27
Jack was arranging his expedition to Colac and he could not leave the telephone alone. His deafness made him bellow. When he was engaged in telephoning the whole house stood still and waited for him to finish. It was a big house, but even in the music room you could not escape his optimism. He did not give a damn for the expense. He talked on and on.
In the midst of all this, the roof above Phoebe's bed had begun to leak. Jack was too excited to give much of his mind over to such a mundane thing.
"It's a tile come off," Jack said, still puffing from the exertion of his phone call and putting four spoons of sugar in his tea, "that's all."
Phoebe said nothing.
"Mr Johnstone used to do the tiles," Molly said. "But he's dead, at Gallipoli, and he borrowed your bicycle," she told her daughter, "so he could go up to Ryrie Street to enlist. Do you remember, Jack? Do you remember Bob Johnstone coming here to borrow Phoebe's bike? I said to him, you'll look funny, a big man like you on a girl's bicycle, but he didn't seem to worry."
"It's hard to get a man to do one tile," Jack said. "I'll get up in the weekend, when I come back from Colac."
"I'll do it," I said. "Let me."
"We couldn't," Molly said, "could we, Jack?"
"No," Jack said, "we couldn't." His mind, however, was on other things.
I smiled. They all (except Phoebe) smiled in return.
"I am not frightened of heights," I said (I looped the loop in the skies of their imagination). "Just tell me where the ladder is."
It was late March and the morning had a fresh edge to its sunlight. When I folded my napkin and placed it on the table it looked, with its eggshell white and blue shadows, like a detail from a painting by the impressionist Dussoir.
28
Phoebe lay on her bed. It was five minutes past nine on the monstrous black clock her father had given her for her fifteenth birthday. She could hear me on the roof above her bed. She stood. Her feet were bare. Her mother did not like her to have bare feet, but her mother had taken Bridget to the market in Moorabool Street and as Phoebe stepped out on to the veranda she looked forward to the cool feeling the wet dewy grass would give her unnaturally hot feet.
At the back of the house there was an old fig tree, an easy-climbing tree whose branches now shaded the roof of the back veranda. When she was younger she had played in it. Now she could walk up the branch without so much as stopping. She ran lightly across the veranda roof and crawled, loose as a cat (arched back, purring) to the next ridge.
I was somewhere in the next valley, fiddling inexpertly with wire and pliers. In a moment I would look up and see, perched on the ridge above me, a beautiful young woman with hair the colour of copper, her bare legs dangling towards me, her face a shaded secret, dark against the pale blue morning sky.
I sucked in my breath. I stood there, staring.
I stopped breathing. I put down the pliers. They made a small noise (clink) against the tiles.
Did I speak? Later I tried to remember. Probably I said "come" in my mind, silently, and motioned with my hand. She came down the ridge, that steep face of red tiles, standing up, her lovelyfeet sure-footed. Only the blind eyes of the empty tower looked down on us.
I will go to my grave remembering the high flush in her face as she came to me, the cool of her arm (hot and cold) and, oh my God, such a kiss. I would have been content, would have ventured no further than the kiss (it was a meal, a feast in itself) but Phoebe had not come climbing trees and roofs merely to taste my mouth and stare at my glittering eyes, and when I felt those fingers like birds' wings fluttering at the buttons of my fly I closed my eyes and moaned. The pliers skipped across the tiles and clattered down into the box gutter in the valley.
Her eyes were a match for mine. They did not falter or flutter, but gazed straight back. She undressed me and I did not fight or attempt to assert the masculine prerogative. She undressed me to my farmer's body: tanned arms, tanned neck, and the blue-white skin traced by veins and, most curious of all, a hard but soft-skinned penis with its toadstool head and its great blue vein stretching along its length. She had talked with Annette about men's organs and how they would look, but nothing had prepared her for the softness, the baby skin stretched so tight.
When she touched me with her finger, I moaned ("So sweetly," she with her lips, just brushed me, silk on silk.
Somewhere, in another world, a door slammed.
I straightened her and removed her dress, a dress left over from a younger summer with daisies repeated on a blue field. I lay the dress against the slope of the roof and she lay there quickly before the dress slid down the slope. The tiles were rough on her back, hurt but did not hurt. She had a mole on her shoulder. She thought my penis was silky and strong. I knelt before her. She took it in her hand and introduced it, ever so gently, into her.
When she hurt, her mouth opened and her green eyes went wide. My left knee was on a roll of copper wire, my right on tiles. I trembled. My eyes never left her. She thought I was a Phoenician with a bow to my bottom lip. She sent the pain away, dismissed it, pulled me to her and felt like she had felt on the day she discovered surf, fear and pleasure, pulled this way, tumbled that without being able to control or understand it; but there was also a place in the water where you melted into it and she found the place and gave herself over to it until the swoon, the swoon she had felt in Annette's arms started to approach like a cloud of distant bees.
"Mr Badgery!" Down below us, unseen, Molly McGrath, in apron, her arms full of snapdragons.
"Yes," I called. "Yes."
"Would you like a cup of tea when you've finished?"
Phoebe giggled. I placed my hand across her mouth, but gently.
"Thank you, Mrs McGrath."
We smiled at each other and she nibbled the fingers of my censoring hand, but her mother's voice had changed me and I moved swiftly, thrust guiltily, made love to her like a thief with the eyes of the tower glaring down on me.
I reared back suddenly.
Phoebe watched the semen spurt in the sunlight. I held her hand. She looked at the cloudy sperm, red tiles. As she scrambled for her clothes, she did not have time to think about how she felt.
"You go first," she told me. "Go and have tea with her." The first words she'd spoken to me in eight weeks.
"What about the ladder?"
"I don't need a ladder."
Phoebe McGrath kissed Herbert Badgery. She kissed him on the nose. She kissed him on his Phoenician's mouth.
And then I was gone, scurrying off like a burglar, leaving behind my pliers and my wet cloud of semen. Phoebe tried to think what she felt but could not touch what it was. The semen on the roof looked like mucus from your nose, yet it was full of life. It was dying in the sun where no one could see it.
She put her finger in it and wrote "Phoebe loves Herbert" on a tile.
She held her finger to her nose. It smelt like flour and water.