I did not even get my lips to open.

"I am here to make a quid," said Cocky Abbot Senior, ignoring me and addressing unhappy Jack. "I would not have come for anything else. I would not have risked my life in that machine for amusement or politics. It was only to make a quid."

"But you can make a quid, Mr Abbot," I said. "There is a good quid to be made by us selling aircraft to Australians. That is the point. This is the country for the aeroplane, Mr Abbot, not Europe."

"I must say", Oswald-Smith said sternly, "that I had no intention of investing my money in a political party."

"This is not a political party." My voice rose in frustration. "I could not give a fig for politics." And as far as I understood politics, I was right. It was an understanding I shared with the shivering sergeant in the street outside, a man who had killed an officer and would not join a union.

"It sounds like politics to me," said Oswald-Smith. "Why do you have this chip on your shoulder about the English? Dear God, you are English. You talk English. You look English. You have an English name."

"Not a chip on my shoulder," I said, relieved that Oswald-Smith would at least look at me. "Common sense. Anyone can see that the English are as big a pest as the rabbit. No offence, but they're identical. They come here, eat everything, burrow under, tunnel out -look at Ballarat or Bendigo – and when the country is rooted…" I faltered, "it'll be rooted."

"Watch your language," said Cocky Abbot Junior, retrieving his fist.

But Oswald-Smith was a more complete Imaginary Englishman than Cocky Abbot Junior and felt relaxed enough to be amused by this analogy. In fact he was now amused by the whole turn of events and was pleased, more than ever, that he had come. "It makes no sense to the rabbit, surely," he said, "for when the country is," he paused and smiled, "rooted, there will be nothing left for it."

"Then they'll get on boats and go home and leave their tunnels and heaps behind."

"Rabbits? On boats?" Oswald-Smith smiled at the fancy.

"Oh, for God's sake, man, this isn't an argument about rabbits. It's about aeroplanes."

"If you two would shut up for a moment," said the older Cocky Abbot, as much irritated with Oswald-Smith as he was with me, "I'd like to say something. The first is I couldn't care if you was a German from Jeparit and I don't mind what you vote about. You can stand on your soap box till the cows come home. The second is I don't think you know a thing about rabbits. And the third thing is I'd like to listen to Jack McGrath, our host, who has had to put up with all this bulldust about rabbits. I'd like to hear Jack tell us how all this is going to make us a quid. And fourth, son," he told me, "I'd like you to shut up and listen."

I pointed a straight finger at him. "I'll be right back," I said.

I strode from the room.

"Come on, Jack," Cocky Abbot said. "What's it to be?"

But Jack felt ill and his deep depression, normally kept at bay by the company of other men, pushed its way into the room and claimed him in public.

"Come on, Jack," said old Cocky Abbot kindly, "let's have a look at what you want."

But Jack could be persuaded to say nothing, and Oswald-Smith, who had been entranced by the scene he had chanced upon, now wondered where Molly had hung his overcoat.

Whilst dining on goose Phoebe had seen Mrs Kentwell attack the Morris Farman with her umbrella. It had done no more damage than a knife in water. The craft was a figment, a moth attracted by the electric light of the house. It was Mrs Kentwell's natural enemy and the old hag had recognized it, gone to battle, and discredited herself.

Mrs Kentwell, Phoebe thought, would have no allies in this house. She had attacked the dream and proclaimed herself mad.

Phoebe retired to a chair in the music room and wrote, triumphantly, in her erratic left hand: "Nor shall the bosom proud, / Be hid with shame."

Tomorrow, please God, Herbert Badgery would permit her to fly with him to Barwon Common. She had chosen a scarf. ("Vermilion wraps the And then, if he still wanted to, she would go with him to the She was recording these intentions in her notebook when I burst from the meeting in the dining room and strode down the passage.

She assumed I was going to get the snake, that a performance had been called for.

She tucked her notebook inside her sling and was waiting in the passage as I rushed back carrying the snake. When she saw me she knew that something was wrong, and the snake looked like some writhing demon exorcized from my guts, the source of the twisting emotions hinted at in my angry face.

"I love you," I said, so loudly that she thought her mother, hunched over the wireless in the next room, must surely hear.

She fled to her bedroom and closed the door. When her mother did not appear she took out her notebook and began to write again, attempting to cage the snake with rhymes.

"This", I said, as I walked back into the dining room, "is a true Australian."

Oswald-Smith stood up, and then sat down again. Jack stayed at the table shaking his head.

"Ha," I said. "Ha." I threw the snake at young Cocky Abbot who leapt into the air and knocked over the chair he had been sitting on. He scrambled backwards and stood on a wingback chair.

The snake landed where his lap had been. It looked angry and nasty. I cared for nothing. I was beyond it. I picked up the snake without looking at it. I held it behind its neck and at the tail.

"You cannot make this a good little bunny," I told the silent men in the room, "no matter what you say to it, no matter what you feed it. You cannot buy it or tame it or make it nice."

I swung the snake by the tail towards Cocky Abbot Junior and the snake, beside itself with rage, struck out and got a fang into the farmer's scarf and when it was pulled away the scarf came with it, poison soaking into the warp and weft of top quality merino wool.

"Bow," I said to young Cocky Abbot.

Jack moaned. Oswald-Smith pushed his chair back a fraction, closer to the window.

"Bow", I bellowed, "to a true Australian snake."

Young Cocky Abbot tried to look threatening but lacked the conviction. He went down on his knife-point creases and did not have to be told to put his head on the ground.

"Now," I said, "you understand something."

My voice softened a little, and the farmer, having looked upwards carefully, retreated slowly into the wingback chair.

I then addressed the gathering with a friendliness that doubtless struck them as strange. "This snake", I explained, "has been in gaol. It is a mean bastard of an animal and it cannot be bought."

"What are you trying to say?" Young Cocky Abbot tried, without much luck, to combine sarcasm and servility in one intonation.

"I'm trying to say I'm an Australian," I said, "and we should have an Australian aeroplane."

Cocky Abbot Senior now shook his head. He stood. He knew when a man had lost his strength. It had all gone from me now. I stood there in the middle of the room, as if I'd pissed my pants and was ashamed of it.

"I came here to talk to Jack about making a quid," Cocky Abbot Senior said. "I didn't come here to listen to some ratbag and I didn't come here to see a circus with snakes. I would have put my money into this scheme of yours but you've done me a favour by showing me what a ratbag you are so early so I'm saved the horrible discovery later on when you've got your oily mits on the dough I worked so hard to make. I'm inclined to punch you in the nose, snake or no snake, but I think I'd rather ask Mr Oswald-Smith if he'd give us a lift in his auto to the Criterion Hotel."

He went to Jack McGrath and shook his hand. "I'll see you again, Jack," he said, "but my advice to you is to get this bugger out of your house before he does some real damage."