"Do you know what really makes me shiver?" said Adele. "All those high grades he gets. Always the highest. There's something frightening in those grades."

Mattia heard his mother sniff, once. She sniffed again, but now it sounded as if her nose were pressed up against something. He imagined his father taking her in his arms, in the middle of the living room.

"He's fifteen," said his father. "It's a cruel age."

His mother didn't reply and Mattia listened to those rhythmic sobs rising to a peak of intensity and then slowly ebbing, finally growing silent again.

At that point he walked into the living room. He closed his eyes slightly as he entered the beam of light. He stopped two steps away from his hugging parents, who looked at him in alarm, like two kids caught necking. Stamped on their faces was the question, how long had he been out there?

Mattia looked at a point midway between them. He said, simply, I do have friends, I'm going to a party on Saturday. Then he continued toward the hall and disappeared into his room.

The tattoo artist had eyed suspiciously first Alice and then the woman with the too dark skin and the frightened expression whom the girl had introduced as her mother. He didn't believe it for a second, but it was none of his business. He was used to tricks of that kind, and he was used to capricious teenage girls. They were getting younger and younger: this one couldn't be as much as seventeen, he thought. But he certainly wasn't in a position to refuse a job for a question of principle. He'd shown the woman to a chair, and she'd sat down and hadn't said another word. She had gripped her purse tightly in her hands, as if ready to leave at any moment, and looked everywhere except in the direction of the needle.

The girl hadn't flinched. He had asked does it hurt, because that's something you have to ask, but she had said no, no through clenched teeth.

He had recommended that she keep the gauze on for at least three days and to clean the wound morning and evening for a week. He had given her a jar of Vaseline and stuffed the money in his pocket.

Back home in the bathroom, Alice took off the white tape that held the bandage on. Her tattoo had been in existence for only a few hours and she had already peeked at it a dozen times. Each time she looked, a bit of the excitement dispersed, like a pool of shimmering water that evaporates beneath the August sun. This time she thought only of how red her skin had turned, all the way around the design. She wondered if her skin would ever regain its natural color and for a moment her throat tightened with panic. Then she banished that stupid anxiety. She hated the fact that her every action always had to seem so irremediable, so definitive. In her mind she called it the weight of consequences, and she was sure that it was another awkward piece of her father that had wormed its way into her brain. How she longed for the uninhibitedness of kids her age, their vacuous sense of immortality. She yearned for all the lightness of her fifteen years, but in trying to grasp it she became aware of the fury with which the time at her disposal was slipping away. The weight of consequences was becoming more and more unbearable and her thoughts began whirling faster and faster, in ever smaller circles.

She had changed her mind at the last moment. That was what she had said to the young man who had already turned on the whizzing machine and was bringing the needle to her belly: I've changed my mind. Unsurprised, he had asked her don't you want to do it anymore? Alice had said yes I want to. But I don't want a rose. I want a violet.

The tattooist had looked at her, puzzled. Then he had confessed that he didn't exactly know what a violet looked like. It's kind of like a daisy, Alice had explained, only with three petals at the top and two at the bottom. And it's violet in color. The tattooist had said okay and set to work.

Alice looked at the livid little flower that now framed her navel and wondered if Viola would understand that it was for her, for their friendship. She decided she wouldn't show it to her till Monday. She wanted to present it without any scabs, bright against her pale skin. She chided herself for not doing it earlier, so that it would have been ready for tonight. She imagined what it would be like to show it secretly to that boy she'd invited to the party. Two days before, Mattia had appeared in front of her and Viola, with that sunken air of his. Denis and I are coming to the party, he had said. Viola hadn't even had time to come up with an unpleasant remark before he was already at the far end of the hall, his back turned to them and head lowered.

She wasn't sure she wanted to kiss him, but it was all decided now and she would look like an idiot in front of Viola if she backed down.

She measured the precise point where the top of her underpants had to come to be able to see the tattoo but not the scar immediately below it. She slipped on a pair of jeans, a T-shirt, and a sweatshirt big enough to cover the lot-the tattoo, the scar, and the bumps of her hips-and then left the bathroom, to join Soledad in the kitchen and watch her make her special cinnamon dessert.

Denis took deep, long breaths, trying to fill his lungs with the smell of Pietro Balossino's car. A slightly sour smell of sweat, which seemed to emanate not so much from the people as from the fireproof seat covers, and from something damp that had been sitting there too long, perhaps hidden under the mats. Denis felt the mixture wrap around his face like a hot bandage.

He would happily have spent all night in that car, driving around the half-dark streets of the hill, watching the lights of the cars in the opposite lane strike his friend's face and then return it to the shadows, unharmed.

Mattia was sitting in the front, beside his father. To Denis, who had been secretly studying the absence of any expression on both their faces, it seemed that father and son had agreed not to utter a single word during the whole journey, and to ensure that their eyes didn't meet even by accident.

He noticed that they had the same way of holding objects, framing them with their fingers tensed, touching surfaces but not really resting on them, as if they feared deforming whatever they held in their hands. Mr. Balossino seemed to barely touch the steering wheel. Mattia's frightful hands traced the edges of the present that his mother had bought for Viola and which he now held on his knees.

"So you're in the same class as Mattia," Mr. Balossino forced himself to say, though without much conviction.

"Yeah," said Denis, in a shrill voice that seemed to have been trapped for too long in his throat. "We sit next to each other."

Mattia's father nodded seriously and then, his conscience assuaged, he returned to his thoughts. Mattia seemed not even to have noticed that scrap of conversation and didn't take his eyes off the window, through which he was trying to work out whether his perception that the dotted white line in the middle of the road was in fact a continuous line was due merely to his eye's slow response or to some more complicated mechanism.

Pietro Balossino braked a few feet away from the big gate of the Bai family's property and put on the hand brake as they were on a slight incline.

"She's pretty well off, your friend," he observed, leaning forward to see over the top of the gate.

Neither Denis nor Mattia admitted that they barely knew the girl's name.

"So I'll come back for you at midnight, okay?"

"Eleven," Mattia replied quickly. "Let's make it eleven."

"Eleven? But it's already nine o'clock. What are you going to do for only two hours?"

"Eleven," insisted Mattia.