"You are famous," he said. "First they talk about nothing else but how little you talk. Then it is all about how much you work. Now you have given them a smell. They love you."

Leah heard a clatter on the stairs, fast whispers, and then heavy brogues marching across the linoleum in the front hall.

Izzie grinned. "See what excitements you produce. They never talked to each other before you came. Mrs Heller only wanted to remember her husband the Police Commissioner and tell everyone how nice it is to have servants – 'When I had servants my skin was beautiful.' And the students were dull and made toast because they had nothing to say."

He talked on and on. Leah had never heard, she thought, somebody use so many words in all her life, not even Wysbraum, nor seen anyone who made such a confusing, contradictory impression of confidence and shyness. For while his words were so confident (so interesting, so light, with a rhythm like soft erratic rain) his body looked as if it feared rejection – the small feet moved to and fro, the hands clasped each other and the dark eyes could not hold hers for more than an instant. The effect was puzzling but, on the whole, pleasing.

He came to look over her shoulder at the dogfish.

"We are having a meeting about Germany" he said, "tonight. Would you like to come?"

Leah imagined castles on the Rhine.

Rosa Kaletsky opened her eyes and surveyed her backyard. It was an untidy place, graceless, with concrete paths. A rusting caravan occupied the centre of the lawn. A clothes-line ran across one corner, above some roses which the sheets now tangled with. Forty-four-gallon drums containing scrap metal stood on either side of the high gate in the paling fence, and Leah Goldstein, when she entered this world fifteen minutes later, would be shocked at its untidiness, the weeds amongst the cabbage bed, the rusting tricycle tangled amongst the passion-fruit. But Rosa, sitting on the cracked concrete step, smelt the salt from Bondi Beach, the lovely perfume of her drying sheets, and when she opened her eyes she saw green oranges and the splendid glow of copper appearing in the verdigrised cauldron her husband was now polishing with Brasso.

Izzie was bringing a girl to meet them and Rosa was at once curious, impatient and also irritable that she would have to surface from her pleasant reverie in the sun. She was a well-preserved woman in her early fifties, large-boned and well proportioned. And although her frock was an old one and her hair was tangled and needed a brush, she could still be said to be a beauty.

"I'm going to give Bo a bath," she said, but did not move. She was looking at the sky between the leaves of the orange tree and imagined she could see the light of the shining copper bathing the green fruit.

"I should get changed," she said a moment later. "And so should you," she told her husband. "Those shorts." But she smiled. "If you must wear shorts you should get your legs brown."

Lenny Kaletsky didn't answer her. He was immersed in the great copper cauldron which stood on a heavy cast-iron base. What sort of scrap-metal dealer, she thought, brings home a bit of junk to polish because it is beautiful? "Mark must have laughed at you," she said.

Lenny looked up and grinned. He had a mass of grey hair and owl-like eyebrows the colour of nicotine. His face was crumpled, like a paper bag. He was broad-shouldered and chested, but his legs were thin, like a cocky little sparrow, Rosa thought. He was shorter than Rosa by a good two inches and looked older. In their early days together, when they were both show people, travelling the tent shows in the country towns, when she had been Rosalind and he Leonard, he had never shown this interest in beautiful things. She had had to teach him how to dress.

Rosa yawned. "I must get changed." Then (was it so late?) she heard the squeak of the front gate. She suddenly felt irritated and not interested in having to talk to anyone and so watched the girl – the first girl this son had brought home -silently, a little critically. She admired the austerity of her beauty, the simple grey silk dress which, she thought, would scandalize her son if he knew how much such simplicity cost. She offered her cheek to Izzie and told him he was too pale. Did he bring this girl home, she wondered, because she was a Jew? They gathered around the cauldron while Bo jumped up on Izzie and then sniffed the girl's shoes.

Izzie was teasing his father.

"Melt it?" said Lenny, smiling at the girl. "Melt a thing like this? An heirloom?" He said nothing of the other thirty cauldrons they would have already melted. Before the day was over he would be showing off, eating fire or bending an iron bar.

"It is disgusting," Rosa said. She was doubly irritable because she did not want to be. "If you say it is beautiful you're not thinking. You would not say it is beautiful if you had to work over it every day."

The girl's grey eyes looked at her with alarm, and then away.

"Ah," Izzie nudged his father, "the Marxist critique."

"A Marxist, perhaps," said Rosa, standing, trying to smile. "A communist, no. Don't you make fun of me." She ruffled her son's head. "You wishy-washy. Look at your clothes. Do you think they make you more appealing? Come and sit with me, Leah. In the sunshine. Leah dresses nicely," she told the men who were standing, as usual, in the shade. "Sit here, the concrete is clean. Have you noticed", she asked the girl, "that the left are always drab? When I was in the Party they thought I was frivolous. They did not trust me because of my dresses."

"Don't listen to her, Leah," Lenny called. "This is her hobby-horse."

"They dressed like they had no hope. It is capitalism, I told them, that is bleak, not socialism. When there is a revolution the people should wear wonderful clothes, streamers, flags, balloons. It should be full of joy and love, not look like a funeral. Do you like picnics?"

Leah Goldstein smiled. "Yes, I do, very much."

"Would you like to come for a picnic with me, one day when you are free?"

"Yes."

"Good," said Rosa smiling, "now I am cheered up," and she laughed. "I apologize for my mood."

The two women sat on the concrete step smiling at each other.

Leah Goldstein would leave the Kaletskys that night with a splitting headache. She had laughed too much, heard too much, eaten too much peculiar food. There had been discord, vulgarity, and such shifts in mood, from sombre to carefree and back again, that she became lost and dizzy. She had drunk a glass of sweet wine on the grass beneath the orange tree, patted the dog, and heard Rosa's life story, how her young mother had run away from her father and walked all the miles from Poland to Vienna, how they had arrived to find her mother's uncle all packed to go to Australia and how they had gone too. Her uncle, a cultured man, had disliked Australia and within a year he was packing all his books again and dragging his family across the seas, this time to Palestine. Rosa's mother had wanted to go, but the uncle would not pay – she had taken a goyim for a lover and was out of favour. Later the goyim left but she had found another, a man who ate fire for a living. The story went on and on, while the men, sitting in the shade with a bottle of beer, called out their teasing comments.

Rosa had left the Communist Party when they turned on Trotsky and talking about this she began, quite inexplicably, to cry and Leah, bewildered, quite out of her depth, could do nothing to comfort her but pat – she felt so inadequate – the back of her hostess's honey-coloured hand while the dog leapt up and licked her face.

Then Lenny announced he would bend a bar of steel between his teeth and Rosa stopped crying and began teasing him, saying he was an old man trying to impress a young girl and Leah blushed and became uncomfortable. She looked at Izzie who was sitting on the laundry steps, and he smiled at her, and raised his eyebrow in the direction of his cock-sparrow father who was, at that moment, fossicking in one of the rusty forty-four-gallon drums, looking for a piece of suitable iron.