had passed through a quarter of an hour of real life, and was not at all sure that she liked it… But now, safe in her own room, undressing for Alison’s monthly, she felt curious as to what she would have been feeling if things had gone as far as was proper according to the authorities. Surely she had not experienced one-tenth of the thoughts or sensations that would have been assigned to her in any advanced piece of literature! It had been disillusioning, or else she was deficient, and Fleur, could not bear to feel deficient. And, lightly powdering her shoulders, she bent her thoughts towards Alison’s monthly.

Though Lady Alison enjoyed an occasional encounter with the younger generation, the Aubrey Greenes and Linda Frewes of this life were not conspicuous by their presence at her gatherings. Nesta Gorse, indeed, had once attended, but one legal and two literary politicos who had been in contact with her, had complained of it afterwards. She had, it seemed, rent little spiked holes in the garments of their self-esteem. Sibley Swan would have been welcome, for his championship of the past, but he seemed, so far, to have turned up his nose and looked down it. So it was not the intelligentsia, but just intellectual society, which was gathered there when Fleur and Michael entered, and the conversation had all the sparkle and all the ‘savoir faire’ incidental to talk about art and letters by those who—as Michael put it—“fortunately had not to faire”

“All the same, these are the guys,” he muttered in Fleur’s ear, “who make the names of artists and writers. What’s the stunt, to-night?”

It appeared to be the London debut of a lady who sang Balkan folk songs. But in a refuge to the right were four tables set out for bridge. They were already filled. Among those who still stood listening, were, here and there, a Gurdon Minho, a society painter and his wife, a sculptor looking for a job. Fleur, wedged between Lady Feynte, the painter’s wife, and Gurdon Minho himself, began planning an evasion. There—yes, there was Mr. Chalfont! At Lady Alison’s, Fleur, an excellent judge of ‘milieu’ never wasted her time on artists and writers—she could meet THEM anywhere. Here she intuitively picked out the biggest ‘bug,’ politico-literary, and waited to pin him. Absorbed in the idea of pinning Mr. Chalfont, she overlooked a piece of drama passing without.

Michael had clung to the top of the stairway, in no mood for talk and skirmish; and, leaning against the balustrade, wasp-thin in his long white waistcoat, with hands deep thrust into his trousers’ pockets, he watched the turns and twists of Fleur’s white neck, and listened to the Balkan songs, with a sort of blankness in his brain. The word: “Mont!” startled him. Wilfrid was standing just below. Mont? He had not been that to Wilfrid for two years!

“Come down here.”

On that half-landing was a bust of Lionel Charwell, K.C., by Boris Strumolowski, in the genre he had cynically adopted when June Forsyte gave up supporting his authentic but unrewarded genius. It had been almost indistinguishable from any of the other busts in that year’s Academy, and was used by the young Charwells to chalk moustaches on.

Beside this object Desert leaned against the wall with his eyes closed. His face was a study to Michael.

“What’s wrong, Wilfrid?”

Desert did not move. “You’ve got to know—I’m in love with Fleur.”

“What!”

“I’m not going to play the snake. You’re up against me. Sorry, but there it is! You can let fly!” His face was death-pale, and its muscles twitched. In Michael, it was the mind, the heart that twitched. What a very horrible, strange, “too beastly” moment! His best friend—his best man! Instinctively he dived for his cigarette case—instinctively handed it to Desert. Instinctively they both took cigarettes, and lighted each other’s. Then Michael said:

“Fleur—knows?”

Desert nodded: “She doesn’t know I’m telling you—wouldn’t have let me. You’ve nothing against her—yet.” And, still with closed eyes, he added: “I couldn’t help it.”

It was Michael’s own subconscious thought! Natural! Natural! Fool not to see how natural! Then something shut-to within him, and he said: “Decent of you to tell me; but—aren’t you going to clear out?”

Desert’s shoulders writhed against the wall.

“I thought so; but it seems not.”

“Seems? I don’t understand.”

“If I knew for certain I’d no chance—but I don’t,” and he suddenly looked at Michael: “Look here, it’s no good keeping gloves on. I’m desperate, and I’ll take her from you if I can.”

“Good God!” said Michael. “It’s the limit!”

“Yes! Rub it in! But, I tell you, when I think of you going home with her, and of myself,” he gave a dreadful little laugh, “I advise you NOT to rub it in.”

“Well,” said Michael, “as this isn’t a Dostoievsky novel, I suppose there’s no more to be said.”

Desert moved from the wall and laid his hand on the bust of Lionel Charwell.

“You realise, at least, that I’ve gone out of my way—perhaps dished myself—by telling you. I’ve not bombed without declaring war.”

“No,” said Michael dully.

“You can chuck my books over to some other publisher.” Michael shrugged.

“Good-night, then,” said Desert. “Sorry for being so primitive.”

Michael looked straight into his ‘best man’s’ face. There was no mistaking its expression of bitter despair. He made a half-movement with his hand, uttered half the word “Wilfrid,” and, as Desert went down, he went upstairs.

Back in his place against the balustrade, he tried to realise that life was a laughing matter, and couldn’t. His position required a serpent’s cunning, a lion’s courage, a dove’s gentleness: he was not conscious of possessing such proverbial qualities. If Fleur had loved him as he loved her, he would have had for Wilfrid a real compassion. It was so natural to fall in love with Fleur! But she didn’t—oh! no, she didn’t! Michael had one virtue—if virtue it be—a moderate opinion of himself, a disposition to think highly of his friends. He had thought highly of Desert; and—odd!—he still did not think lowly of him. Here was his friend trying to do him mortal injury, to alienate the affection—more honestly, the toleration—of his wife; and yet he did not think him a cad. Such leniency, he knew, was hopeless; but the doctrines of free-will, and free contract, were not to him mere literary conceptions, they were part of his nature. To apply duress, however desirable, would not be on his cards. And something like despair ravaged the heart of him, watching Fleur’s ingratiating little tricks with the great Gerald Chalfont. If she left him for Wilfrid! But surely—no—her father, her house, her dog, her friends, her—her collection of—of—she would not—could not give THEM up? But suppose she kept everything, Wilfrid included! No, no! She wouldn’t! Only for a second did that possibility blur the natural loyalty of his mind.