There is a laugh from the invisible audience there, and even Rabbit sitting at home in his easy chair laughs, but underneath the laugh this final gag falls flat, maybe because everybody still thinks of Tonto as incorruptible, as above it all, like Jesus and Armstrong. "Bedtime, huh?" Rabbit says. He turns off the show as it unravels into a string of credits. The sudden little star flares, then fades.

Nelson says, "The kids at school say Mr. Fosnacht was having an affair, that's why they got divorced."

"Or maybe he just got tired of not knowing which of his wife's eyes was looking at him."

"Dad, what is an affair exactly?"

"Oh, it's two people going out together when they're married to somebody else."

"Did that ever happen to you and Mom?"

"I wouldn't say so. I took a vacation once, that didn't last very long. You wouldn't remember."

"I do, though. I remember Mom crying a lot, and everybody chasing you at the baby's funeral, and I remember standing in the place on Wilbur Street, with just you in the room beside me, and looking down at the town through the window screen, and knowing Mom was in the hospital."

"Yeah. Those were sad days. This Saturday, if Grandpa Springer has got the tickets he said he would, we'll go to the Blasts game."

"I know," the boy says, unenthusiastic, and drifts toward the stairs. It unsettles Harry, how in the corner of his eye, once or twice a day, he seems to see another woman in the house, a woman who is not Janice; when it is only his long-haired son.

One more beer. He scrapes Nelson's uneaten dinner into the Disposall, which sometimes sweetly stinks because the Penn Villas sewers flow sluggishly, carelessly engineered. He moves through the downstairs collecting glasses for the dishwasher; one of Janice's stunts is to wander around leaving dreggy cups with saucers used as ashtrays and wineglasses coated with vermouth around on whatever ledges occurred to her – the TV top, a windowsill. How can she be helping untangle Mildred's mess? Maybe out of the house she's a whirlwind of efficiency. And a heigh-ho Silver. Indian affairs. Poor Pop and his rumor. Poor Mom lying there prey to poison tongues and nightmares. The two of them, their minds gone dry as haystacks rats slither through. His mind shies away. He looks out the window and sees in dusk the black lines of a TV aerial, an aluminum clothes tree, a basketball hoop on a far garage. How can he get the kid interested in sports? If he's too short for basketball, then baseball. Anything, just to put something there, some bliss, to live on later for a while. If he goes empty now he won't last at all, because we get emptier. Rabbit turns from the window and everywhere in his own house sees a slippery disposable gloss. It glints back at him from the synthetic fabric of the living-room sofa and chair, the synthetic artiness of a lamp Janice bought that has a piece of driftwood weighted and wired as its base, the unnatural-looking natural wood of the shelves empty but for a few ashtrays with the sheen of fairgrounds souvenirs; it glints back at him from the steel sink, the kitchen linoleum with its whorls as of madness, oil in water, things don't mix. The window above the sink is black and as opaque as the orange that paints the asylum windows. He sees mirrored in it his own wet hands. Underwater. He crumples the aluminum beer can he has absentmindedly drained. Its contents feel metallic inside him: corrosive, fattening. Things don't mix. His inability to fasten onto any thought and make something of it must be fatigue. Rabbit lifts himself up the stairs, pushes himself through the underwater motions of undressing and dental care, sinks into bed without bothering to turn out the lights downstairs and in the bathroom. He hears from a mournful smothered radio noise that Nelson is still awake. He thinks he should get up and say good night, give the kid a blessing, but a weight crushes him while light persists into his bedroom, along with the boy's soft knocking noises, opening and shutting doors, looking for something to do. Since infancy Rabbit sleeps best when others are up, upright like nails holding down the world, like lamp-posts, streetsigns, dandelion stems, cobwebs . . .

Something big slithers into the bed: Janice. The fluorescent dial on the bureau is saying five of eleven, its two hands merged into one finger. She is warm in her nightie. Skin is warmer than cotton. He was dreaming about a parabolic curve, trying to steer on it, though the thing he was trying to steer was fighting him, like a broken sled.

"Get it untangled?" he asks her.

"Just about. I'm so sorry, Harry. Daddy came back and he just wouldn't let us go."

"Catch a nigger by the toe," he mumbles.

"What sort of evening did you and Nelson have?"

"A kind of nothing sort of evening."

"Anybody call?"

"Nobody."

He senses she is, late as it is, alive, jazzed up, and wants to talk, apologetic, wanting to make it up. Her being in the bed changes its quality, from a resisting raft he is seeking to hold to a curving course to a nest, a laden hollow, itself curved. Her hand seeks him out and he brushes her away with an athlete's old instinct to protect that spot. She turns then her back on him. He accepts this rejection. He nestles against her. Her waist where no bones are nips in like a bird dipping. He had been afraid marrying her she would get fat like her mother but as she ages more and more her skinny little stringy go-getter of a father comes out in her. His hand leaves the dip to stray around in front to her belly, faintly lovably loose from having had two babies. Puppy's neck. Should he have let her have had another to replace the one that died? Maybe that was the mistake. It had all seemed like a pit to him then, her womb and the grave, sex and death, he had fled her cunt like a tiger's mouth. His fingers search lower, touch tendrils, go lower, discover a moistness already there. He thinks of feathering the Linotype keys, of work tomorrow, and is already there.

The Verity Press lives on order forms, tickets to fund-raising dances, political posters in the fall, high-school yearbooks in the spring, throwaway fliers for the supermarkets, junk-mail sales announcements. On its rotary press it prints a weekly, The Brewer Vat, which specializes in city scandal since the two dailies handle all the hard local and syndicated national news. Once it also published a German-language journal, Der Schockelschtuhl, founded 1830. In Rabbit's time here they had let it die, its circulation thinned down to a few thousand farmers in odd comers of the county and counties around. Rabbit remembers it because it meant the departure from the shop of old Kurt Schrack, one of those dark scowling Germans with whiskers that look tattooed into the skin rather than growing out of it to be shaved. His hair was iron but his jaw was lead as he sat scowling in the corner that belonged only to him; he was paid just to proofread the Pennsylvania Dutch copy and hand-set it in the black-letter fonts no one else was allowed to touch. The borders, and the big ornamental letters used on the inside pages, had been carved of wood, blackened by a century of inky handling. Schrack would concentrate down into his work so hard he would look up at lunchtime and talk in German to Pajasek the Polish foreman, or to one of the two shop Negroes, or to one of the Angstroms. Schrack had been likable in that he had done something scrupulously that others could not do at all. Then one Monday he was let go and his corner was soon walled in for the engravers.

Der Schockelschtuhl has gone and the Vat itself keeps threatening to take its custom to one of the big offset plants in Philadelphia. You simply paste it up, ads and photos and type, and send it off. Over Verity hangs a future that belongs to cool processes, to photo-offset and beyond that to photo-composition, computerized television that throws thousands of letters a second onto film with never the kiss of metal, beamed by computers programmed even for hyphenation and runarounds; but just an offset press is upwards of thirty thousand dollars and flatbed letterpress remains the easiest way to do tickets and posters. And the Vat might fold up any week. It is certainly a superfluous newspaper.