Dominique turned to Keating with a glance so gentle that it could mean nothing but contempt.

"Now let's relax," she said. "We both know what Father is after, so it's perfectly all right. Don't let it embarrass you. It doesn't embarrass me. It's nice that you've got Father on a leash. But I know it's not helpful to you to have him pulling ahead of the leash. So let's forget it and eat our lunch."

He wanted to rise and walk out; and knew, in furious helplessness, that he wouldn't. She said:

"Don't frown, Peter. You might as well call me Dominique, because we'll come to that anyway, sooner or later. I'll probably see a great deal of you, I see so many people, and if it will please Father to have you as one of them — why not?"

For the rest of the luncheon she spoke to him as to an old friend, gaily and openly; with a disquieting candor which seemed to show that there was nothing to conceal, but showed that it was best to attempt no probe. The exquisite kindliness of her manner suggested that their relationship was of no possible consequence, that she could not pay him the tribute of hostility. He knew that he disliked her violently. But he watched the shape of her mouth, the movements of her lips framing words; he watched the way she crossed her legs, a gesture smooth and exact, like an expensive instrument being folded; and he could not escape the feeling of incredulous admiration he had experienced when he had seen her for the first time. When they were leaving, she said:

"Will you take me to the theater tonight, Peter? I don't care what play, any one of them. Call for me after dinner. Tell Father about it. It will please him."

"Though, of course, he should know better than to be pleased," said Keating, "and so should I, but I'll be delighted just the same, Dominique."

"Why should you know better?"

"Because you have no desire to go to a theater or to see me tonight."

"None whatever. I'm beginning to like you, Peter. Call for me at half past eight."

When Keating returned to the office, Francon called him upstairs at once.

"Well?" Francon asked anxiously.

"What's the matter, Guy?" said Keating, his voice innocent. "Why are you so concerned?"

"Well, I ... I'm just ... frankly, I'm interested to see whether you two could get together at all. I think you'd be a good influence for her. What happened?"

"Nothing at all. We had a lovely time. You know your restaurants — the food was wonderful ... Oh, yes, I'm taking your daughter to a show tonight."

"No!"

"Why, yes."

"How did you ever manage that?"

Keating shrugged. "I told you one mustn't be afraid of Dominique."

"I'm not afraid, but ... Oh, is it 'Dominique' already? My congratulations, Peter ... I'm not afraid, it's only that I can't figure her out. No one can approach her. She's never had a single girl friend, not even in kindergarten. There's always a mob around her, but never a friend. I don't know what to think. There she is now, living all alone, always with a crowd of men around and ... "

"Now, Guy, you mustn't think anything dishonorable about your own daughter."

"I don't! That's just the trouble — that I don't. I wish I could. But she's twenty-four, Peter, and she's a virgin — I know, I'm sure of it. Can't you tell just by looking at a woman? I'm no moralist, Peter, and I think that's abnormal. It's unnatural at her age, with her looks, with the kind of utterly unrestricted existence that she leads. I wish to God she'd get married. I honestly do ... Well, now, don't repeat that, of course, and don't misinterpret it, I didn't mean it as an invitation."

"Of course not."

"By the way, Peter, the hospital called while you were out. They said poor Lucius is much better. They think he'll pull through." Lucius N. Heyer had had a stroke, and Keating had exhibited a great deal of concern for his progress, but had not gone to visit him at the hospital.

"I'm so glad," said Keating.

"But I don't think he'll ever be able to come back to work. He's getting old, Peter ... Yes, he's getting old ... One reaches an age when one can't be burdened with business any longer." He let a paper knife hang between two fingers and tapped it pensively against the edge of a desk calendar. "It happens to all of us, Peter, sooner or later ... One must look ahead ... "

Keating sat on the floor by the imitation logs in the fireplace of his living room, his hands clasped about his knees, and listened to his mother's questions on what did Dominique look like, what did she wear, what had she said to him and how much money did he suppose her mother had actually left her.

He was meeting Dominique frequently now. He had just returned from an evening spent with her on a round of night clubs. She always accepted his invitations. He wondered whether her attitude was a deliberate proof that she could ignore him more completely by seeing him often than by refusing to see him. But each time he met her, he planned eagerly for the next meeting. He had not seen Catherine for a month. She was busy with research work which her uncle had entrusted to her, in preparation for a series of his lectures.

Mrs. Keating sat under a lamp, mending a slight tear in the lining of Peter's dinner jacket, reproaching him, between questions, for sitting on the floor in his dress trousers and best formal shirt. He paid no attention to the reproaches or the questions. But under his bored annoyance he felt an odd sense of relief; as if the stubborn stream of her words were pushing him on and justifying him. He answered once in a while: "Yes ... No ... I don't know ... Oh, yes, she's lovely. She's very lovely ... It's awfully late, Mother. I'm tired. I think I'll go to bed ... " The doorbell rang.

"Well," said Mrs. Keating. "What can that be, at this hour?" Keating rose, shrugging, and ambled to the door. It was Catherine. She stood, her two hands clasped on a large, old, shapeless pocketbook. She looked determined and hesitant at once. She drew back a little. She said: "Good evening, Peter. Can I come in? I've got to speak to you."

"Katie! Of course! How nice of you! Come right in. Mother, it's Katie."

Mrs. Keating looked at the girl's feet which stepped as if moving on the rolling deck of a ship; she looked at her son, and she knew that something had happened, to be handled with great caution.

"Good evening, Catherine," she said softly.

Keating was conscious of nothing save the sudden stab of joy he had felt on seeing her; the joy told him that nothing had changed, that he was safe in certainty, that her presence resolved all doubts. He forgot to wonder about the lateness of the hour, about her first, uninvited appearance in his apartment.

"Good evening, Mrs. Keating," she said, her voice bright and hollow. "I hope I'm not disturbing you, it's late probably, is it?"

"Why, not at all, child," said Mrs. Keating.

Catherine hurried to speak, senselessly, hanging on to the sound of words:

"I'll just take my hat off ... Where can I put it, Mrs. Keating? Here on the table? Would that be all right? ... No, maybe I'd better put it on this bureau, though it's a little damp from the street, the hat is, it might hurt the varnish, it's a nice bureau, I hope it doesn't hurt the varnish ... "

"What's the matter, Katie?" Keating asked, noticing at last.

She looked at him and he saw that her eyes were terrified. Her lips parted; she was trying to smile. "Katie!" he gasped. She said nothing. "Take your coat off. Come here, get yourself warm by the fire."

He pushed a low bench to the fireplace, he made her sit down. She was wearing a black sweater and an old black skirt, school-girlish house garments which she had not changed for her visit. She sat hunched, her knees drawn tight together. She said, her voice lower and more natural, with the first released sound of pain in it: