After seven generations it was at last beginning to look as if it belonged in this landscape of bullock carts and palm-trees and high, clear, star-heavy skies. Even the stained-glass window looking down on the staircase of King Charles the Headless had been, in an indefinable manner, naturalized. Very few of these old zamindar houses had survived the egalitarian depredations of the present, and accordingly there hung over Peristan something of the musty air of a museum, even though – or perhaps because – Mirza Saeed took great pride in the old place and had spent lavishly to keep it in trim. He slept under a high canopy of worked and beaten brass in a ship-like bed that had been occupied by three Viceroys. In the grand salon he liked to sit with Mishal and Mrs. Qureishi in the unusual three-way love seat. At one end of this room a colossal Shiraz carpet stood rolled up, on wooden blocks, awaiting the glamorous reception which would merit its unfurling, and which never came. In the dining-room there were stout classical columns with ornate Corinthian tops, and there were peacocks, both real and stone, strolling on the main steps to the house, and Venetian chandeliers tinkling in the hall. The original punkahs were still in full working order, all their operating cords travelling by way of pulleys and holes in walls and floors to a little, airless boot-room where the punkah-wallah sat and tugged the lot together, trapped in the irony of the foetid air of that tiny windowless room while he despatched cool breezes to all other parts of the house. The servants, too, went back seven generations and had therefore lost the art of complaining. The old ways ruled: even the Titlipur sweet-vendor was required to seek the zamindar's approval before commencing to sell any innovative sweetmeat he might have invented. Life in Peristan was as soft as it was hard under the tree; but, even into such cushioned existences, heavy blows can fall.

The discovery that his wife was spending most of her time closeted with Ayesha filled the Mirza with an insupportable irritation, an eczema of the spirit that maddened him because there was no way of scratching it. Mishal was hoping that the archangel, Ayesha's husband, would grant her a baby, but because she couldn't tell that to her husband she grew sullen and shrugged petulantly when he asked her why she wasted so much time with the village's craziest girl. Mishal's new reticence worsened the itch in Mirza Saeed's heart, and made him jealous, too, although he wasn't sure if he was jealous of Ayesha, or Mishal. He noticed for the first time that the mistress of the butterflies had eyes of the same lustrous grey shade as his wife, and for some reason this made him cross, too, as if it proved that the women were ganging up on him, whispering God knew what secrets; maybe they were chittering and chattering about him! This zenana business seemed to have backfired; even that old jelly Mrs. Qureishi had been taken in by Ayesha. Quite a threesome, thought Mirza Saeed; when mumbo-jumbo gets in through your door, good sense leaves by the window.

As for Ayesha: when she encountered the Mirza on the balcony, or in the garden as he wandered reading Urdu love-poetry, she was invariably deferential and shy; but her good behaviour, coupled with the total absence of any spark of erotic interest, drove Saeed further and further into the helplessness of his despair. So it was that when, one day, he spied Ayesha entering his wife's quarters and heard, a few minutes later, his mother-in-law's voice rise in a melodramatic shriek, he was seized by a mood of mulish vengefulness and deliberately waited a full three minutes before going to investigate. He found Mrs Qureishi tearing her hair and sobbing like a movie queen, while Mishal and Ayesha sat cross-legged on the bed, facing each other, grey eyes staring into grey, and Mishal's face was cradled between Ayesha's outstretched palms.

It turned out that the archangel had informed Ayesha that the zamindar's wife was dying of cancer, that her breasts were full of the malign nodules of death, and that she had no more than a few months to live. The location of the cancer had proved to Mishal the cruelty of God, because only a vicious deity would place death in the breast of a woman whose only dream was to suckle new life. When Saeed entered, Ayesha had been whispering urgently to Mishal: ‘You mustn't think that way. God will save you. This is a test of faith.’

Mrs. Qureishi told Mirza Saeed the bad news with many shrieks and howls, and for the confused zamindar it was the last straw. He flew into a temper and started yelling loudly and trembling as if he might at any moment start smashing up the furniture in the room and its occupants as well.

‘To hell with your spook cancer,’ he screamed at Ayesha in his exasperation. ‘You have come into my house with your craziness and angels and dripped poison into my family's ears. Get out of here with your visions and your invisible spouse. This is the modern world, and it is medical doctors and not ghosts in potato fields who tell us when we are ill. You have created this bloody hullabaloo for nothing. Get out and never come on to my land again.’

Ayesha heard him out without removing her eyes or hands from Mishal. When Saeed stopped for breath, clenching and unclenching his fists, she said softly to his wife: ‘Everything will be required of us, and everything will be given.’ When he heard this formula, which people all over the village were beginning to parrot as if they knew what it meant, Mirza Saeed Akhtar went briefly out of his mind, raised his hand and knocked Ayesha senseless. She fell to the floor, bleeding from the mouth, a tooth loosened by his fist, and as she lay there Mrs Qureishi hurled abuse at her son-in-law. ‘O God, I have put my daughter in the care of a killer. O God, a woman hitter. Go on, hit me also, get some practice. Defiler of saints, blasphemer, devil, unclean.’ Saeed left the room without saying a word.

The next day Mishal Akhtar insisted on returning to the city for a complete medical check-up. Saeed took a stand. ‘If you want to indulge in superstition, go, but don't expect me to come along. It's eight hours’ drive each way; so, to hell with it.’ Mishal left that afternoon with her mother and the driver, and as a result Mirza Saeed was not where he should have been, that is, at his wife's side, when the results of the tests were communicated to her: positive, inoperable, too far advanced, the claws of the cancer dug in deeply throughout her chest. A few months, six if she was lucky, and before that, coming soon, the pain. Mishal returned to Peristan and went straight to her rooms in the zenana, where she wrote her husband a formal note on lavender stationery, telling him of the doctor's diagnosis. When he read her death sentence, written in her own hand, he wanted very badly to burst into tears, but his eyes remained obstinately dry. He had had no time for the Supreme Being for many years, but now a couple of Ayesha's phrases popped back into his mind. God will save you. Everything will be given. A bitter, superstitious notion occurred to him: ‘It is a curse,’ he thought. ‘Because I lusted after Ayesha, she has murdered my wife.’

When he went to the zenana, Mishal refused to see him, but her mother, barring the doorway, handed Saeed a second note on scented blue notepaper. ‘I want to see Ayesha,’ it read. ‘Kindly permit this.’ Bowing his head, Mirza Saeed gave his assent, and crept away in shame.

With Mahound, there is always a struggle; with the Imam, slavery; but with this girl, there is nothing. Gibreel is inert, usually asleep in the dream as he is in life. She comes upon him under a tree, or in a ditch, hears what he isn't saying, takes what she needs, and leaves. What does he know about cancer, for example? Not a solitary thing.