Jonathan swung out of bed. "Avoiding virgins is not only a matter of ethics with me. It's also a matter of mechanics. Virgins are hard on older men."

"O.K. Punish yourself. Deny yourself the delights of the flesh. See if I care." She followed him into the bathroom where she had to raise her voice to be heard over the roar of water into his Roman pool. "I really do care, you know. After all, someone'sgot to get me started."

He called from the toilet beyond. "Someone's got to collect the garbage too. But not me." He punctuated with a flush.

"Nice analogy!"

He returned to the bathroom and lowered himself into the hot water. "Why don't you get dressed and go make us a little breakfast."

"I want to be your lover, not your wife." But she returned reluctantly to the bedroom.

"And put your shirt on before you go down," he called after her. "You might meet Mr. Monk down there." Mr. Monk was the groundsman.

"I wonder if he'dbe willing to relieve me of this disgraceful chastity?"

"Not on what I pay him," Jonathan mumbled to himself.

"I assume you want your eggs raw," she called as she left.

After breakfast, she wandered about in the greenhouse garden while he brought the morning mail into the library, where he intended to do a touch of work. He was surprised and disturbed not to find the usual blue envelope from CII containing his cash payment. By routine, it was always placed by hand in his mailbox during the night after his return from a sanction. He was sure this was no oversight. Dragon was up to something. But there was nothing he could do but wait, so he went over his accounts and discovered that, after he had spent the ten thousand for the new Pissarro and paid his groundsman in advance for the summer, he would have very little left. There would be no lavish living this season, but he would get by. His major concern was that he had promised the underground art dealer in Brooklyn that he would have the money today. He decided to telephone and persuade him to hold the painting for an extra day.

"...so when canyou pick it up, Jonathan?" the dealer asked, his voice crisp with the overarticulated consonants of the Near East.

"Tomorrow, I imagine. Or the next day."

"Make it the next day. Tomorrow I take the family to Jones Beach. And you will have the twelve thousand we agreed on?"

"I will have the tenthousand we agreed on."

"It was only ten?" the dealer asked, his voice laden with grief.

"It was only ten."

"Jonathan, what am I doing? I am allowing my friendship for you to threaten the future of my children. But—a deal is a deal. I am philosophic. I can lose with grace. But make sure you bring the money before noon. It is dangerous for me to keep the item here. And also, I have another prospective buyer."

"You're lying, of course."

"I don't lie. I steal. There is another buyer. For twelve thousand. He contacted me today. So, if you don't want to lose the painting, be prompt. You understand?"

"I understand."

"Good. So! How is the family?"

"I'm not married. We go through this every time. You always ask me how the family is, and I always remind you that I am not married."

"Well, I am a forgetful man. Remember how I forgot it was only ten thousand? But seriously, you should get a family. Without children to work for, what is life? Answer me that."

"I'll see you in two days."

"I look forward to it. Be punctual, Jonathan. There is another buyer."

"So you told me."

For several minutes after he hung up, Jonathan sat gloomily at his desk, his spirits dampened by fear of losing the Pissarro. He wondered uneasily what was in Dragon's oblique mind.

"Feel like banging balls?" Cherry called from across the nave.

There was nothing to be gained by moping, so he agreed. The storm had rinsed the sky clear of clouds and the day was brilliant with sunlight. They played tennis for an hour, then they cut their thirsts with splits of champagne. She imitated his sacrilegious habit of drinking the wine from the bottle, like beer. Later they cooled off with a short swim. Cherry swam in her tennis togs, and when she came out, her shorts were nearly transparent.

"I feel like an Italian starlet," she remarked, looking down at the dark ecru outline through her wet shorts.

"So do I," he said, dropping down on the hot sand.

They small-talked while she let handfuls of sand seep from her fist onto his back. She mentioned that she was going to spend the weekend on the Point with some of her friends. She invited him to come along. He refused; her too-young and too-liberal friends bored him with their nomadic affections and catatonic minds.

A cool wind scudded down the beach, an omen that there would be rain again before evening, and Cherry, after proposing without much hope that Jonathan take her into the warmth of his bed, went home.

On his way back to the church, Jonathan caught sight of Mr. Monk, his groundsman. For a moment he considered backtracking to avoid encounter, but embarrassed at being cowed by an employee, he walked bravely onward. Mr. Monk was the best gardener on the Island, but he was not much sought after. Thoroughly paranoiac, he had developed a theory that grass, flowers, and shrubs were his personal enemies, out to get him by means as diabolic as they were devious. It was his practice to rip up weeds, trim hedges, or cut grass with sadistic glee and retributive energy, all the while heaping scatological abuse on the offending flora. As though to spite him, gardens and grounds flourished under his hand, and this he viewed as a calculated insult, and his hatred flowed the more freely.

He was growling to himself as he punished the edge of a flower bed with a spade when Jonathan approached diffidently. "How are things going, Mr. Monk?" he asked tentatively.

"What! Oh, it's you, Dr. Hemlock. Rotten! That's how things are going! These shitty flowers want nothing but water! Water, water, water! A bunch of turd-eating lushes, they are. Water heads! Say, what kind of swimming suit was that neighbor lady wearing? I could see right through to her boobs. A little cross-eyed, they were. You take a look at this spade! Near bent in half! That's how they make them these days! Not worth a tiny pinch of coon shit! I remember the time when a spade..."

Jonathan mumbled apologetically that everything looked fine, and he sneaked off toward his house.

Once under the cool and reassuring expanse of the vaulted nave, he discovered he was hungry. He compiled a lunch of macadamia nuts, Polish sausage, an apple, and a split of champagne. Then he smoked a pipe and relaxed, purposely not harkening for the ring of his telephone. Dragon would contact him when he was ready. Best just to wait for him.

To distract his thoughts, he went down to the gallery and passed some time with his paintings. When he had taken as much from them as he could just then, he sat at his desk and worked desultorily on the overdue Lautrec article, but it was no good. His mind returned to Dragon's intentions, and to the threatened Pissarro. Without putting it into words, he had known for some time that he could not continue working for CII. Conscience, of course, played no part in his growing disaffection. The only pangs he ever felt over killing a member of the scabby subculture of espionage were resentments at being brought into contact with them. Perhaps it was weariness. Tension, maybe. If only there were a way to support his lifestyle, his home, and his paintings without association with the Dragons and the Popes and the Melloughs...

Miles Mellough. His jaw set at the thought of the name. For nearly two years he had been waiting patiently for fate to give him a chance at Miles. He must not leave the cover of CII until that debt was attended to.