"Has she ever been like this before?"

"No."

What could have precipitated it?—But maybe she justhad a bad day. After all, he's only a dog—sort of. —No.He'd hnow. But what, then?

"How was she yesterday—and when she left home thismorning?"

"Like always."

Render tried calling her again. There was still no answer.

"You did, it," said the dog.

"What do you mean?"

"Eyes. Seeing. You. Machine. Bad."

"No," said Render, and his hand rested on the unit ofstun-spray in his pocket.

"Yes," said the dog, turning to him again. "You will,make her well... ?"

"Of course," said Render.

Sigmund stared ahead again.

Render felt physically exhilarated and mentally sluggish. He sought the confusion factor. He had had thesefeelings about the case since that first session. There wassomething very unsettling about Eileen Shallot; a combination of high intelligence and helplessness, of determination and vulnerability, of sensitivity and bitterness.

Do I find that especially attractive?—No. It's just thecounter-transference, damn it!

"You smell afraid," said the dog.

"Then color me afraid," said Render, "and turn thepage." they slowed for a series of turns, picked up speedagain, slowed again, picked up speed again. Finally, theywere traveling along a narrow section of roadwaythrough a semi-residential area of town. The car turnedup a side street, proceeded about half a mile further,clicked softly beneath its dashboard, and turned into theparking lot behind a high brick apartment building. Theclick must have been a special servomech which tookover from the point where the monitor released it, because the car crawled across the lot, headed into itstransparent parking stall, then stopped. Render turned offthe ignition.

Sigmund had already opened the door on his side.Render followed him into the building, and they rode theelevator to the fiftieth floor. The dog dashed on ahead upthe hallway, pressed his nose against a plate set low in adoorframe and waited. After a moment, the door swungseveral inches inward. He pushed it open with his shoulder and entered. Render followed, closing the door behind him.

The apartment was large, its walls pretty much unadorned, its color combinations unnerving. A great libraryof tapes filled one corner; a monstrous combinationbroadcaster stood beside it. There was a wide bowlegged table set in front of the window, and a low couchalong the right-hand wall; there was a closed door besidethe couch: an archway to the left apparently led to otherrooms. Eileen sat in an overstuffed chair in the far cornerby the window. Sigmund stood beside the chair.

Render crossed the room and extracted a cigarettefrom his case. Snapping open his lighter, he heldthe flame until her head turned in that direction.

"Cigarette?" he asked.

"Charles?"

"Right.""Yes, thank you. I will."

She held out her hand, accepted the cigarette, put it toher lips.

"Thanks. —What are you doing here?"

"Social call. I happened to be in the neighborhood."

"I didn't hear a buzz or a knock."

"You must have been dozing. Sig let me in."

"Yes, I must have." She stretched. "What time is it?"

"It's close to four-thirty."

"I've been home over two hours then... . Must havebeen very tired. .. "

"How do you feel now?"

"Fine," she declared. "Care for a cup of coffee?"

"Don't mind if I do."

"A steak to go with it?"

"No, thanks."

"Bacardi in the coffee?"

"Sounds good."

"Excuse me, then. It'll only take a moment."

She went through the door beside the sofa and Rendercaught a glimpse of a large, shiny, automatic kitchen.

"Well?" he whispered to the dog.

Sigmund shook his head.

"Not same."

Render shook his head.

He deposited his coat on the sofa, folding it carefullyabout the medkit. He sat beside it and thought.

Did I throw too big a chunk of seeing at once? Is shesuffering from depressive side-effects—say, memory repressions, nervous fatigue? Did I upset her sensoryadaptation syndrome somehow? Why have I been pro~ceeding so rapidly anyway? There's no real hurry. Am Iso damned eager to write the thing up?—Or am I doingit because she wants me to? Could she be that strong,consciously or unconsciously? Or am I that vulnerable—somehow?

She called him to the kitchen to carry out the tray. Heset it on the table and seated himself across from her.

"Good coffee," he said, burning his lips on the cup.

"Smart machine," she stated, facing his voice.

Sigmund stretched out on the carpet next to the table,lowered his head between his forepaws, sighed and closedhis eyes.

"I've been wondering," said Render, "whether or notthere were any after effects to that last session—like increased synesthesiac experiences, or dreams involvingforms, or hallucinations or ..."

"Yes," she said flatly, "dreams."

"What kind?"

"That last session. I've dreamed it over, and over."

"Beginning to end?"

"No, there's no special order to the events. We're ridingthrough the city, or over the bridge, or sitting at the table,or walking toward the car—just flashes, like that. Vividones."

"What sort of feelings accompany these—flashes?"

"I don't know, they're all mixed up."

"What are your feelings now, as you recall them?"

"The same, all mixed up."

"Are you afraid?"

"N-no. I don't think so."

"Do you want to take a vacation from the thing? Doyou feel we've been proceeding too rapidly?"

"No. That's not it at all. It's—well, it's like learning toswim. When you finally learn how, why then you swimand you swim and you swim until you're all exhausted.Then you just lie there gasping in air and rememberingwhat it was like, while your friends all hover and chewyou out for overexerting yourself—and it's a good feeling,even though you do take a chill and there are pins andneedles inside all your muscles. At least, that's the way Ido things. I felt that way after the first session and afterthis last one. First Times are always very specialtimes... . The pins and the needles are gone, though, andI've caught my breath again. Lord, I don't want to stopnow! I feel fine."

"Do you usually take a nap in the afternoon?"

The ten red nails of her fingers moved across the tabletop as she stretched.

"... Tired," she smiled, swallowing a yawn. "Half thestaff's on vacation or sick leave and I've been beatingmy brains out all week. I was about ready to fall on myface when I left work. I feel al! right now that I've rested,though."

She picked up her coffee cup with both hands, took alarge swallow.

"Uh-huh." he said. "Good. I was a bit worried about"you. I'm glad to see there was no reason."She laughed.

"Worried? You've read Doctor Riscomb's notes on myanalysis—and on the ONT&R trial—and you think I'mthe sort to worry about? Ha! I have an operationallybeneficent neurosis concerning my adequacy as a humanbeing. It focuses my energies, coordinates my efforts toward achievement. It enhances my sense of identity... ,"

"You do have one hell of a memory," he noted "That'salmost verbatim."

"Of course."

"You had Sigmund worried today, too."

"Sig? How?"

The dog stirred uneasily, opened one eye.

"Yes," he growled, glaring up at Render. "He needs, aride, home."

"Have you been driving the car again?"

"Yes."

"After I told you not to?"

"Yes."

"Why?"

"I was a, fraid. You would, not, answer me, when Italked."

"I was very tired—and if you ever take the car again,I'm going to have the door fixed so you can't come andgo as you please."

"Sorry."

"There's nothing wrong with me."

"I, see."

"You are never to do it again."

"Sorry." His eye never left Render; it was like a burning lens.