As the last of the light was going out of the sky she heard Niolopua calling her name, and went out onto the veranda to find him standing at the bottom of the lawn pointing out to sea.

There was The Samarkand. Even though its sails were little more than white specks against the darkening blue, Rachel knew without a doubt it was Galilee's vessel. For an aching moment she imagined herself on deck with him, looking back at the island from the sea. The stars coming out overhead; the bed below, waiting for them. She indulged the romance for a moment only, then told herself to stop it.

Even so, she couldn't turn her back on the ocean; not until he'd gone. She watched the boat get smaller and smaller, until at last it was utterly eroded by distance and darkness. Only then did she look away.

So that's the end of it, she thought. The man she'd fleet-ingly imagined might be her prince had gone. And what a perfect departure he'd made, carried away by the tide; who knew where?

Still she didn't weep. Her prince was gone, and she didn't weep. Yes, there was regret. Of course there was regret. However long she lived, she'd never stop wondering what would have happened if she'd better navigated the shoals of his nature; wonder what kind of life they might have had together in his house on the hill.

But there was something else besides regret: there was anger. That, she finally decided, was what kept the tears from coming: her fury at the way life piled hurt on hurt.. It dried her eyes the moment they moistened.

Margie's methodology had been much the same, hadn't it? By turning spite into an art form, by pronouncing loudly on the meaninglessness of life, Margie kept herself functioning.

That's how things would have to be for Rachel from now oh. She'd have to learn to be just like Margie.

God help them both.

So Galilee sailed away; I cannot tell you where. If this were a different kind of book I might well invent the details of his route, culled from books and maps. But in doing so I would be trading on your ignorance; assuming you wouldn't notice if I failed to get the details right.

It's better I admit the truth: Galilee sailed away, and I don't know where he went. When I dose my eyes, and wait for an image of him to come I usually find him sitting on the rolling deck of The Samarkand looking less than happy with his lot. But though I've searched the horizon for some due as to his whereabouts I see only the wastes of the ocean. To an eye more canny than mine perhaps there are dues even here, but I'm no sailor. To me, one seascape looks much like the next.

I will confess that I tried to apply what I thought would be simple logic to the question. I took down from the shelves several maps I'd been given over the years (the older ones may even have belonged to Galilee himself; long before he left to wander the world, he loved to trace imaginary journeys) and having spread them out on the floor of my study I walked among them with a book on celestial navigation in one hand and a volume on tides and currents in the other, trying to plot the likeliest course for The Samarkand to have taken. But the challenge defeated me. I set his course north past the island (that much I remember seeing, through Rachel's eyes); I began to calculate the prevailing winds at that time, and set The Samarkand before them, but I became hopelessly distracted by the very charts that were supposed to be anchoring my imagination. They were, as I said, old charts; made at a time when knowledge was not so vigorously (some would say calamitously) divided from the pleasures of fancy. The makers of these maps had seen nothing wrong with adding a few decorative touches here and there: filigreed beasts that rose out of the painted ocean to foam at passing ships; flights of windy angels poised at every quarter, with streaming hair and trumpeters' cheeks; even a great squid on one of the maps with eyes like twin furnaces and tentacles (so the note informed me) the length of six clippers. In the midst of such wonders, my pathetic attempts at rational projections went south. I left off my calculations and sat in the midst of the maps like a man trading in such things, waiting for a buyer.

Galilee had been in love before, of course, and survived to tell the tale. But he'd only once before been in love with a Geary, and that made all the difference in the world. Loving a woman who belonged in the family of your enemy wasn't wise; there were plenty of tragedies that testified to that. And in his experience love always ended up a bitter business. Sweet for a time yes, but never for long enough to justify the consequences: the weeks of self-recrimination, the months of lost sleep, the years of loneliness. Every time a romance ended, he'd tell himself that he'd never fall again. He'd stay out at sea, where he was safe from his own appetites.

What did he want from love anyway? A mate or a hiding place? Both perhaps. And yet hadn't he raged again and again against the witless contentment of his animal self, smug in its nest, in its ease, in the comfort of its own dirt?

He hated that part of himself: the part that wanted to be wrapped in the arms of some beloved; that asked to be hushed and sung to and forgiven. What stupidity! But even as he railed against it, fled it, out to sea, he shuddered at the thought of what lay ahead, now that love was gone again. Not just the loneliness and the sleepless nights, but the horror of being out in the fierce, hard light that burned over him, set there by his own divinity.

As he guided The Samarkand out into the ocean currents, he wondered how many more times he'd be able to sail away before the toll of partings became intolerable. Perhaps this was the last. That wouldn't be such a terrible oath to take: to swear that after Rachel there'd be no more seductions, no more breaking of hearts. It would be his mark of respect to her, though she'd never know he'd made it: to say that after her there would only be the sea.

That said, he couldn't readily put the woman from his mind. He sat out on deck through the night, while The Samarkand was carried further and further from land, thinking about what had passed between them. How she'd looked, lying in the carved bed that first night; how she'd talked to him as he told the story of Jerusha and the river-man, asking questions, prodding him to make the story better, finer, deeper. How she'd imitated the child bride while she lay there, pulling the sheet off her body to show herself to him; and how exquisite that sight had been. How they'd touched; how he thought of her all the time they were parted, wondering whether to risk bringing her on board the boat. He'd never let a woman set foot on The Samarkand before, holding to ancient superstition on the matter. But her presence made such fears seem nonsensical. What boat would not be blessed to have such a creature tread its boards?

Nor did he now regret the decision. Sitting under the stars he seemed to see her, turning to smile at him. There she was, with her arms open to welcome him in. There she was, saying she loved him. Whatever wonders he saw after this-and he'd seen wonders: the sea turned silver with squid, storms of gold and vermilion-there would be no vision out of sea or sky that would command his devotion as she had. If only she hadn't been a Geary.

So, Galilee sailed away, and-as I said-I don't know where he wandered. I do know where he ended up, however. After three weeks The Samarkand put into the little harbor at Puerto Bueno. There had been storms all along that coast earlier in the month, and the town had taken a severe battering. Several houses close to the quay, repeatedly assaulted by waves breaking over the harbor wall, had been damaged; and one had collapsed entirely, killing the widow who'd lived there. But Galilee's house at the top of the hill was virtually unharmed, and it was here he returned, climbing the steep streets of the town without speaking to anyone he encountered, though he knew them all, and they all knew him.