She brought the LED around in a slow arc, level with her waist, faintly making out a panel of switches. She crossed to them and tried one. Behind her, overhead, several of the big halogens came on.

She turned and saw, not unexpectedly now, the fieldlike floor, empty save for Bobby’s GPS grid drawn in flour, churned and partially erased like chalk on a blackboard, where the table, chairs, and computers had been removed. She moved forward, stepping carefully, trying to avoid the white powder. There seemed to be a variety of prints, and quite a few of Bobby’s—or someone else’s, wearing those same ridiculous shoes, which seemed unlikely. There were beige filter tips, too, smoked down short and mashed flat against the concrete. Without picking one up, she knew that they’d be Marlboro.

She looked up at the lights, then back down at the prints and butts. “Bobby did a runner,” she said, recalling an expression of Inchmale’s.

Someone had removed the Safety Orange outline of Archie the squid.

She went out, avoiding touching the partially open green door. She got her computer out of its case in the trunk, woke it up, and while it booted, removed the Blue Ant helmet from its carton. With her right arm through the skeletal helmet and the PowerBook under her left, she closed the trunk and reentered the building. She opened the PowerBook and checked to see if that wireless network 72fofH00av, the one she’d accessed here before, had gone with Bobby. It had, but she’d expected that. She closed the laptop, tucking it under one arm as she fumbled to power up the helmet and put it on.

Archie was gone.

But the shipping container was still there, something glowing at its center, through wireframe.

She took a step forward and it vanished.

She heard a soft voice behind her, syllables not in English. She started to turn, then remembered to remove the helmet first.

A couple stood in the doorway, backlit by the sun. They were small people. The male held a broad-headed push broom. “Hola,” he said.

“Hello?” Walking toward them. “I’m glad you’re here. I’m just leaving. You can see they’ve left a mess.” Gesturing behind her with the arm she’d again thrust through the helmet.

The man said something in Spanish, gently but questioning, as she stepped past them. “Goodbye,” she said, not looking back.

A careworn silver-gray Econoline was parked beside the rented Passat. She used the transponder as she walked up to the car, quickly opening the door, getting in, helmet on the passenger seat, PowerBook on the floor, key in the ignition, pulling away, the dented rear doors of the Econoline in the mirror now, and then she was accelerating along Romaine.

B rotherman took the black packages down and loaded them into his truck, then the chair and ironing board, to be delivered to Vianca. She returned with Korean beefbowl. The three of them ate, silently for the most part, sitting in a row on Tito’s black-wrapped mattress, and then Brotherman and Vianca left.

Tito was alone with the mattress, the Bulgarian’s gun tucked beneath it, his toothbrush and toothpaste, the clothing he’d wear when he went to meet the old man, the old iron rack the clothing hung on, two wire hangers, his wallet, his telephone, the white cotton gloves he still wore, and three spare pairs of black socks he planned to tuck into the waistband of his loose black jeans.

His room had become larger, unfamiliar. The fossil imprints of plywood on the high ceiling were comfortingly unchanged. He brushed his teeth at the sink, decided to sleep in his jeans and long-sleeved T-shirt. When he turned off the light, the darkness was absolute and of no particular size. He got up and switched the light back on. He lay back down on the black-wrapped mattress, the plastic crinkling noisily, and placed one of the pairs of new black socks across his eyes. They smelled of fresh wool.

Then Alejandro rapped on his door in protocol, the rhythm utterly familiar. Removing the socks, Tito rolled off the mattress and rapped the response, waited for the answer, then opened the door. His cousin stood in the hallway, a set of keys in his hand, smelling faintly of alcohol, looking past Tito to the empty room. “It looks like a cell,” Alejandro said.

“You always said it did.”

“An empty one,” Alejandro said, stepping in and closing the door behind him. “I’ve been to see the uncles. I’m to brief you on tomorrow, but I’m here to tell you more than I’m supposed to.” He grinned, and Tito wondered how drunk he might be. “This way, you have no choice but to hear me.”

“I always listen.”

“Hearing is something else. Give me those socks.” Tito passed him the pair of unworn socks and he separated them, pulling one over either hand. “I’ll show you something.” He grasped the bar of the rack with his sock-covered hands. Alejandro pulled the rack partially over, bracing the wheeled base with his shoe to prevent it rolling. “Look underneath.”

Tito bent and peered under the ornately molded iron base. Something black, held there with tape. “What is it?”

“Mind your toes,” Alejandro warned, as he raised the bar, lowering the base to the floor again.

“What is it?”

“It picks up incoming and outgoing cellular traffic. Messaging. The Volapuk. When you receive the message to deliver the iPod to your old man, regardless of your number, they’ll have it.” Alejandro smirked, an expression from their boyhood.

“Who? Who are they?”

“The old man’s enemies.”

Tito thought of their previous conversations. “He is from the government? The CIA?”

“He was a counterintelligence officer, once. Now he is a renegade, a rogue player, Carlito says. Mad.”

“Mad?”

“It’s beside the point. Carlito and the others have committed the family to his operation. Have committed you. But you know that. You didn’t know about this bug,” indicating the rack, “but the uncles did. Family were watching when it was placed here, and more recently when the battery was replaced.”

“But do you know who put it here?”

“That’s complicated.” Alejandro crossed to the sink and propped himself against it. “Sometimes the closer to a truth one gets, the more complicated things become. The men in bars, who explain every dark secret of this world, Tito, have you noticed, no secret requires more than three drinks to explain. Who killed the Kennedys? Three drinks. America’s real motive in Iraq? Three drinks. The three-drink answers can never contain the truth. The truth is deep, cousin, and shifts, and runs away into the cracks, like the little balls of mercury we played with as children.”

“Tell me.”

Alejandro raised his hands, making puppets of the black socks. “‘I am an old man who once kept secrets for the government here,’” he said for the sock on the left, “‘but I detest certain policies, certain figures in the government whom I believe guilty of crimes. I am mad perhaps, obsessed, but clever. I have friends of a similar tendency, less mad perhaps and with more to lose. I find out secrets with their help, and plot to—’”

“Can it hear us?”

“No.”

“How can you be sure?”

“Carlito had a friend look at it. No mere wire. Something only the government has, illegal to possess.”

“Are they the government?”

“‘Contractors,’” he said for the sock on the right, “‘we are contractors. That is how things are done here now. We contractors, we work for the government, yes. Except,’” and the sock turned toward Tito and crumpled its mouth for emphasis, “‘when we don’t.’” Alejandro made the socks bow to one another, lowered them. “They are working for someone in the government, perhaps, but not on government business. But they don’t necessarily know that. They wouldn’t want to know that, would they? Sometimes these contractors find it most convenient to know nothing at all. Do you see?”